Rode VideoMic Pro Compact Shotgun Microphone, 200 Ohms - Bundle - with Rode Deadcat VMP Furry Wind Cover for VideoMicPro

Rode Microphones
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About Rode Microphones

The Rode VideoMic Pro raises the bar set by the original Rode VideoMic, by combining broadcast quality audio with an ultra compact and lightweight ergonomic design.

Incorporating new features specific to high end video, the VMP also evolves many of the features that have made the VideoMic so successful. Noise transference has been significantly reduced using both a revised, more elegant shock mounting system and a lightweight premium cable.

Rode Microphones Features

  • Broadcast recording quality condenser microphone
  • Compact design (only 150mm/6" length)
  • Ultra lightweight (only 85g/3oz)
  • 9V battery powered, with up to 70 hours battery life (alkaline)
  • Integrated shock mounting
  • Integrated foam windshield
  • 3.5mm stereo mini-jack output (dual mono)
  • Two step High Pass Filter (flat, 80Hz)
  • Three position level control (-10dB, 0, +20dB)
  • Camera shoe mount with 3/8" thread for easy boompole mounting

Rode Microphones Specifications

9V alkaline battery (Current 7.8mA)
Acoustic Principle
Line Gradient
Directional Pattern
Frequency range
40Hz-20kHz, selectable HPF at 80Hz/12dB/octave
Output impedance
200 ohms
Signal noise ratio
74 dB SPL (A - weighted per IEC651)
Equivalent noise
20 dB SPL (A - weighted per IEC651)
Maximum SPL
134dB SPL (at 1kHz, 1% THD into 1K ohms load)
Maximum output voltage
+6.9dBu (at 1% THD into 1kohms)
-38 dB re 1 Volt/Pascal (15 mV at 94 dB SPL) +/- 2 dB at 1kHz
Dimensions (H x W x D)
95 x 43 x 150 mm / 3.74" x 1.69" x 6"
85 g / 3 oz

Reviews about this item

Reviewed by 2 customers

(2 of 2 customers found this review helpful)




from Washington, DC

To update my comments on the silicone band issue above: I purposefully dismantled the shock mount to get experience reassembling it. And my experience is that this is a project. If the thing comes apart in the field, you'll be keeping people waiting around a while. If you lose one of the bands, the mic becomes useless.

(1 of 2 customers found this review helpful)


tough to say


from DC

For my Panasonic TM700, started out trying Azden, which is well-made but dated, offering 2 audio improvement adjustments: on & off. Went to Rode VidMic, which has secure shock isolation and decent sound but really meant for static tripod mounting. Too large & wobbly for hand-held cam. Now am trying Vid Mic Pro. It's light and proportionate with the camcorder. Produces decent sound quality, but wonder about the 'tough ABS plastic'. Australian-made, Rode's shock suspension systems also seem the audio equivalent of Mad Max. 4 rubber bands of 2 different sizes wind complexly around the body & shoe mount, and you really need the instructions to get them reattached. When one band comes loose, they all do. We'll see....


Questions & Answers Powered by TurnTo®

Questions about this item:

Shopper  Why Did You Choose This?
HAKIM B  Reputation and reviews
Shopper  Hi, Is this a stereo microphone and do you know the range of coverage like 90 or 120 degrees or shotgun? Thank you very much, Ken
HAKIM B  Hello, I am not an expert in sound design, but this mic is absolutely a jam. I used it recently to tape a play at school. the mic was installed on camera and I was about 30meters from the stage at an elevation of about 6ft above stae level. My only mistake is that I let camera automatic gain control kick in a bit since I made the recording at the -10db position on thr mic. I should have had it at the flat position (0db) and lower the vol. onthe camera (Sony NEX-VG10). One recommendation is to immediately register your mic with Rode and go to Rode university site to learn more. you can also aask questions and they will respond to you in a relatively a short time. Good luck and make some noise. By the way, Adorama is the place to buy from, I have been very khappy and satisfied. Regards Hakim

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