Canon 85mm F/1.2L: Picture 1 thumbnail Canon 85mm F/1.2L: Picture 2 thumbnail Canon 85mm F/1.2L: Picture 3 thumbnail Canon 85mm F/1.2L: Picture 4 thumbnail

Canon EF 85mm f/1.2L II USM AutoFocus Telephoto Lens - USA - Advanced Kit - with Vu-Sion 72mm Circular Polarizer Multi Coated Filter, Vu-Sion 72mm (3x) Neutra Density Multi Coated Filter

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Product Highlights

  • 72 Circular Polarizer
  • 72mm Digital Circular Polarizer Filter
  • 72mm Neutral Density Filter
  • Sion 3-Stop Fixed Neutral
Canon 85mm F/1.2L: Picture 1 regular $1,949.00

About Canon 85mm F/1.2L

This Canon 85mm F/1.2L Bundle comes with: New Leaf PLUS 1yr Lens Warranty ( $49.95 Value) and Shipping is free!

• Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM, this new medium telephoto lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. The floating optical system, which includes an aspherical lens element, suppresses aberrations and ensures excellent imaging performance.

Canon 85mm F/1.2L Features

  • Adorama Camera Lens Valuable Bundle. Kit Includes.
  • Canon EF 85mm f/1.2L II USM AutoFocus Telephoto Lens, Front Lens Cap E-72, Rear Lens Cap E, ES-79 II Lens Hood, LP-1219 Soft Lens Case, Canon 1 Year USA Warranty.
  • Pro 72mm Circular Polarizer (CPL) Digital Filter, Made in Japan. Sion 3-Stop Fixed Neutral Density 72mm Filter.

Canon 85mm F/1.2L Specifications

7 groups / 8 elements
Angle of view
Diagonal: 28° 30' (43.2mm)
Vertical: 16° (24mm)
Horizontal: 24° (36mm)
F stop range
Closest Focusing Distance
0.95m / 3.1 ft.
Maximum Magnification
Filter Size
Dimensions (Length x Diameter)
3.6" x 3.3" / 91.5 x 84.0mm
2.3 lbs. / 1,025g
Mfr #
1056B002 K

Canon 85mm F/1.2L Reviews Powered by TurnTo®

Review Snapshot®


(based on 97 reviews)


of respondents would recommend this to a friend.

Ratings Distribution

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  • 1 Stars



Reviewed by 97 customers




Love everything about this lens


Super lens


I have wanted an 85mm 1.2 since my first days of serious photography, back in the 70s and the old SSC (Super Spectra Coat) lenses. All my years of waiting ended about 6 months ago, and I couldn't be happier with this lens. As other reviewers have mentioned, this lens is meant to be shot wide open, and it does a great job. You can keep the ASA really low and still maintain reasonable shutter speeds (but be sure to enlarge the image in the camera if you're working on the edge to be sure there's no camera shake.) It gathers light better than the human eye; on several occasions I have taken some shots in poor lighting, observed that the lens seemed to provide its own fill, and asked others if they saw the same thing I saw. They did. I have had success in lightening dark areas (if needed) by overexposing by about a stop - I don't do much photoshop or raw file manipulating. It provides great warmth (perhaps its greatest asset) which is generally lost even with well balanced flash. I took some portraits of my wife for publication and the editor inquired about what equipment was used because of the beautiful bokeh. I loved my 85 1.8 but they are two very different lenses. Yes, it's heavy and costly, and as noted it mounts a little funny, but I'm sorry I waited so long to enjoy this.

(1 of 1 customers found this review helpful)


Exclusive look


Perfect for portraits, but only for pictures . Slow focus and critical depth of field.


A real difference maker!


I assume anyone looking at this lens is an experienced photographer, has read various reviews and is very near a buy decision. My advice is buy it! Since I've owned this lens complements on my work have tripled. Shooting wide open produces images that are frankly unmatched by any other lens. The negatives you will read about such as weight and slow to focus are in my experience overstated. The lens is heavy but still more than a pound lighter than the 70-200mm f/2.8 IS. Focus is a little slow if you are going from macro to Infinity but I rarely do that and I have never had a problem shooting a moving model. I guess the most important question is always would you buy it again if you had it to so all over again? My answer is in a heart beat. In fact, I own 5 L lenses and if I could only keep one this would be the one I would keep.


Beautiful lens


So worth every penny !! The focusing is slower than others.


Great Lens For Wedding Photography


It's heavy and a little slow to focus (in my opinion) but it's a great focal length that provides a deliciously creamy background! I tend not to use it wide open but rather keep my aperture around 2.0. I am still figuring this lens out but it's a great one to add to my collection, bridging the gap between the 50mm and 135mm. I have heard it's hands-down the best portrait lens and all my photographer friends have become so hooked on the 85mm that they only remove it when they absolutely have to shoot with another focal length. I hope I'll love it just as much! Just a note: I shoot in live view a lot with my Mark II and the focusing ring on this lens is SOOOO loose. It's crazy! But it's also normal. Just an FYI :)


The BEST Lens by any manufacturer


Love the Bokeh and everything else about it!!


A no brainer


If your looking at this lens then you need not look farther. Get it!


Built like a tank!


Heavy but beautifully made and super sharp.


Great lens


I'll skip the sweet stuff and go directly to things I disliked: 1, The focus by wire FTM ring. I understand that the lens is actually moving ALL but one elements -- that's a lot of glass-- while focusing but I'd still prefer a stiff, heavy, mechanically connected FTM ring than the loose slippery electronic focus by wire system. Since the electronic FTM on this lens is pretty much useless I always disable the 'electronic manual over-ride ' feature in my 1DS settings menu. 2, The moving front group. I'd prefer a fixed front group or at least somehow extend the outer barrel so the front can be contained within the outer barrel while focusing. I hate to manually 'reset' the lens back to infinite after each session. And a extended outer barrel (maybe by around half an inch) will also make the lens body easier to grip while using large 1D series bodies. 3, No weather seals. 4, The AF/MF switch. It's too small and difficult to use especially with gloves on. This is a special lens, you can tell it's a 85/1.5 from the first glimpse of a picture but there's still much room to improve. so, a mk. III, please?


Questions & Answers Powered by TurnTo®

Questions about this item:

Robert M  I'm looking at purchasing either this lens or the 70-200 IS II USM zoom. That lens seems like it might be more versitile, but a f1.2 is really appealling. I'm a serious hobbyist who has done a couple of weddings, events, and have been asked to shoot some senior portraits and an album cover for a local quartet. Would like some opinions on which lens might be a better buy?
ELMER S  The 85 mm is really the workhorse for portrait photography and is very useful in poorly lit conditions e.g. churches. Both the 85 mm and the 70-200 will give you a nice background blur. You need good lighting for the 70-200 and good distance with the subject to achieve similar result with the 85 mm.
Robert M  Thanks Elmer, I appreciate your thoughts on this matter. I think the 85mm is where I am leaning at this point
Shopper  Why Did You Choose This?
ELMER S  excellent portrait photography in poorly lit conditions.
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