Kelby Training DVD: Yellowstone Big Game Photography

Yellowstone National Park in the fall is the best place to photograph big game. Join wildlife photographer Moose Peterson as he explores Yellowstone and captures amazing images from this national treasure

Course Lessons
• Welcome (01:42)
Moose introduces himself and gives an overview of what he will be covering in the course
• Practical Tips (06:37)
Have your camera gear ready to go when you reach location and be careful because theft can be an issue
• Do Not Be Afraid of Bad Weather (02:51)
Some of the best photography can be taken in the worst weather
• Time is Everything (06:56)
When you are shooting big game, it is important to know the basic biology and to have the patience to wait for the shot
• Creating the Photo (03:58)
It takes a lot of forethought to be ready to combine all of the elements of a quality shot into one frame
• Composing the Scene (03:46)
Moose frames the subjects of his photos in the viewfinder and does not rely on photo editing tools
• Lone Bison (12:48)
Moose talks through the process as he shoots a single bison that is moving closer and closer
• Bull Elk, Testing, and Teleconverter (11:23)
It is important to know what kind of camera settings you want to use before shooting
• Break the Jinx (03:38)
Old superstitions comes into play when shooting an elusive animal like the wolf
• Scouting After Dark (01:29)
Watching a herd of elk and anticipating the presence of larger predators
• Working the Background (07:04)
Backgrounds are an essential part of telling the story with your photograph
• Bad Boy Number 6 (06:04)
Photographing an infamous elk that has a reputation for aggression
• Camera Bag (03:41)
Moose breaks down his camera bag and talks about what gear he likes to carry with him and why
• Classic Shots (03:07)
Moose takes some classic shots of a herd of elk drinking from the river
• Hand Holding and Panning Techniques (04:23)
Reviewing some of the basics that are very important when shooting nature photography
• Hop Scotch (07:20)
Method for multiple photographers to approach an animal without startling it