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Panasonic LUMIX G Vario 35-100mm f/2.8 ASPH Lens for G Series Cameras

Learn about the PANASONIC LUMIX G VARIO 35-100mm f/2.8 MICRO 4/3 LENS for G SERIES CAMERAS

It’s time to bring the telephoto lens into the modern age. And what better lens to do that with than this PANASONIC LUMIX G VARIO 35-100mm f/2.8 MICRO 4/3 Lens, an easy, digital interchangeable lens that is sophisticated enough for professionals but attractive enough to entice more serious photography enthusiasts as well. At Adorama, we don’t think that’s too much to expect, but let’s get specific: what is it about this lens that deserves your interest?

• Constant, smooth zooming. Believe it or not, you’ll likely notice just how well this Panasonic Lumix 35-100 zooms—especially if you’ve been attached to a different telephoto lens for a while and aren’t used to something this sophisticated. Some telephoto lenses offer an aperture range while zooming. Because you can’t really control that aperture, you can end up with blurry video, shoddy pictures and ultimately, you - the unsatisfied customer. But the constant F/2.8 aperture throughout the zoom on this telephoto lens will allow the autofocus to work its magic. And speaking of autofocus…
• The stepping motor inside the Panasonic Lumix 35-100 provides a superior inner focus system, offering consistent resolution and contrast even when you’re utilizing magnification at, well, just about any power. The overall length of the lens you’re using is actually fixed even in zooming or focusing thanks to this mechanism, and the autofocus is smooth and silent enough to handle a wide range of zooming video shots. What’s more, you’ll notice that even when you’re zoomed in, you’ll be able to maintain steadiness thanks to an advanced stabilization system.
• The Power O.I.S. (Optical Image Stabilizer) compensates for small and fast movement, which, when you’re zoomed in, generally refers to “any movement.” Anyone who’s ever zoomed in with a camera before knows that your ability to maintain a steady shot all depends on the mechanisms you’re working with, whether it’s a tripod or a sort of internal tripod, which is what this O.I.S. essentially becomes. If you want steady, far-off shots in either video or still photos, you’re going to need a powerful mechanism like this that keeps the shots crisp and not blurry.
• The lens structure might not excite you, but when you see the results in the Panasonic Lumix 35-100, you’ll know exactly what we’re talking about. There are 18 lenses in 13 groups here, providing excellent contrast whether you’re focusing on the center of the frame or “painting in the corners,” which is great for professional photographers and amateurs alike. You’ll also find a UED and 2 ED lenses here, keeping the colors consistent and minimizing any potential aberrations.
• Durable to the maximum, this Lumix 35-100 will be able to handle even the most adventurous of photographers, whether you want to bring it in your bag because it’s so lightweight or you simply want to put its ability to stand up to splash and dust to the test. Sure, you don’t exactly want to rough up your Panasonic Lumix 35-100, but even if you do on accident, you’ll likely enjoy the durability and strength it offers.

When you can control your aperture, your stabilization and aberrations, you can create amazing images. And you don’t need to be a pro to do that. At Adorama, there are few lenses as modern and equipped for any photographer as the PANASONIC LUMIX G VARIO 35-100mm f/2.8 MICRO 4/3 Lens.