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Matrox

Matrox Mojito MAX Professional I/O Card

SKU: MRMOJITOM MFR: MOJITOMAX
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$995.00 $39 per week
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About this item

The Matrox Mojito MAX Professional I/O Card is a dual-platform input/output device that performs hardware-based H.264 encoding and hardware video scaling (up, down and cross conversion) and offers monitoring calibration tools. Best of all, it works with a long list of professional editing, effects and encoding applications, so your existing software workflow will only be enhanced by the addition of a hardware I/O card that's as versatile as this one.

The Mojito MAX is a 3/4-length PCIe card that features HD/SD-SDI and HDMI input/output (along with embedded audio) and includes a breakout cable that accommodates a wide range of both analog and digital audio and analog video signal types. It's got inputs and outputs for composite, component and S-Video; there's also stereo XLR input and stereo analog RCA output, as well as AES/EBU digital audio I/O.

If that's not enough, the cable also features an RS-422 input for machine control and genlock I/O that supports both blackburst and tri-level sync. Included software enables you to calibrate your inexpensive HDMI monitor so that you can use it in a broadcast-level workflow.

These features will help integrate your editing suite into the larger video system of your facility, such as it may be and the hardware-accelerated functions of the Mojito MAX card - H.264 encoding and real-time scaling - will help you get the most of your editing application by shouldering the burden of tasks that otherwise would be performed in software. With certain applications (especially Adobe Premiere for Windows), Mojito MAX will even hardware-accelerate some other processes and its bundled software introduces functions that are missing from some applications, such as print-to-tape for Final Cut Pro X.

What's Included With This Item

  • Matrox Mojito MAX Professional I/O Card
  • Mojito MAX Breakout Cable
  • HDMI Cable (Type A to Type C)
  • Software Bundle
  • Matrox 3 Year Limited Warranty

Key Features

  • Lightning-Fast H.264 Encoding: Not only does Matrox Mojito MAX give you broadcast-quality input and output for your favorite editing app, it also turbo-charges your H.264 encoding for deliveries to the web, mobile devices and Blu-ray - in a single 3/4-length PCIe card
  • Editing: Adobe Premiere Pro, Final Cut Pro, Avid Media Composer, Boris Media 100
  • Content creation: Adobe After Effects, Adobe Photoshop, Apple Color, Apple Motion, Apple Soundtrack Pro, Eyeon Fusion, NewTek LightWave 3D
  • Streaming: Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, Telestream Wirecast
  • H.264 encoding: Adobe Encore, Adobe Media Encoder, Apple Compressor, Telestream Episode
  • Blu-ray authoring: Adobe Encore, Roxio Toast
  • All the I/O You Need: Matrox Mojito MAX gives you a full range of professional audio and video inputs and outputs, genlock, RS-422 machine control - plus 5.1/7.1 surround-sound monitoring on the HDMI output. See the Specifications for full details
  • Matrox RT Engine: The Matrox RT engine provides full-resolution, full-frame rate, full-quality, multi-layer, real-time video editing for Adobe Premiere Pro editors on the PC. It provides many of the benefits of GPU acceleration but works with any system, even laptops
  • Closed Captioning: Matrox Mojito MAX supports closed-captioning workflows with Final Cut Pro on the Mac and Adobe Premiere Pro on the PC
  • Stream from Any Camera, Anywhere: Matrox Mojito MAX is a convenient capture device for streaming live events. Choose your favorite app - Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, or Telestream Wirecast. Connect to any HD or SD video source via HDMI or analog
  • 3D Production and Post: Matrox Mojito MAX can be used in a variety of scenarios to assist cost-conscious content creators in 3D stereo production and post
  • HD to SD Downscaling: Real-time HD to SD downscaling is performed with proper conversion of the HD color space to the SD color space. Proper aspect ratio conversion to anamorphic and letterbox are supported on Mac and PC. Center-cut is supported on the Mac
  • SD to HD Upscaling: Real-time SD to HD upscaling is performed with proper conversion of the SD color space to the HD color space. Footage with a 4:3 aspect ratio will be "pillarboxed", 16:9 SD footage will be scaled to full screen
  • Cross Conversion: Real-time cross conversion from 720 to 1080 and 1080 to 720 is supported. Real-time frame rate conversion is also supported with 2:3:2:3 and 2:3:3:2 cadences
  • Inexpensive HD Monitoring: Matrox Mojito MAX turns your HDMI monitor into a true-color video display you can trust, even for color grading. Thanks to the Matrox HDMI Calibration Utility, you won't need to buy expensive HD monitoring equipment
  • True 1:1 Pixel Representation: To accurately judge your video content, it is best to view it at its native resolution. However, some HDMI monitors scale the input signal by default. The Matrox HDMI Calibration Utility lets you easily identify if this is the case
  • White & Black Levels: The white level is the intensity at which the monitor will display the whitest pixel. The black level is the intensity at which a monitor will display a black pixel
  • White Point: The white point is the color of the white reference for a particular display. Rec 709 specifies 6500K as that reference which is equivalent to the color of a white sheet of paper when seen outdoors at noon when the sky is overcast
  • Gamma Response: The input-to-output response of a broadcast video monitor is a nonlinear power function called the gamma response. The Rec 709 specification defines the gamma response expected of broadcast monitors
  • Hue & Chroma: The Matrox HDMI Calibration Utility includes patterns that let you ensure that the intensity of the primary and secondary colors are accurate. External references such as a blue-only button or a blue gel filter are not required, provided your HDMI monitor supports 1:1 pixel mapping
  • Matrox Vetura Capture (Mac): Matrox Vetura Capture lets Adobe Premiere Pro, Apple Final Cut Pro and Avid Media Composer editors on the Mac quickly and easily capture to many of the QuickTime codecs that are installed on their system, without opening a complete NLE
  • Matrox Vetura Playback (Mac): The Matrox Vetura Playback application lets you quickly and easily play out any 1080, 720, PAL, NTSC, or smaller .mov file, including those captured with an iPhone, through your Matrox I/O device as long as you have the applicable codec installed on your system
  • Matrox A/V Tools (Windows): Matrox A/V Tools is a Windows application that lets you use your Matrox I/O device to quickly and easily capture and play back your audio/video assets without opening a complete NLE. It lets you capture video from your camera or VTR into AVI files on your computer
  • Matrox MAX H.264 Capture (Windows): H.264 is the technology common to video viewed on the web, mobile devices and Blu-ray discs. Matrox MAX H.264 Capture is a Windows application that lets you quickly capture directly to H.264 files from your camera or tapes using any Matrox I/O product with MAX
  • Matrox DirectShow Filters(Windows): Matrox provides source filters for Microsoft DirectShow for Windows. Applications such as Adobe Flash Media Live Encoder and VLC Player can make use of these filters. Matrox DirectShow source filters can also be used by programmers looking to write custom software

Technical Specs

Resolutions Even frame sizes from 64 x 64 to 1920 x 1080
Bit Rates 100 Kb/s to 50 Mb/s
Frame Rates 15, 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second
Supported Profiles Baseline (CAVLC) and main (CABAC) profiles
Controls 1 2.0, 3.0, 3.1, 4.0, 4.1 and 4.2 level support
GOP structure
Constant bit rate (bit rate remains stable, quality varies depending on complexity of each frame)
Constant quality (each video frame is analyzed to deliver the targeted quality, bit rate varies while keeping the lowest possible bit rate)
Variable bit rate (squeezes out the highest possible quality at the average target bit rate)
Noise filtering (saves bits by reducing high frequencies in the video)
Controls 2 De-interlacing (ensures high-quality encodes of interlaced SD and 1080i source material)
Data rate slider (produces smoother or more abrupt transitions)
Sample rate monitoring (verifies compliance with targeted data rate)
Scene detection (provides multi-pass quality in a single pass with Apple Compressor)
Supported Formats NTSC/PAL/NTSC-EIAJ
720p: 50/59.94
1080i: 50/59.94
1080p: 23.98/24/25/29.97/30
1080PsF: 23.98/24/25/29.97/30
HDMI Video Input 1x HD input
HDMI YCbCr 4:2:2 (10-bit) / RGB (10-bit)
8 channels of embedded audio
Standard Type A HDMI connector (19 pins)
HDMI Video Output 1x HD or SD output
HDMI YCbCr 4:2:2 (10-bit) / RGB (10-bit)
8 channels of embedded audio
HDMI 1.4a flag setting through control panel for 3D monitoring
SDI Input 1x SD or HD input
16 channels of embedded audio on Mac
8 channels of embedded audio on the PC
Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M
BNC connector (75 Ohms), terminated
Equalized input for maximum cable length support
SDI Output 1x SD or HD output
16 channels of embedded audio on Mac
8 channels of embedded audio on the PC
Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M
BNC connector (75 Ohms)
Composite Video Input PAL/NTSC/NTSC-EIAJ
12-bit ADC
2x oversampling
Anti-aliasing filtering
Automatic gain control
BNC connector (75 Ohms), terminated
Composite Video Output PAL/NTSC/NTSC-EIAJ
12-bit DAC
8x oversampling
BNC connector
S-Video Input PAL/NTSC/NTSC-EIAJ
12-bit ADC
2x oversampling
Anti-aliasing filtering
Automatic gain control
4-pin mini-DIN S-Video connector (75 Ohms), terminated (via third-party adapter sold separately)
S-Video Output PAL/NTSC/NTSC-EIAJ
12-bit DAC
8x oversampling
4-pin mini-DIN S-Video connector (via third-party adapter sold separately)
Component Video Input Switchable between SD and HD
EIA-770.3 compliant
12-bit ADC
Anti-aliasing filtering
BNC connector (75 Ohms), terminated
Component Video Output Switchable between SD and HD
EIA-770.3 compliant
12-bit DAC
2x oversampling
BNC connector
Video: Performance Amplitude error: <4%
Frequency response: +/-0.5 dB max to 5 MHz
2T pulse response: 1.0% max
Diff. Gain: <2%, Diff. Phase: <1 degree
S/N: >58 dB, unified weighted
Analog Inputs 2 channels balanced audio via XLR connectors
Nominal levels: +4 dBu (+4 dBm)
Input impedance: Hi-Z
Headroom (max level): 18 dB
Analog Outputs 2 channels unbalanced audio via RCA connectors
Output impedance: 100 Ohms
Line level with 18 dB headroom (max level)
4 channels balanced audio via XLR connectors
Nominal levels: +4 dBu (+4 dBm)
Output impedance: 50 Ohms
Headroom (max level): 18 dB
AES/EBU Audio Input 2 channels unbalanced
1x BNC connector (75 Ohms), terminated
Maximum input level: 5Vp-p
AES/EBU Audio Output 2 channels unbalanced
1x BNC connector (75 Ohms), terminated
Nominal output level: 1Vp-p
SDI Audio Input 16 channels embedded audio on the Mac
8 channels embedded audio on the PC
24-bit, 48 kHz
SDI Audio Output 16 channels embedded audio on the Mac
8 channels embedded audio on the PC
24-bit, 48 kHz
HDMI Audio Input 8-channels embedded audio
24-bit, 48 kHz
HDMI Audio Output 8-channels embedded audio
24-bit, 48 kHz
Audio: Performance Sampling frequency: 48 kHz (using 64x oversampling)
Quantization: 24 bits
S/N: > 85 dB
THDN at 1 kHz, nominal level: < 0.05%
Reference Input & Output Sync HD analog tri-level sync or SD analog bi-level black burst
BNC connector (75 Ohms), terminated
Scaling Engine 1 Hardware-based multi-tap 10-bit real-time processing
HD to SD downscaling: Proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic, letterbox and center cut are provided. You can monitor or record an SD master of an HD project in real time
Scaling Engine 2 SD to HD upscaling: Proper conversion of the SD color space to the HD color space is performed. Footage with a 4:3 aspect ratio will be "pillarboxed". SD 16:9 footage will be scaled to full screen
Cross conversions from 720 to 1080 and 1080 to 720
All scaling operations can be accompanied by frame rate conversion with 2:3:2:3 and 2:3:3:2 cadences to facilitate monitoring 23.98 fps footage on a monitor that does not support the specific frame rate
Sub-Framing Editing: Adobe Premiere Pro, Final Cut Pro, Avid Media Composer, Boris Media 100
Content creation: Adobe After Effects, Adobe Photoshop, Apple Color, Apple Motion, Apple Soundtrack Pro, Eyeon Fusion, NewTek LightWave 3D
Streaming: Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, Telestream Wirecast
H.264 encoding: Adobe Encore, Adobe Media Encoder, Apple Compressor, Telestream Episode
Blu-ray authoring: Adobe Encore, Roxio Toast
Deck Control Via RS-422
Regulatory Compliance FCC Class A, CE Mark Class A, ACMA C-Tick Mark, VCCI
RoHS Directive 2002/95/EC
Power Consumption 15W
Operating temperature 32 to 104deg.F (0 to 40deg.C )
Storage temperature -40 to 167deg.F (-40 to 75deg.C)
Maximum altitude for operation 9843' (3000 m)
Maximum altitude for transport 39,370' (12,000 m)
Operating humidity 20-80% relative humidity (non-condensing)
Storage humidity 5-95% relative humidity (non-condensing)
Dimensions (H x W x D) 3/4-length PCIe card: 2" x 9.5" x 9.3" / 50.8 x 241.3 x 236.22 mm
Weight 2.75 lbs / 1.25 kg
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