Save $60.93 when you buy this Zeiss 35mm F/2 . This Value Bundle comes with a Adorama Cleaning Kit, Tiffen 58mm Photo Essentials Filter Kit, ProOptic Universal Lens Cap Tether and a Zeiss 35mm F/2 and Shipping is free! .
Distagon T* 2/35 ZE.
The high-speed, moderate wide-angle Distagon T* 2/35 ZE fits all analog and digital EOS cameras. Its classic 35mm focal length is particularly well-suited for advertising, travel and nature photography as it captures dynamic perspectives with high depth of focus and few distortions. With a moderate wide angle of 53 degrees (horizontal), the Distagon T* 2/35 ZE can easily capture wide scenery without forcing photographers to consider perspective effects as design elements as they would have to with shorter focal lengths. The relatively short angle of rotation of the precision focusing mechanism enables fast but precise focusing when required
For the growing number of photographers and videographers using DSLR's for movie making, the Distagon T* 2/35 ZE is one of four prime lenses making a core set, joining the Distagon T* 2/28 ZE, Planar T* 1.4/50 ZE and Planar T* 1.4/85 ZE. These lenses are well suited for HD video applications due not only to their exceptional image quality, but for the smooth focus and long focus rotations.
The Distagon T* 2/35 ZE features high image quality for the entire aperture and focusing range. Thanks to its sophisticated optical design in which nine lens elements are perfectly aligned, it permits particularly high imaging performance across the entire image field.
When a tripod is not available, the fast f/2 aperture allows easily handling under low light, making perfect pictures possible even under difficult lighting conditions. Thanks to its special optical design and the Zeiss T* anti-reflection coating, this lens captures bright light sources without artifacts. The Distagon T* 2/35 is also perfect on-the-go thanks to its all-metal and extremely durable precision mechanics for which Carl Zeiss lenses are well-known.
First allow me to state my concerns going into this purchase. I read a lot of reviews and articles regarding the lens and the comparisons it had against other lenses. My two main apprehensions were 1) The crop factor on my 7D â€“ many people are of the persuasion that it is not appropriate to use this lens on a camera that is not full frame, 2) The ability for us older cogs to properly focus if we have failing eyes. I have experienced no issues with the lens on my 1.6x camera. I am truly pleased with its scaling and it is a great normal lens. I was suspecting that this would be the case. My greater fears were the focusing issue with older eyes. I read on a site by a reviewer whom I've learned a lot from and who has the highest regards for Zeiss lenses that if your eyes are wearing out then you need to stick with the auto focus lenses. His comment almost stopped me from making the purchase! Yet on the Zeiss website they stated that it is possible to shoot with a manual focus lens while wearing glasses by shooting in live view; and they are absolutely correct. I could not be happier with the way that the lens performs. I am just an enthusiast and have no monetary dependence upon my ability to shoot pictures. I was at a wedding of the daughter of a good friend of mine and I pre-focused at f/2 a spot where the bride would pass by, clicked off three shots as she passed, with two shots I missed yet today the third shot is what is on display. They did hire professional photographers who clicked off thousands of shots of the overall event nevertheless in any given situation usually only one picture will be hanging on the wall (for some reason unknown to me none of them were shooting with a prime lens). Last of all I would like to affirm what you will read everywhere else that the colors are fabulous and that the lens is as sharp as a tack. Great lens.
Bought this for tripod-mounted landscape work and some low light stuff. Lens is very sharp wide open, better than my Nikon 50mm f/1.4. F/8 is the sweet spot across the field, but honestly, for all the hype about Zeiss colors and 3-D, my Nikon 24-70 does just as well. It's a tool and will fit into my shooting as I slow down and return to basics, but don't be fooled by all the hype about Zeiss glass and colors. For this much money, it ought to have AF.
Great lens! One of the best focal lengths on full format! Love it for cinematography. Fascinating 3d effect, micro contrast and wide latitude!
On a 1.6x crop sensor it's tack sharp corner to corner at f2.0 with little doubt it could do the same on full frame. Its ALL metal construction makes it a work of art in itself. Very reminiscent to Hasselblad V-lenses. Buttery smooth and extremely accurate manual focusing. Impressive close focusing on a 1.6x crop also. Little to fault with the lens. My copy showed purple highlight fringing only at f2.0 and only from 10+ feet. This fault proved easily fixable in software. Other than that the optics were flawless. Manual focusing can be quick, especially with a focusing screen upgrade. Have seen reputable sources showing it is sharper than the Canon 35mm 1.4 L wide open. I would highly recommended the Zeiss 35mm ZE for anyone looking for world class glass that will fully resolve the sensors of the next decade.