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PhotoZAP 63: Whodunit?
Average: 4.5 stars
 

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"The lighting, the overall texture of this image, the framing, all just works perfectly for me. This could be a book cover.—Jack Howard



Photo © Tom Olson, Danville, IL. Gear: Nikon D80, 18-55-mm VRII Nikon kit lens set at 18mm, Nikon SB600 shot through umbrella, Ailien Bee B800 fired through standard reflector at bottom of stairs. Exposure: 1/100 sec at f/6.3, ISO 200. Color desaturated slightly and contrast and clarity increased in Adobe Lightroom 2.

Photographer’s statement: “This photo was part of a series based on lyrics/meanings of various songs by the band "The Deftones."  This particular photo was based on the song named "MX."  Rather than your standard portraits, I go for a more editorial feel with mine, trying to tell a story and to give the viewer something to piece together and make sense of.  If you want to see more of my work feel free to check out www.tomolsonphotography.com  I'm not technically a full-time pro.  ;-(”

Our critics say…


Mason Resnick: I’m always amazed at where people find their inspiration; in this case,it’s a heavy-metal song! Clearly well-planned and previsualized, this shot evokes mystery and asks more questions than it answers. The lighting and shadows, and the many different diagonal and jagged lines, create a mysterious result. My only nitpicky complaint is the lighting gets a bit too hot towards the lower right, where the ceiling reflection bounces off the wood floor.

Ingrid Spangler: I’m a big fan of tableaux vivants like this. I admire the obvious amount of planning that goes into the making of such a shot. While I can see the potential in this particular setup, I’m confused at portions of the execution. I like the converging lines pointing to the woman’s body on the floor; the staircase railings, shadows, the man’s hands, even the radiator, all gesture toward the woman. But the green wall on the right side takes up a full quarter of the image and takes me out of the scene. Also, I would have liked to have the stair rail at the bottom of the image more fully revealed, as that modified angle might have eliminated the segment of the wall and white baseboard near the bottom of the image that distract the eye.

Jack Howard: Wow. The lighting, the overall texture of this image, the framing, all just works perfectly for me. This could be a book cover. I like the mystery the green wall suggests and how it impedes the flow down the stairs, and I love the hard shadows of the bannister thrown against the back wall. And that hotspot in the lower right on the floor? I dig that, too–it is a tease of something out of frame that adds to the mystery. Well-visualized and um...executed?

 

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Reader Rating and Comments

9 readers rated this article. Average rating: 4.5 stars
 
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0 of 0 people found this comment helpful
 
absolutely love this

My suggestion is: you might cut 1/5 of your left picture to eliminate the guy. And by this way, you do not have to reveal the stair rail at the bottom, since that there is no complete stair rail portions make your picture more mysterious. You show the guy in the picture, so you put a complete picture mid handrail. I do not understand why people really want to cross out the hot spot at the bottom part. For me, this pot is the observer of the murder scene, the serious look of light, and the man becomes unnecessary. This is the most amazing point that gets all of my attention and love.

by in OC on

0 of 0 people found this comment helpful
 
It is artistic but not logic, but I love it

1st: The man looks too relax with the appearance of his blue jean but the unusual hurry of his elbow and arm. I think you wan to make him the observer of this murder scene. 2nd: His nose is right at the white strip. He becomes more a distracting object. 3rd: The way the girl lay down on the floor is not logic because: if she fell from the first lower path of the stair, she would never die. If she fell from higher level, her head could never point that way. You can make some experiment to see this. 4th: She is clinching. Why? If she is holding some paper, jewelry or something, then this point could make more sense.

by in OC on

1 of 1 people found this comment helpful
 
Whodunnit?

This works perfectly for me as a still shot from a movie or as a book cover or album cover as suggested. It strongly indicates the story that the title suggests. My eyes first see the body, then the heaviness of the green wall and its diagonal line pull my eyes down to the bottom bannister rails, along them and up the left side , noting the radiator before travelling down the far rails to the green wall then round again and noting in more detail, the stranger, the missing switch plate, the bright light from under the right balcony wall. All adds to the mystery of the scene and could make me pick up the book to read or rent that movie.

by in Edwardsville, Il on

1 of 1 people found this comment helpful
 
Great Shot

Reminds me of a Rush LP cover, like Permanent Waves, the long legs, hair, and outfit of the model. Agree that the hotness in the lower corner is distracting, as is the lack of light on the top right. The missing switchplate on the stairway wall is bothersome. The railing shadow is disturbing...like Hitchcock or my older sister would do just to scare me. If the guy were looking at the camera like he was just caught, it might be freakier. The green walls seem serendipitous to the shot. Likey.

by in Rochester NY on

0 of 0 people found this comment helpful
 
Awesome composition

Have to go with Jack rather than some of the nitpickers. Love the railing and baseboard at the bottom. IMO the shadows are incredible, and even the green wall locks you from leaving the image and forces more focus on victim. This feels like m.c. escher in a dark mood.

by in Madison, WI on

0 of 0 people found this comment helpful
 
Nice Shot

Nice shot indeed.

by in NJ, USA on

0 of 0 people found this comment helpful
 
Very Nice

Great story and execution of the shot. I really like the depth of field and detail. The green wall works OK for me, although if the use allowed cropping I'd take a bit off that side.

by in Calgary, Alberta on

0 of 0 people found this comment helpful
 
Less Distraction

The colors are good but the shadows are too big and bold and don’t add to the intensity. They could be less severe and wide. The green wall on the right and the banisters at the bottom of the image don't add anything and become distracting.

by in Saratoga, CA on

0 of 0 people found this comment helpful
 
Superb!

Love this image. Jack Howard said it all for me.

by in NE Ohio on

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