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Our critics praise and pan your pictures
By Adorama Learning Center Editors
September 15, 2010
“The range of tonalities is reminiscent of the kind of result one might get on film using the Zone System.”—Mason Resnick
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Photo © Tom Pappas, Moraga, CA. Canon Digital Rebel, 18-55mm kit lens with UV filter, on a tripod. Exposure: f/8 at 1/400 sec, ISO 200, overexposed 1 stop. Converted color original into black-and-white, boosted highlights by 27%.Photographer’s statement: “Timing is everything. I was lucky to be in the right place at the right time for this shot. The clouds were also unusual for the time of year and they certainly make the shot more interesting. I also tried to capture the distant islands in the photo."Our critics say… Jack Howard: This is simply beautiful and the directional light and nearly pure white sun-facing walls works exceptionally well, as does the monochrome palette. I love that there is so much depth to the background, including those islands across the water. What I'm not crazy about is all that dead, dark space in the lower third of the frame, particular in the lower right quadrant. I'd crop a good chunk of this out, going with a more panoramic aspect ratio overall which will give a more intimate feeling to being in the village, as opposed to on the edges of this tiny hilltop town.Mason Resnick: This is a gorgeous scene and the range of tonalities is wonderful, reminiscent of the kind of result one might get on film using the Zone System. I agree with Jack that the image kind of dies in the lower right, but I wouldn’t crop it out. Instead, I’d try to bring out the shadow details. Using Diane Miller’s suggestions, working from a color original I’d mask the shadow areas and then play with the relative color tonalities in Photoshop’s Black & White Adjustment or Channel Mixer.Ingrid Spangler: I think this is a lovely shot. I’m very fond of the light play on the sides of the white houses and how their pure whiteness contrasts nicely with the layers of color in the clouds and the distant islands in the background. The large chunk of dark, murky space in the lower right does detract from the nice contrasts and layered tones in the rest of the image and I would crop it out, bringing the village closer to the viewer.
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Reader Rating and Comments
I converted this to B&W in Aperture, although sometimes I simply use the tools in iPhoto to do it. I recently printed this photo in color on Canson Photo Baryta paper, at 13 x 19 size, and it came out very beautiful! Tom
by Tom in Moraga Ca on November 10, 2011
People might see this picture via their viewfinder without understanding the meaning of the picture I think. In might opinion, he is completely successful in convey his idea the village.
by kidgods in OC on February 2, 2011
I do like this Tom. Would you share with us which B&W conversion method you used. ie "In camera"; "Lab color"; "Grey scale"; "Channel mixer"; "Gradiant map"; "Hue-saturate" and probably several more without counting commercial plug-ins that use some of the above methods but cost you bucks! I have PS CS2 and have used all the above but don't know if they are all available in Elements. For anyone who has not tried many of the above, do note that some are destructive and some non-destructive whcih make them the better choices. The in-camera method is a one shot deal in that if you change your mind later and wish you had shot it in color you might just be screwed.
by Cornishpete in Edwardsville IL on December 23, 2010
I find the critics' advice to be pretentious and misguided. The dark area on the lower right is one of the few good aspects of the photo. What really detracts is the clouds. Their texture may be interesting, but it clashes with the structure of the houses. Overall, the photo gives me a sense of unease and is very unpleasant.
by Spiel in Oakland on December 23, 2010
I appreciate the selection of my photo for PhotoZap as well as the kind comments from the critics. The village is called Hora and it is on the island of Serifos in Greece. Cheers, Tom
by Tom in Athens on September 15, 2010
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