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“Glowing” flower macro shots

“Glowing” flower macro shots

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A how-to tip from an online macro photography course that's only being taught once this year!

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Since many of the yards and parks are full of flowers throughout the northern hemisphere, I wanted to share a really cool flower photography idea with you!


Here's a quick tip written especially for the Adorama Learning Center by Bryan Peterson, founder of the Perfect Picture School of Photography. Click here to take an online photography course!

Learning to 'see' and compose the right out-of-focus background is a constant goal of mine.  I am forever challenging myself to look for new ways to introduce an out-of-focus background, which like most out of focus background, is intended to accentuate, to call further attention to my focused subject that is in front of this out of focus background.  One of the neatest tricks I've always enjoyed, particularly with flowers, is to find the perfect flower that allows me to choose a point of which will than place this perfect flower against another flower in the background.  The distance between the two flowers is important to note, as I only want the foreground flower to record sharp and the flower behind it to record as a blur and in order to do this the right lens choice is critical. 




In this first photograph above, that hibiscus flower in the background is about 18" inches behind the focused hibiscus flower, but clearly not lined up directly behind it, and that is the key to pulling off this cool trick. 

 

 

In the second photograph below and after moving slightly left, I have successfully placed the focus flower in front of the flower in the background.  With my camera and 200mm-400mm lens and a 36mm extension tube available at Adorama, I am able to easily zero in on the foreground flower and with the lens set to f/5.6, and at a focal length of 340mm, I am able to keep the depth of field limited to the focused flower and render the background flower as an out of focus compliment of color and shape. 

 

 

As we can see in the final image above, I have recorded a really pleasing hibiscus flower with a somewhat 'glowing' out of focus background.  A simple idea that I know you can do too!

If I had shot this same image at an aperture of f/16 or f/22, I would have recorded two flowers "walking all over each other" due to the increase in depth of field, so keep that aperture of yours at or near wide-open, e.g. f/4, f/5.6.

 

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Reader Rating and Comments

9 readers rated this article. Average rating: 5.0 stars
 
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0 of 0 people found this comment helpful
 
A real treat!

Bryan, As for learning, I really have to enjoy and connect with the teacher or all bets are off. I was this same way all through school. You sir, are easy to learn from, because you make it fun, thanks! If you will ever be in CT., please let me know. All the best, William Perrelli perrelliphoto.com

by in Hamden, CT. on

0 of 0 people found this comment helpful
 
Macro Techniques

Loved it.

by in MD on

0 of 0 people found this comment helpful
 
Technological Growth

I've noticed with most things that the more you come to know them, the more there is to learn. Certainly that has proven true for macro for me: I had no idea of its technical aspects until I read this article, which is very informative and takes on the technical with relative clarity. Good stuff!

by in Portland, OR 97209 on

0 of 0 people found this comment helpful
 
Yes, but ...

I'd prefer the closeup of the hibiscus with green, rather than the flower, in the background.

by in Michigan on

0 of 0 people found this comment helpful
 
Thinking outside the box

I love my macro work but fitting extension tubes to a long zoom has just never ocurred to me although I have done it with my 17 - 40 w/a! Thank you sir!

by in South Africa on

1 of 1 people found this comment helpful
 
Great technique

This is a great way to compose and de-clutter a busy background. Love the effect.

by in Michigan on

1 of 2 people found this comment helpful
 
Exquisite composition

In my opinion, the overall composition is exquisite. Also, placement of the background flower, with petal color visible above and below the subject provides nice balance. The captured image presents a sensitivity to the structure and maturity of the flower, with pollen having settled on the petals in the foreground. Thank you for sharing this perspective and your perspective on the thought process and equipment used to capture it.

by in Rhode Island on

2 of 3 people found this comment helpful
 
Blurring background is not enough

to glow any flower. For glowing, I think you'd need real sunlight on a sunflower during the sunset. For example: http://oi54.tinypic.com/spzscg.jpg

by in la, ca, usa on

0 of 0 people found this comment helpful
 
Nice simple Worth while Like it.

Very nice , Obviously he is a great photographer, I like the idea of using a 200-300 zoom,

by in Colorado on

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