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You Keep Shooting
By Bryan Peterson
December 5, 2011
How do you get your sunsets to look more dramatic? The secret is a specific kind of fluorescent filter!
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Bryan Peterson shows how to use a Hoya FL-W filter to create more dramatic magenta skies.
Accent Magenta Skies—AdoramaTV
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Bryan has been a successful photographer for over 30 years, and has been teaching photography for 20 years
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Reader Rating and Comments
i actually enjoyed this video, heck i enjoy all his video because they are so easy to understand. I'ts the old adage, you can please some people all of the time but you can't please all people all of the time.
by Joel in Massachuesetts on March 31, 2012
Interesting video although I have a Cokin Z-Pro series FLW filter.
by Mike in Lancaster PA on March 1, 2012
I noticed that the Tower colors were changed when the filter was used which decreased the overall interest on the picture and its natural look. I would rather use the first shot without the filter and enhance the saturation/contrast in the areas were it is needed.
by Cass in Walnut Creek, CA on December 31, 2011
To Sheesh: I think you're being a bit harsh. Brian says to use the filter to intensify magenta skies, and he shows with/without comparison photos. While I agree the video itself is technically challenged, the info you complain isn't there, is there!
by Moosh in Deep In The Heart of Jersey on December 20, 2011
The production quality of this piece is very poor and not up to Adorama Standards. The lighting, focus and sound are amateurish. He says what filter to use, but not why, what it does, when it's appropriate, when it might not work. The information contained in this video could be conveyed with two photos, one using and one not using the filter. You'll get nothing more out of the video.
by Sheesh in New York on December 19, 2011
Every since this article appeared it has been impossible to find a 77mm FLW Flourescent Multi Coated Glass Filter, anywhere. [Thanks for the heads-up; I will bring this message to the attention of Adorama's retail honchos--Ed.]
by FrankLan in San Diego, CA on December 15, 2011
With so much post-processing available in Photoshop, is this filter (which obviously affects the whole scene) any different from adjusting the color profile in post processing? I'm curious since I don't know the answer. Thanks!
by Photobuff in Santa Cruz, CA on December 11, 2011
Does not explain which White Balance setting was used, or why this same effect cannot be achieved using a White Balance setting instead of a filter.
by IJG in Miami on December 11, 2011
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