Andrew Darlow

Andrew Darlow is a photographer, author and digital imaging consultant based in the New York City area. His commercial and consulting clients have included Brooks Brothers, Kenneth Cole, Tiffany & Co., Tourneau watches, Cigar Aficionado, and The Body Shop.


He has lectured and conducted seminars and workshops around the world at photo-related conferences, and for photography organizations and schools, including Advertising Photographers of America (APA), The Center for Fine Art Photography, Professional Photographers of America (PPA), the Arles Photo Festival, The School of Visual Arts (SVA), and the International Center of Photography (ICP).

Darlow is editor of The Imaging Buffet, an online resource with news, reviews, and interviews covering the subjects of digital photography, printing, and new media. His new book, 301 Inkjet Tips and Techniques: An Essential Printing Resource for Photographers (Course Technology, PTR) covers tips and techniques for prepping, printing and displaying prints made using inkjet printers.

His web address is: www.imagingbuffet.com
For more information, visit the book's companion site: www.inkjettips.com

 

Get in touch.

Questions? Ideas? Want to be an expert?

Contact Mason Resnink at
mresnick@adorama.com

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100 in 100: Inkjet-compatible labels for tracking, exhibitions, and more

NewsAdorama News Desk - by Andrew Darlow, June 20, 2008

Level: Advanced Day 90: Though not very glamorous, a very popular category of media is inkjet-compatible address shipping labels (clear and opaque). If you, like me, are someone who enjoys test  Read more

 

100 in 100, Part II: When to use sheets, rolls, or both

100 photography tips in 100 days: Day 89

ArticleDigital Darkroom/Printing Techniques and How-Tos - by Andrew Darlow, June 19, 2008

Roll playing, or sheet music?

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TAGS: digital,  Printing,  inkjet,  paper,  roll,  flat,  sheets 

100 in 100: When to use sheets, rolls, or both

NewsAdorama News Desk - by Andrew Darlow, June 19, 2008

Day 89: The decision to purchase papers, canvas, or other substrates as sheets or rolls can be a difficult one because each has its advantages and disadvantages. Here are some reasons I generall  Read more

 

100 in 100: Control your midtones and shadows in Black and White or Color

NewsAdorama News Desk - by Andrew Darlow, June 18, 2008

Level: Advanced Day 88: In recent versions of Adobe Photoshop, you will find a tool named Shadow/Highlight (under Image Adjustments Shadow/Highlight). The primary way I use it is to help rev  Read more

 

100 in 100: Which Working Space Profiles “Work” Best?

NewsAdorama News Desk - by Andrew Darlow, June 17, 2008

Level: Advanced Day 87: One of the most common questions asked by photographers is, “Which working space profile should I choose when converting RAW files, when scanning, or when setting up my   Read more

 

100 in 100: Calibrating vs. profiling

NewsAdorama News Desk - by Andrew Darlow, June 16, 2008

Level: Advanced This week, 100 in 100 devotes each day to an in-depth look at different aspects of color management, profiling, and printing. Designed for professional and advanced photographe  Read more

 

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