<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet type="text/css" href="css/rss.css" ?>
 
    <rss version="2.0">
      <channel>
        <title>photoshop</title>
        <link>http://www.adorama.com/alc/taginfo/photoshop</link>
        <description>
          
        </description>
  
        <item>
          <title>
                Article:   Metadata—AdoramaTV.Digital Photography 1 on 1
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In this week&apos;s episode Mark explains what metadata is and how it can be used in a photographer&amp;rsquo;s workflow. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13521
          </link>
        </item>
  
        <item>
          <title>
                Article:   Adobe Photoshop Elements 10—AdoramaTV.Product Reviews
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;This week Mark reviews the latest version of Adobe&amp;rsquo;s popular software for editing, ehnhancing, and customizing your photos: Photoshop Elements 10. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13435
          </link>
        </item>
  
        <item>
          <title>
                Article:   Clipping Paths—AdoramaTV.Digital Photography 1 on 1 (Advanced)
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In this episode Mark Wallace shows you what a clipping path is, and then walks you through the process of making one using Adobe Photoshop.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13413
          </link>
        </item>
  
        <item>
          <title>
                Article:   Lens Flare Sci-Fi Poster—AdoramaTV.Digital Photography 1 on 1
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In this episode Mark Wallace walks us through the entire process of shooting and editing a science fiction movie poster.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13377
          </link>
        </item>
  
        <item>
          <title>
                Article:   Curves and Levels in Photoshop.An advanced image-editing tutorial
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Learn good practices for adjusting images and the advantage of working in 16 bits.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13302
          </link>
        </item>
  
        <item>
          <title>
                Article:   Single-Image HDR in Photoshop Elements.The powerful Shadows/Highlights control is the closest you&apos;ll get to applying HDR to a single image.
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;HDR: You&apos;ve heard the term, and may have even tried it. After all, who wouldn&apos;t want to extend the range of shadows to highlights within one photo, and compensate for the relatively limited range of light capture of a typical digital camera? &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13199
          </link>
        </item>
  
        <item>
          <title>
                Article:   After-Capture Techniques for Close-Ups.Solving problems digitally that you can&apos;t possibly solve when shooting.
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;One of the great boons of digital photography is that the image-making process continues after you have taken your shot.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13132
          </link>
        </item>
  
        <item>
          <title>
                Article:   Amazing multiple fireworks photos...with a little help from Photoshop.100 in 100/IV, Day 71: When the rockets stop, the magic begins
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;Once you know how to get the best possible fireworks shots, you can work some magic on your computer.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11660
          </link>
        </item>
  
        <item>
          <title>
                Article:   Some Things Blue.Cool color, practical advice
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Blue is arguably the most popular of colors and evokes a vast range of meaning culturally and personally.&amp;nbsp; Blue moon, the blues, blue morning, blue sky, blue jeans, bluebells, blue bonnet, perhaps Picasso&apos;s Azul Period (1901-1904) best characterizes the melancholy and poetic power of blue.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13116
          </link>
        </item>
  
        <item>
          <title>
                News:   Weekend Wrap for May 20, 2011.We scour the globe for news for our fellow photogs
          </title>
          <description>
                The Prez nixes replays, a JPEG bug, MILC-friendly camera bags, light modifiers, Lexar&apos;s speedy reader, more 
          </description>
          <link>
                http://www.adorama.com/alc/news/13053
          </link>
        </item>
  
        <item>
          <title>
                Article:   Control Depth of Field in Macro Photography.Multiple shots plus Photoshop gives you focus flexibility 
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;I love to shoot macro, especially of flowers.&amp;nbsp; As I focus on a macro subject I am always enchanted by the soft background due to the very shallow depth of field I see through the viewfinder at macro magnifications. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/13020
          </link>
        </item>
  
        <item>
          <title>
                Article:   Sharpening and printing.Look sharp...but not TOO sharp
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;To show maximum detail, use a glossy or semi-gloss (satin) paper. Detail not important for this image? Then choose any high-quality paper whose surface reinforces the mood you are trying to create. &lt;/span&gt;&lt;em&gt;&lt;/em&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8462
          </link>
        </item>
  
        <item>
          <title>
                Article:   Product Review: Nik Silver Efex Pro 2.A powerful digitial darkroom tool for Black and White processing and printing
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Nik recently unveiled the latest version of Siver Efex, their highly-regarded black-and-white conversion software that can emulate the film look. Let&apos;s take version two for a spin.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12973
          </link>
        </item>
  
        <item>
          <title>
                News:   Weekend Wrap for March 18, 2011.Our weekly report on the world of photography
          </title>
          <description>
                Two Times photogs missing; crowdfunding for photojournalists, help for Japan, Lexar&apos;s SDXC cards ship, Photoshop Express 2 debuts, Nikon&apos;s shutter in slow-mo, more
          </description>
          <link>
                http://www.adorama.com/alc/news/12969
          </link>
        </item>
  
        <item>
          <title>
                Article:   Tutorial: Creating Orbitals in Photoshop Elements 9.How to create a fun special effect in 5 easy steps
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;How to do you create Orbitals, a special effect that flips, twirls and transforms images into round art objects? Let&amp;rsquo;s take a closer look at this fun effect.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12840
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Waiting for Video to Render.Seems more often than not, I&apos;ve got something in the video render queue these days.
          </title>
          <description>
                I&apos;m wondering if it&apos;s time for a new computer as I spend more time working on video projects.
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12693
          </link>
        </item>
  
        <item>
          <title>
                Article:   Black and White in the Digital Darkroom.Digital B&amp;W is more flexible than film. Here&apos;s why.
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In the last few years there has been renewed interest in black and white images, partly because good desktop printers can now render beautiful neutral tones and can equal the tonal qualities and longevity of silver gelatin prints. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12674
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Old Dogs and New Tricks.Or Jack has seen the Light(room)
          </title>
          <description>
                Sometimes it is tough to unlearn and replace certain workflows and workpaths until a new challenge arises. The need to quickly resample close to 6,000 JPEGs helped me see Adobe&apos;s LR3 in a whole new li
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12623
          </link>
        </item>
  
        <item>
          <title>
                Article:   Adobe Photoshop CS5 and HDRI: A Screencast .Jack Howard of the Adorama Learning Center recently presented this screencast on CS5 and HDRI.
          </title>
          <description>
                &lt;p&gt;As a promotional piece for his book, &lt;a href=&quot;http://www.rockynook.com/books/170.html&quot; target=&quot;_blank&quot;&gt;&lt;strong&gt;Practical HDRI, 2nd Edition&lt;/strong&gt;&lt;/a&gt;, Jack recently gave this hour-long screencast presentation on the great new features for HDRI photography in &lt;a href=&quot;../../alc/taginfo/Adobe%20Photoshop%20CS5/article&quot; target=&quot;_blank&quot;&gt;Adobe Photoshop CS5. &lt;/a&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12599
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Photoshop&apos;s Content-Aware Fill versus Watermarks.Is the fear of Content-Aware Fill as a watermark killer realistic?
          </title>
          <description>
                Unauthorized image usage is rampant on the internet, and there has been some discussion that the new Content-Aware Fill function in Adobe Photoshop CS5 may make it too easy to eradicate watermarking. 
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12562
          </link>
        </item>
  
        <item>
          <title>
                Blog:   On Content-Aware Fill in Adobe Photoshop CS5 and the Onus of Editorial Integrity.There&apos;s been much grumbling in some quarters about the potential misuses of Content-Aware Fill in Adobe Photoshop CS5. Jack Howard takes a pragmatic look at the situation.
          </title>
          <description>
                One of the more interesting blog postings on Content-Aware Fill was posted recently over at Photoshelter. Several guest commentators, weighed in with thoughts on this new tool in Adobe Photoshop CS5. 
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12555
          </link>
        </item>
  
        <item>
          <title>
                News:   Adobe updates Lightroom, Camera Raw, DNG Converter.RAW support added for nine popular new cameras
          </title>
          <description>
                Adobe has announced the immediate availability of Lightroom 2.7, Camera Raw 5.7, and DNG Converter 5.7 for free download for Photoshop owners. The new software supports the Canon Rebel 2Ti, Sony A450,
          </description>
          <link>
                http://www.adorama.com/alc/news/12496
          </link>
        </item>
  
        <item>
          <title>
                Article:   Retouching Portraits in Photoshop.Retouching Portraits in Photoshop
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Even when you don&apos;t have control of lighting, you can still make flattering and natural portraits in Adobe Photoshop.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12438
          </link>
        </item>
  
        <item>
          <title>
                News:   Adobe Unveils Creative Suite 5 .Full version upgrades to Photoshop, InDesign, Illustrator, Dreamweaver, Premier, more
          </title>
          <description>
                New Flash Catalyst joins CS, adding interactive content design without the need to write code. Many new features and improvements announced for component software.
          </description>
          <link>
                http://www.adorama.com/alc/news/12452
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Quick Tips: Password protected PDF IDs when travelling.If you&apos;ve got a Mac, you can quickly password-protect copies of your travel documents for email retrieval.
          </title>
          <description>
                No one like to think about losing their important documents such as a passport or license while away from home. But having a high-resolution copy, hidden behind a password field can help mitigate the 
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12419
          </link>
        </item>
  
        <item>
          <title>
                News:   NAPP to throw Photoshop 20th birthday bash.Live webcast to feature world-changing software&apos;s co-creater
          </title>
          <description>
                As part of a worldwide celebration of Photoshop&apos;s 20th anniversary, NAPP will host a gala event for over 1,000 in San Fransisco; web events planned as well.
          </description>
          <link>
                http://www.adorama.com/alc/news/12309
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Adobe Photoshop: Happy 20th Birthday!.It is difficult to imagine the contemporary photographic landscape without Photoshop
          </title>
          <description>
                20 years ago, Adobe Photoshop launched. This was before the visual internet, high-speed broadband, iPhones, photo sharing sites, Facebook and more. Digital photography was in its infancy, and photo ma
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12307
          </link>
        </item>
  
        <item>
          <title>
                Article:   Photoshop Elements 8 is brilliant in black-and-white.Take control of your tones with the simple, elegant Convert to Black and White tool
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;You don&apos;t need to spend hundreds of dollars on full-blown Photoshop CS if you want to make stunning black-and-white prints. Elements 8 makes black-and-white conversions a cinch.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12274
          </link>
        </item>
  
        <item>
          <title>
                Article:   PhotoZAP 34: Stranger in the Night.Our critics praise and pan your pictures
          </title>
          <description>
                &lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&quot;I can&amp;rsquo;t see, from a technical perspective, how the photographer pulled this off as a single shot.&quot; &amp;mdash;Mason Resnick&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12242
          </link>
        </item>
  
        <item>
          <title>
                News:   Nik Ships Viveza 2 for Photoshop, Lightroom and Aperture.Fast and efficient selective photo editing said to improve workflow
          </title>
          <description>
                Latest version offers robust global adjustments as well as precise selective image editing controls.
          </description>
          <link>
                http://www.adorama.com/alc/news/12148
          </link>
        </item>
  
        <item>
          <title>
                Blog:   10 photo polls as we look towards 2010.Do you have Gaffers Tape? What do you think of the iPhone? Photoshop? Photo vests? We want to know!
          </title>
          <description>
                As we wind down this year, and get set for the 20-teens, here&apos;s a series of polls to take the pulse of what&apos;s happening now with photography. Feel free to leave your comments if you disagree with the 
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12124
          </link>
        </item>
  
        <item>
          <title>
                News:   Alien Skin announces Eye Candy 6.Graphic design effects plug-in for Photoshop has over 1000 presets
          </title>
          <description>
                Professional features support production environments, such as CMYK color mode, 16-bit/channel images, and acceleration for multi-core computers.
          </description>
          <link>
                http://www.adorama.com/alc/news/12097
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Advanced HDR Tone Mapping in Adobe Photoshop CS4, Part 2.Jack Howard illustrates advanced workflows for HDR photographers with Adobe Photoshop CS4 in the 2nd half of this screencast series.
          </title>
          <description>
                There are some really amazing tools for HDR photographers in Adobe Photoshop CS4, but much of the power of CS4 in 32-bit space isn&apos;t well-known. In this two-part screencast series, we&apos;ll explore ways 
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12076
          </link>
        </item>
  
        <item>
          <title>
                Article:   PhotoZAP 15: Lost in a Fog.Our critics praise and pan your pictures
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;ldquo;The fisherman was placed dead center, and the image lacks punch.&amp;rdquo;&amp;mdash;Mason Resnick&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12063
          </link>
        </item>
  
        <item>
          <title>
                Article:   PhotoZAP 14: HDR Overload.Our critics praise and pan your pictures
          </title>
          <description>
                &lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;ldquo;I feel like I&amp;rsquo;m looking at a psychodelic interpretation of this scene&amp;hellip;it&amp;rsquo;s too much!&amp;rdquo;&amp;mdash;Mason Resnick&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12058
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Advanced HDR Tone Mapping in Adobe Photoshop CS4, Part 1.In this two-part screencast series, Jack Howard illustrates some advanced workflows for HDR photographers with Adobe Photoshop CS4.
          </title>
          <description>
                It&apos;s not that there aren&apos;t some amazing tools for HDR photographers in Adobe Photoshop CS4, it&apos;s just that these tools and tricks aren&apos;t all that well-known. In this two-part screencast series, we&apos;ll 
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12048
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Weekend Wrap: Why I’ve Joined NAPP.100,000 dedicated photographers can’t be wrong
          </title>
          <description>
                I have just joined the National Association of Photoshop Professionals (NAPP). Here’s why you may want to if you haven’t already done so…and an important announcement.
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/12023
          </link>
        </item>
  
        <item>
          <title>
                Article:   User Report: onOne Software Mask Pro 4.1.Photoshop Selection and Masking Made Easy
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Selecting parts of an image in Photoshop is one of the most important skills you can develop. Whether you are going to replace an area or use the selection to limit any adjustments, learning how to make clean selections is key.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/12007
          </link>
        </item>
  
        <item>
          <title>
                Article:   A Faux Lensbaby Effect.Faking it in Adobe Photoshop
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The dramatic, unique look generated by Lensbaby lenses can be created&amp;mdash;sort of&amp;mdash;with Photoshop. Here&apos;s how to do it.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11879
          </link>
        </item>
  
        <item>
          <title>
                Article:   B&amp;W Solarization in Photoshop Elements.Groovy &quot;old school&quot; darkroom effect goes digital
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&quot;Oooh, you know how to solarize?&quot; In the early 70s, my friends were impressed that not only had I mastered solarization&amp;mdash;the special effect that transforms photos into wild, other-worldly images by combining positive and negative renderings on the same photo--by the tender age of 13&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8559
          </link>
        </item>
  
        <item>
          <title>
                Article:   Don’t overdo Photoshop!.What’s a sure way to kill a photograph? Going wild with Photoshop “fixes”
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Hello. My name is Derek and I&amp;rsquo;ve been a Photoshopaholic since&amp;hellip;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11820
          </link>
        </item>
  
        <item>
          <title>
                Article:   How to read a histogram.The key to understanding exposure
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Low key? High key? Learn how to read histograms and you&amp;rsquo;ll understand how to manipulate them until you get the kind of digital image you want.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11809
          </link>
        </item>
  
        <item>
          <title>
                Article:   How to get vivid reds with good detail in your digital photos.Photoshop Tutorial: Reds that rock
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Learn to tame a problem that plagues color in digital images. Get fine-detailed, vivid, saturated reds, oranges, and yellows by following these Adobe Photoshop tips and tricks.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11773
          </link>
        </item>
  
        <item>
          <title>
                Article:   How to fake a glass polarizer filter effect digitally.Create a Fauxlarizer in Photoshop or Lightroom
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;It won&apos;t reduce reflections, but you can deepen blue skies--just like a polarizer does--in your favorite image editing program.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11794
          </link>
        </item>
  
        <item>
          <title>
                Blog:   Telephoto Compression and Readers&apos; Perspectives.Check out this very interesting article from the LA Times on perceived image manipulation. 
          </title>
          <description>
                Reader questions about a long-lens shot and the telephoto compression phenomenon sparks an interesting conversation over at the LA Times, a paper that hasn&apos;t been without its share of true photographi
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/11783
          </link>
        </item>
  
        <item>
          <title>
                Article:   How to shoot heavenly sunrises and sunsets anywhere.Composition Basics: Gifts from the Sky
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Follow these helpful picture-taking tips to get the best shots at the beginning and end of the day.&lt;/span&gt; &lt;span style=&quot;font-size: small;&quot;&gt;If you&apos;ve seen one sunset photo, you &lt;em&gt;haven&lt;/em&gt;&apos;t seen &apos;em all! &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8097
          </link>
        </item>
  
        <item>
          <title>
                Article:   Digital Polarizer, Part III: Make Clouds Pop.Emphasize the clouds in the sky
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Make those puffy little clouds pop off the printed page with this simple Photoshop technique&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11643
          </link>
        </item>
  
        <item>
          <title>
                Article:   A Digital Polarizer.You can fake the effect of a glass polarizer
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;It won&apos;t reduce reflections, but you can deepen blue skies--just like a polarizer does--in your favorite image editing program.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11636
          </link>
        </item>
  
        <item>
          <title>
                Blog:   The Pentax K-7: The era of in-camera High Dynamic Range Imaging has arrived!.HDR capture mode on this new SLR combines three shots for an estimated 17 stop EV range
          </title>
          <description>
                It&apos;s official. The just-announced Pentax K-7 is the first SLR with true in-camera High Dynamic Range Imaging capabilities. The new flagship of the Pentax line replaces the K20D, and although it has a 
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/11608
          </link>
        </item>
  
        <item>
          <title>
                Blog:   The switch from &quot;Photojournalist&quot; to &quot;Photo-Journalist&quot; .Jack talks about his transformation from being a news photographer to a technical editor for photography-based publications.
          </title>
          <description>
                It was late summer 2005, and the news freelance gigs had begun drying up in New Jersey. I went from shooting about forty to fifty assignments a month for five or six dailies to about eight to twelve a
          </description>
          <link>
                http://www.adorama.com/alc/blogarticle/11423
          </link>
        </item>
  
        <item>
          <title>
                Article:   Product Spotlight: Tiffen DFX.Virtual filters
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;You can dump your glass filters (well, some of them) and use Tiffen&apos;s virtual filter plug-in software after the fact.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11238
          </link>
        </item>
  
        <item>
          <title>
                Article:   Product Spotlight: Auto FX Photo/Graphic Edges 6.Add borders to your images
          </title>
          <description>
                &lt;p style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Meet a program that puts your photographs in virtual frames and surrounds them with edgy borders.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11237
          </link>
        </item>
  
        <item>
          <title>
                Article:   Product Spotlight: Nik DFine 2.0.Tell your digital grain to shut up
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Digital noise is a problem for photographers, especially if you&apos;re shooting in low light at high ISO settings. The problem is even more pronounced when using a compact camera. &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11236
          </link>
        </item>
  
        <item>
          <title>
                Article:   Product Spotlight: Alien Skin Bokeh.Aperture-widening software
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Do defocus control after the fact!&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11235
          </link>
        </item>
  
        <item>
          <title>
                Article:   Plug-In Of The Day: DxO Film Pack.Make your digital images think they&apos;re film!
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Do you miss the deep colors of Kodachrome? Wish your digital black-and-whites had the dramatic grittiness of Tri-X? This Photoshop plug-in makes it happen.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/11233
          </link>
        </item>
  
        <item>
          <title>
                Article:   Simulating Shallow Depth of Field and Sharpening.How to use Adobe Photoshop&apos;s High Pass for selective focus
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;A rose I had planted recently bloomed for the first time and I was struck by the beauty of one of the buds. I wanted to shoot a shallow depth of field image with only the center of the bud sharp. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8675
          </link>
        </item>
  
        <item>
          <title>
                Article:   Tonemapping your 32-bit File.HDRI under the hood
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;True 32-bit High Dynamic Range Images have too much information to be accurately displayed on traditional computer monitors, so it is necessary to downsample or &quot;develop&quot; the 32-bit information into 8- or 16-bit space&amp;mdash;just like a traditional digital photo.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8668
          </link>
        </item>
  
        <item>
          <title>
                Article:   Making a 32-bit High Dynamic Range Image.Demystifying HDRI
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Each series of bracketed source images needs to be combined into a single 32-bit High Dynamic Range Image. This 32-bit image can contain much more information than any 8- or 16-bit file type.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8667
          </link>
        </item>
  
        <item>
          <title>
                Article:   Lenses for HDR photography.Expand your range, both optically and otherwise
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;HDRI (High Dynamic Range Imaging) has become a much-discussed way to get the produce images with a range of tones and colors similar to what the human eye sees. Here are &lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;some basic HDRI techniques and advice.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8666
          </link>
        </item>
  
        <item>
          <title>
                Article:   Bracketing a series of exposures for HDR photography.Photograph how the eye sees
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;HDRI (High Dynamic Range Imaging) has become a much-discussed way to get the produce images with a range of tones and colors similar to what the human eye sees.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8665
          </link>
        </item>
  
        <item>
          <title>
                Article:   Tripods are the HDRI Photographer&apos;s Friend.For better dynamic range, you need a steady friend
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In the field, High Dynamic Range Photography begins with a series of images of the same scene captured at different exposures. A tripod helps to ensure that the multiple source images are aligned properly. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8664
          </link>
        </item>
  
        <item>
          <title>
                Article:   Activate the camera-Photoshop partnership.Think like your digital camera. What does that mean? Read on!
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Photographers from the darkroom ages learned to take pictures in a way to facilitate further improvements in the darkroom. They would &quot;expose for shadows and develop for highlights.&quot;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8649
          </link>
        </item>
  
        <item>
          <title>
                Article:   Think like the camera.Understand its creative and technical potential
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&quot;But you don&apos;t understand me.&quot; That could be your digital camera talking as you look over your pictures and wonder how you can raise your game to the next level. Your camera is who it is and can&apos;t change. The camera-you relationship is truly one-sided. All responsibility for a better relationship lies with you.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8647
          </link>
        </item>
  
        <item>
          <title>
                Article:   Adobe Photoshop CS4 User Report.Diane Miller puts the latest version through its paces
          </title>
          <description>
                &lt;p&gt;&lt;em&gt;Read this before you buy.&lt;/em&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8639
          </link>
        </item>
  
        <item>
          <title>
                Article:   It&apos;s an imperfect world. Accept it.A cure for Photoshop addiction? Letting go
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Organic and natural. Foods that grow without the artificial interference of inorganic chemicals. That&apos;s the trend in food. The reason? Because natural is, well, natural. Therefore, it must be wholesome and healthful. It&apos;s what nature has given us for thousands of years.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8631
          </link>
        </item>
  
        <item>
          <title>
                Article:   Sharpen to show--not to kill.Finding a realistic middle ground, by the numbers
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Sharpening photos is easy to overdo&amp;mdash;especially for web display. Oversharpened photos seem filled with razor-sharped edges and internal details that look as prickly as a bed of nails. And tiny halos appear on contrasty edges. An oversharpened photo looks unnatural.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8630
          </link>
        </item>
  
        <item>
          <title>
                Article:   Should grandma&apos;s face be as smooth as a baby&apos;s?.Cure Photoshop addiction!
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;Today, we wrestle with the question: Is it OK to retouch wrinkles or should you leave them alone? Imagine making Grandma look like a Hollywood starlet. Don&apos;t you think there&apos;s something wrong with that?&lt;/em&gt;&lt;br /&gt; &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8629
          </link>
        </item>
  
        <item>
          <title>
                Article:   Cornering Curves and leveling Levels.Curing a common Photoshop addiction
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Curves and Levels are the perhaps the most basic Photoshop adjustments because they address image fundamentals: brightness, contrast, and color.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8628
          </link>
        </item>
  
        <item>
          <title>
                Article:   Too much color saturation? Not a good thing..Don&apos;t be a super soaker saturater
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Congress should pass legislation against those who super saturate. Photoshop&apos;s saturation control is like the volume control for color, and pictures are being pumped up like everybody is deaf. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8627
          </link>
        </item>
  
        <item>
          <title>
                Article:   Selenium Prints in Photoshop Elements.Emulate an alternative print process
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;To prolong print life, darkroom technicians often toned their prints in Selenium, which preserved the prints. As an extra benefit, Selenium prints had a distinctive warm-golden tone overall plus rich, full blacks that enhanced the look of the print.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8558
          </link>
        </item>
  
        <item>
          <title>
                Article:   Color Solarization in Photoshop Elements.A groovy &quot;Old School&quot; darkroom special effect
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;One of the reasons I loved my black-and-white darkroom as a kid was that it was fairly easy to set up and use.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8561
          </link>
        </item>
  
        <item>
          <title>
                Article:   Bas Relief in Photoshop Elements.An old-school darkroom special effect technique, digitized up
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Bas Relief (pronounced bar relief) is one of those funky, esoteric darkroom techniques that I rarely used because, frankly, it was too much of a bother. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8560
          </link>
        </item>
  
        <item>
          <title>
                Article:   High-Contrast B&amp;W in Photoshop Elements.Hw to create a groovy &quot;Old School&quot; darkroom special effect without smelling like fixer.
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;I loved high-contrast printing using Agfa #6 high-contrast paper. This legendary paper&amp;rsquo;s characteristics were that it produced practically no midtones. It reduced images to blacks and whites and little else. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8557
          </link>
        </item>
  
        <item>
          <title>
                Article:   Product Review: Adobe Photoshop Lightroom 2.Is it good enough to replace full Photoshop?
          </title>
          <description>
                &lt;p&gt;&lt;em&gt;Find out what all the fuss is about.&lt;/em&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8569
          </link>
        </item>
  
        <item>
          <title>
                Article:   Lift the Fog Off Your Photos.Using Adobe Photoshop&apos;s Black and White Point Adjustments
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In the past I&apos;ve said a black and white point adjustment is the first thing that should be done with most images. I&amp;rsquo;ll show you how to do it here.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8545
          </link>
        </item>
  
        <item>
          <title>
                Article:   Matrix Panoramas.Panoramic stitching taken to a new level
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Have you have ever climbed a mountain and thought, &amp;ldquo;wow I&amp;rsquo;ve got to take a picture of this&amp;rdquo; but you noticed your camera&amp;rsquo;s field of view is way too small to capture the entire view?&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8492
          </link>
        </item>
  
        <item>
          <title>
                Article:   Look sharp with Unsharp Mask.Unblur your photos
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;&quot;What is Unsharp Mask, and how do you use it to sharpen pictures?&quot; is a question that we get often from readers. This tip provides the answer.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8490
          </link>
        </item>
  
        <item>
          <title>
                Article:   How to work with Adjustment Layers.A look at Photoshop Layers, Part II
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;Layers is one of the most powerful features of Photoshop and I use them in every image. Here&apos;s one reason why.&lt;/em&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8489
          </link>
        </item>
  
        <item>
          <title>
                Article:   Make a fake lake.Faux fun in Photoshop
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;One way to increase an image&amp;rsquo;s drama is to add environmental elements such as water.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8474
          </link>
        </item>
  
        <item>
          <title>
                Article:   Digital infrared...in color?.Can you really fake color infrared digitally? Do you really have a choice any more?
          </title>
          <description>
                &lt;p&gt;Kodak Professional High Speed Infrared (HIE) film was a high-speed color slide film with moderately high contrast and was sensitive to light and radiant energy to 900 nanometers (nm) in wavelength. But it&apos;s gone now.&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8473
          </link>
        </item>
  
        <item>
          <title>
                Article:   Faux Infrared in Photoshop.Give conventional images the infrared look
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Here&amp;rsquo;s a few tips, tricks and techniques that will let you convert conventional images into faux infrared photographs using various software tools.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8466
          </link>
        </item>
  
        <item>
          <title>
                Article:   Infrared filter guide.Your digital camera may already be IR-ready. All you need is the right filter.
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Is your digital camera capable of infrared (IR) capture? Point a TV remote control at the lens, push a button, and take a picture or look at the image on the LCD panel.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8471
          </link>
        </item>
  
        <item>
          <title>
                Article:   Fine-tune images in Photoshop.Prepare to print!
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;You&amp;rsquo;ve made major changes to your RAW image file; now it&amp;rsquo;s time to open it in Photoshop CS or Elements and fine-tune it.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8461
          </link>
        </item>
  
        <item>
          <title>
                Article:   Tell your noisy images to shut up.Software grain-reduction strategies
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;No single noise reduction program or &lt;a href=&quot;../../Search-Results.tpl?op=searchresults&amp;amp;searchinfo=adobe%20photoshop&amp;amp;comparison=ws&amp;amp;sf=Price&amp;amp;st=de&quot;&gt;&lt;strong&gt;Adobe Photoshop&lt;/strong&gt;&lt;/a&gt;-compatible plug-in is a perfect solution and while you may try hard, you may never achieve digital noise nirvana. But here&apos;s the good news...&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8437
          </link>
        </item>
  
        <item>
          <title>
                Article:   Photoshop Layers: Beyond the Basics, Part I.Everything you need to know to start mastering pixel layers
          </title>
          <description>
                &lt;p&gt;&lt;em&gt;One of the most popular Photoshop features, explained&lt;/em&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8429
          </link>
        </item>
  
        <item>
          <title>
                Article:   View Camera Moves in Adobe Photoshop.Tilt and shift your pixels
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Those of us who don&amp;rsquo;t lug view cameras around get perspective distortion in our subjects whenever we point the camera up or down (even slightly) or diagonally towards a flat surface.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8425
          </link>
        </item>
  
        <item>
          <title>
                Article:   Information, Please.Think Meta
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Metadata is a set of information that is written to the EXIF file header of every digital image. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8397
          </link>
        </item>
  
        <item>
          <title>
                Article:   RAW or JPEG?.One way to decide
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;If you own a DSLR you choose to shoot photos in either RAW or JPEG format. (Most compact digital camerass only offer JPEG, although a few high-end models have RAW capability). What are each format&apos;s advantages and disadvantages? &lt;br /&gt; &lt;br /&gt; Let&apos;s find out....&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8388
          </link>
        </item>
  
        <item>
          <title>
                Article:   Fine-Tune Monochrome RAW Files.Achieve subtle tonal changes
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Here&apos;s a compelling argument for shooting in RAW and using Adobe Photoshop CS2 or higher: The level of control when converting a color digital image into black-and-white is amazing.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8382
          </link>
        </item>
  
        <item>
          <title>
                Article:   Get Rid of Digital Noise.Stop the visual static
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Noise in digital photographs is the visual equivalent of static. Most digital cameras add some level of noise to images. In traditional photography the nearest equivalent is film grain. Digital noise is noticeable in high ISOs and is more visible in areas of uniform color, such as skies and shadows. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8380
          </link>
        </item>
  
        <item>
          <title>
                Article:   Partial Desaturation for Hand-Colored Look.Create the illusion of a hand-colored print in Photoshop
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Black-and-white prints that have been hand-colored have an unmistakable appearance. Because there is a complete grayscale image underneath the pigment, these pictures have a sort of &quot;image infrastructure&quot; that exists nowhere else.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8371
          </link>
        </item>
  
        <item>
          <title>
                Article:   Zoom in Adobe Photoshop.It&apos;s never too late to add the zoom during exposure look
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;How to emulate a classic shooting technique after the fact.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8370
          </link>
        </item>
  
        <item>
          <title>
                Article:   How to work with low-key histograms.Tame muted shots
          </title>
          <description>
                &lt;p&gt;A low-key image contains primarily dark tones, and its histogram will be skewed to the left, with fewer numbers of lighter-toned pixels. Here is an example image and its histogram in Adobe Photoshop.&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8360
          </link>
        </item>
  
        <item>
          <title>
                Article:   Mellow Yellow.Tame this strong color and soup-up your shots
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Yellow is a tricky color with a split personality. It can be warm, evokes springtime, and is a sign of happiness and optimism. But it can also indicate tension, danger (why do you think hazard signs are yellow?) and cowardice. (Ya yellow-bellied varmint!)&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8357
          </link>
        </item>
  
        <item>
          <title>
                Article:   Hand-colored look? Use the History Brush.A simple way to select a color
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Adobe Photoshop includes a wonderful tool called the History Brush. It allows you to Undo virtually any single operation that has been performed on an image&amp;mdash;and do it selectively, via carefully applied brushstrokes. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8356
          </link>
        </item>
  
        <item>
          <title>
                Article:   What a High-Key Histogram Looks Like.Grading the curve
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;Note: If you are new to histograms check out the background information in the previous tip, &lt;a href=&quot;Article.aspx?id=8318&quot;&gt;How to Read a Histogram&lt;/a&gt;. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8349
          </link>
        </item>
  
        <item>
          <title>
                Article:   Color or Black-And-White?.It&apos;s your choice now.
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Back in the day, before shooting, photographers had to make a creative choice: shoot on color or black-and-white film. Now, however, you don&apos;t have to make that decision until after you&apos;ve taken the picture.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8342
          </link>
        </item>
  
        <item>
          <title>
                Article:   Seeing Red.How to work with an intense color
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Red evokes power and energy, and is full of symbolism for many cultures. As an element in a photograph, it attracts the viewer&amp;rsquo;s attention. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8330
          </link>
        </item>
  
        <item>
          <title>
                Article:   Photograph the Alphabet.Fun with found fonts
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Want to create a personalized photographic gift for a birthday or other special occasion? Make that special someone&amp;rsquo;s name out of photographs of letters of the alphabet!&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8323
          </link>
        </item>
  
        <item>
          <title>
                Article:   How to read a histogram.Know your curves
          </title>
          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;How do you read a histogram? Glad you asked!&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8318
          </link>
        </item>
  
      </channel>
    </rss>  
  

