http://www.adorama.com/alc/taginfo/flash <p><span style="font-size: small;">Here's a quick lesson on how to "drag the shutter" when shooting with flash for creative results!<br /></span></p> http://www.adorama.com/alc/article/13545 <p><span style="font-size: small;">AdoramaTV Presents You Keep Shooting with Bryan Peterson. <br /><br /></span></p> http://www.adorama.com/alc/article/13537 <p><span style="font-size: small;">Ahh the economy. It has driven many of us insane trying to figure out how to do more with less. Clients constantly approach us asking for miracles with shoestring budgets. A fine example is shooting anything fashion related. Editorial work these days pays almost nothing if you are lucky or nothing at all for the most part. </span></p> http://www.adorama.com/alc/article/13522 <p><span style="font-size: small;">In this week's episode Mark explains why you might choose to use a flash when shooting outside in bright sunlight. </span></p> http://www.adorama.com/alc/article/13532 <p><span style="font-size: small;">Adorama Photography TV presents the Flashpoint X-Series 2.4 GHz Remote Flash Trigger Kit. </span></p> http://www.adorama.com/alc/article/13523 <p><span style="font-size: small;">Bryan Peterson shows how to use a foreground fill flash to even out the lighting in your outdoor shots.</span></p> http://www.adorama.com/alc/article/13442 Nikon has just announced the SB-910, the new flagship of its shoe-mounted Speedlght flash lineup. Its Thermal Cut-Out function addresses a key issue for wedding and event photographers. http://www.adorama.com/alc/news/13416 <p><span style="font-size: small;">Adorama Photography TV presents You Keep Shooting with Bryan Peterson.<br /></span></p> http://www.adorama.com/alc/article/13378 <p><span style="font-size: small;">In this episode Mark shows us how to adjust the angle of your light source to avoid flash reflections in eyeglasses. </span></p> http://www.adorama.com/alc/article/13366 WD's personal cloud, Joe McNally's signature flash modifiers, Tenba's bags for hipsters, lots of light for HDSLR users, more. http://www.adorama.com/alc/news/13365 <p><span style="font-size: small;">AdoramaTV Presents You Keep Shooting with Bryan Peterson. <br /></span></p> http://www.adorama.com/alc/article/13361 <p><span style="font-size: small;">What camera settings are used to overpower the sun? In this week's episode, Mark Wallace explains how to do this.</span></p> http://www.adorama.com/alc/article/13181 <p><span style="font-size: small;">Adorama Photography TV presents the Nikon SB-700 Speedlight, an affordable pro-level flash. </span></p> http://www.adorama.com/alc/article/13165 <p><span style="font-size: small;">AdoramaTV Presents Digital Photography One on One. In this week's episode Mark answers a viewer's question regarding bracketing. Watch as Mark walks through the basic steps of exposure, flash, and focus bracketing.</span></p> http://www.adorama.com/alc/article/13159 <p><span style="font-size: small;">AdoramaTV Presents Digital Photography One on One. In this week's episode Mark answers questions from viewers.</span></p> http://www.adorama.com/alc/article/13122 <p><span style="font-size: small;">How to compensate for existing light you can't control with artificial light that you can control.</span></p> http://www.adorama.com/alc/article/13025 <p><span style="font-size: small;">Last year, I was selected as a beta tester for the new Nikon PocketWizard system, but I've been waiting until now to get my hands on the production models. Was it worth the wait? </span></p> http://www.adorama.com/alc/article/12988 <p><span style="font-size: small;">Adorama Photography TV presents: Learn all about dragging the shutter, combining with flash and long exposure.</span></p> http://www.adorama.com/alc/article/12970 <p><span style="font-size: small;">FlashBus Tour Workshop presenter David Hobby&rsquo;s just-released 7-disc DVD set will change the way you think about flash photography&mdash;and the business of being a photographer.</span></p> http://www.adorama.com/alc/article/12949 <p><span style="font-size: small;">Adorama Photography TV presents: In this episode Mark will compare the differences between speedlights and studio strobes. </span></p> http://www.adorama.com/alc/article/12933 <p><span style="font-size: small;">We&rsquo;re in an age where new, inventive flash modifiers are being introduced on a regular basis. What makes The Expoimaging Rogue FlashBender series of modifiers stand out in the crowd?</span></p> http://www.adorama.com/alc/article/12900 Two of the biggest names in flash photography—David Hobby and Joe McNally—have teamed up for a nationwide workshop tour, coming to a city near you, sponsored by Adorama. http://www.adorama.com/alc/blogarticle/12886 <p><span style="font-size: small;">This week Mark Wallace talks about on-camera flash. There are ways that we can modify the on-camera flash to control our lighting. We can bounce our flash from ceilings, walls, or off of reflectors and Mark will show us how.</span></p> http://www.adorama.com/alc/article/12821 <p><span style="font-size: small;">Photographers all know that the most magical time of day to shoot anything outdoors is either dawn or dusk. The sun sits low in the sky, which makes for warm tones, lower contrast and colorful skies and backgrounds.</span></p> http://www.adorama.com/alc/article/12752 <p><span style="font-size: small;">For most people, the term "photographic lighting equipment" tends to conjure up visions of complicated setups involving light stands, sand bags, electrical cables, etc. And while lighting can get quite involved, it doesn't always have to be. In fact, it can be downright simple and easy to use.</span></p> http://www.adorama.com/alc/article/12748 <p><span style="font-size: small;">This week Mark will show you strobists how to get to the next level of sophisticated flash shooting with Quantum Flashes.</span></p> http://www.adorama.com/alc/article/12700 <p><span style="font-size: small;">AdoramaTV presents Flashpoint. This week Mark shows many different light stands and their functions. Mark also gives us his recommendation on the best light stand.</span></p> http://www.adorama.com/alc/article/12660 <p><span style="font-size: small;">AdoramaTV presents Flashpoint. This week Mark shows the Flashpoint 620M Wedding Portrait Monolight Kit. It's a great studio lighting kit for beginners - and it costs less than $500!</span></p> http://www.adorama.com/alc/article/12650 <p><span style="font-size: small;">Adorama&nbsp; TV presents: In this episode Mark talks about the basics of sync speed and teaches how to use sync speed properly.</span></p> http://www.adorama.com/alc/article/12586 <p><span style="font-size: small;">Here are some popular essential gadgets and tools to help you when you're shooting weddings and other event photography.</span><em><br /></em></p> http://www.adorama.com/alc/article/8078 <p><span style="font-size: small;">This week we take a look at the HonlPhoto Speed Snoot and the Gary Fong Lightsphere collapsible. Both products help you get better results from your speedlights.</span></p> http://www.adorama.com/alc/article/12574 Conrad Sloop, former owner and designer of Stroboframe, has just created a new flash bracket, the MicroFlip, which is claimed to be the smallest, most compact flash bracket to date. http://www.adorama.com/alc/news/12503 <p><span style="font-size: small;">While the strobist movement encourages the use of multiple wireless networks of flashes to blast away and create stunning portraits, a single flash may be all you can afford. Not to worry: There's a lot you can do with one light source.</span></p> http://www.adorama.com/alc/article/12470 <p><span style="font-size: small;">Let's put together a complete location/studio lighting kit that will fit in a carry-on bag</span></p> http://www.adorama.com/alc/article/11797 <p><span style="font-size: small;">If you want to rise above simple birthday party snapshots to show really great, professional-looking party pictures, here are some tips to try, and pitfalls to avoid.</span></p> http://www.adorama.com/alc/article/12421 <p><span style="font-size: small;">Wireless flash allows you to move your flash anywhere. Try moving it behind your subject for dynamic, creative results.</span></p> http://www.adorama.com/alc/article/12295 <p><span style="font-size: small;">"Wireless" is in. It covers everything from Internet hot spots to sending digital images wirelessly to your printer. But before these cutting-edge capabilities were possible, there was wireless flash.</span></p> http://www.adorama.com/alc/article/8314 <p><span style="font-size: small;">Just about every portable flash unit that you mount on a camera via a hot shoe projects light the same way: a rectangle, horizontally oriented to roughly match the shape of the image you&rsquo;re shooting.</span></p> http://www.adorama.com/alc/article/12239 Second cover also protects on-camera flash while allowing photographers access to battery, memory card compartments. http://www.adorama.com/alc/news/12256 <p><em><span style="font-size: small;">&ldquo;This very symmetrical image almost succeeds. It is thoughtfully composed and exposed, with wonderful use of background. But little details bother me.&rdquo;&mdash;Mason Resnick</span></em></p> http://www.adorama.com/alc/article/12156 <p><em><span style="font-size: small;">&ldquo;I admire the photographer&rsquo;s MacGyver-like inventiveness in setting up this shot and his efforts to modify and shape the light.&rdquo;&mdash;Mason Resnick</span></em></p> http://www.adorama.com/alc/article/12113 <p><span style="font-size: small;">At the longest focal length, zoom lenses on compact cameras produce darker images, especially when shooting with your flash. </span></p> http://www.adorama.com/alc/article/11866 <p><span style="font-size: small;">Have you ever shot pictures of a ballgame or a concert at a stadium or arena&mdash;or just across a room&mdash;and were disappointed to see...not much of anything?</span></p> http://www.adorama.com/alc/article/11865 <p><span style="font-size: small;">What to do when a mode designed to save people pictures in low light ruins them instead.</span></p> http://www.adorama.com/alc/article/11864 <p>Avoid on-camera flash as much as possible. But when there's insufficient light to get a decent shot without it, here's a simple way to get more flattering people pictures with it.</p> http://www.adorama.com/alc/article/11862 Controlls up to three independent zones in E-TTL or manual mode http://www.adorama.com/alc/news/11691 TechTock reader Anthony Dayton asked us for tips on overcoming the problem of his DSLR's built-in flash's evaluative pre-flash for triggering studio strobes while staying wireless. We've got some quic http://www.adorama.com/alc/blogarticle/11657 <p><span style="font-size: small;">If you&rsquo;re using a professional studio flash the obvious choice for soft lighting is an umbrella and for most purposes that&rsquo;s still the best choice.</span></p> http://www.adorama.com/alc/article/11504 <p><span style="font-size: small;">Many a photojournalist started out with a dog-eared edition of Professor Ken Kobre's classic tome, <em>Photojournalism: The Professional's Approach</em>. </span><span style="font-size: small;">Now, any on-the-go photographer can benefit from Professor Kobre's latest project, the <a href="../../FALSUK.html">Lightscoop</a>.</span></p> http://www.adorama.com/alc/article/11453 <p><span style="font-size: small;">Simplicity is often the best way to go. The <a href="../../SearchSite/Default.aspx?searchinfo=Flashpoint%20Flash%20Diffuser">Flashpoint Flash Diffuser</a>, which is virtually the same as the Sto-Fen Omni Boucne (but costs a bit less), is a simple plastic box that fits over specific flash units.</span></p> http://www.adorama.com/alc/article/11455 <p><span style="font-size: small;">Events such as the 12 Hours of Sebring, the Rolex 24 Hours of Daytona, some races in the American LeMans Series, and even local drag and oval track races include occasional night races.</span></p> http://www.adorama.com/alc/article/8441 <p><span style="font-size: small;">But if your memory card fails you, there are ways to rescue lost images!</span></p> http://www.adorama.com/alc/article/8398 <p><span style="font-size: small;">When little gouls and goblins come knocking tonight, be prepared with a photographic treat that you can enjoy all year long. Grab ghostly shots of your subjects by using flash and long exposure. </span></p> http://www.adorama.com/alc/article/8369 <p><span style="font-size: small;">If you've ever seen lighting in a pro studio, you'll have noticed that thelight sources are large, with either the flash being bounced from an umbrella or inside alarge softbox. The reason for this is that the larger the light source, the softer yourshadows will be.</span></p> http://www.adorama.com/alc/article/8363 <p><span style="font-size: small;">When you use your camera's built-in flash, or a dedicated shoe-mount accessory flash unit, the length of the exposure is determined by the duration of the flash itself rather than the camera's shutter. </span></p> http://www.adorama.com/alc/article/8359 <p><span style="font-size: small;">On-camera flash accessory flash light needs to be softened if you are shooting portraits indoors. Unaltered flash creates harsh, unflattering light and deep shadows which will make even the most beautiful subject look awful. </span></p> http://www.adorama.com/alc/article/8344 <p><span style="font-size: small;">If the person you're photographing wears eyeglasses, you've got a problem: How do you keep reflections out of them? </span></p> http://www.adorama.com/alc/article/8324 <p><span style="font-size: small;">If you want to graduate from snapshots to great shots, an external flash unit will significantly improve your pictures. Here are terms that will help you become a strobist.<br /></span></p> http://www.adorama.com/alc/article/8310 <p><span style="font-size: small;">Some photographers think studio lighting equipment is too complicated and too expensive but it can be neither. Part of this misunderstanding is created by seemingly bewildering array of product types and their associated buzzwords. Here's a look at <strong>AC &amp; DC Power Packs and heads</strong></span><em><br /></em></p> http://www.adorama.com/alc/article/8146 <p><span style="font-size: small;">A bare-tube flash is just like any other flash--except that it has no reflector behind the flash tube. It sends light relatively evenly in all directions (except directly down). </span></p> http://www.adorama.com/alc/article/8101 <p><span style="font-size: small;">No matter how you look at it, wedding photographers are dependent on electronic flash. </span><em><br /></em></p> http://www.adorama.com/alc/article/8209