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        <title>focus</title>
        <link>http://www.adorama.com/alc/taginfo/focus</link>
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          <title>
                Article:   Focus Basics—AdoramaTV .Digital Photography 1 on 1
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          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;AdoramaTV Presents Digital Photography One on One. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/13310
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          <title>
                Article:   Bracketing—AdoramaTV.Digital Photography 1 on 1
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;AdoramaTV Presents Digital Photography One on One. In this week&apos;s episode Mark answers a viewer&apos;s question regarding bracketing. Watch as Mark walks through the basic steps of exposure, flash, and focus bracketing.&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/13159
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          <title>
                Article:   Viewer Feedback—AdoramaTV.Digital Photography One on One
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;AdoramaTV Presents Digital Photography One on One. In this week&apos;s episode Mark answers 12 questions about photography from viewers in this viewer feedback special. &lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/13012
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          <title>
                Article:   Autofocus Points—Adorama‹TV.Digital Photography 1 on 1
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Adorama Photography TV presents: What are Autofocus Points, and how do they work? &lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/12982
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          <title>
                Article:   Calculating Hyperfocal Distance—AdoramaTV .Digital Photography 1 on 1
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Adorama Photography TV presents: How to calculate hyperfocal distance for maximum depth of field. &lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/12944
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          <title>
                Article:   No more camera motion blur: Fix the Pix, Episode 3.What to do when there’s a whole lotta shakin goin&apos; on
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          <description>
                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;One of the most common picture-taking mistakes is camera shake. But it&apos;s easier than ever to avoid.&lt;/span&gt;&lt;!--EndFragment--&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/11863
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          <title>
                Article:   Farewell, fuzzy faces forever: Fix the Pix, Episode 2.How to easily avoid a common focusing foible
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;If are using an older autofocus camera, there may be times when focus &quot;misses&quot; your subject&apos;s face, and instead the background is in sharp focus while the person or people you&apos;re photographing are blurred. &lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/11841
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          <title>
                Article:   Use Spot Focusing.100 photography tips in 100 days: Day 98
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;As digital cameras have evolved, so have their autofocus features. This is great news if you want to place your subject somewhere other than the center of the frame.&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/8417
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          <title>
                Article:   Selective Focus.A clear look at a compositional element
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;A viewer&apos;s eye is always drawn to the subject that&apos;s in sharpest focus. If everything except your main subject is considerably out of focus, you&apos;ve created what many think is the most beautiful effect in photography&amp;ndash; that of &quot;selective focus.&quot; In selective focus, the main subject is sharp, and everything in front and in back of it is blurred. &lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8408
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          <title>
                Article:   Focus With Precision.Assure accurate sharpness
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Many pictures are quite sharp, but not as sharp as they should be in the right places. &lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/8378
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          <title>
                Article:   Foreground is Key When Shooting Scenics.What&apos;s up front counts
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Nothing says &amp;ldquo;boring&amp;rdquo; in a scenic more than just showing the scene. No matter how dramatic the vista in front of you, making sure there&amp;rsquo;s an interesting element in the foreground will almost always transform it into a more interesting photo.&lt;/span&gt;&lt;/p&gt;
          </description>
          <link>
                http://www.adorama.com/alc/article/8348
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          <title>
                Article:   When To Use Extreme Apertures.The f stops here
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;There are few, if any, interchangeable lenses that give the highest resolution when used wide open or when fully stopped fully, but that doesn&apos;t mean you shouldn&apos;t use those apertures.&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/8340
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          <title>
                Article:   Macro portfolio: Your photos.Six super macro shots from AIRC readers
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          <description>
                &lt;p&gt;&lt;em&gt;Your turn&lt;/em&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/8293
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