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        <title>wide angle</title>
        <link>http://www.adorama.com/alc/taginfo/wide angle</link>
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                News:   Canon adds three new-generation USM lenses.Weatherized 24-70mm zoom, Stabilized 24mm and 28mm primes
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                Canon today announced three new versions of its most popular lenses, including a refresh of its popular high-end 24-70mm f/2.8 lens and stabilized versions of its 24mm and 28mm primes.
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                http://www.adorama.com/alc/news/13550
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                News:   Panasonic adds compact cameras and converters for Micro Four Thirds lenses.PMA@CES News
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                Panasonic today introduced wide-angle, tele, macro and fisheye lens converters for two popular Lumix G lenses, plus five new compact digital cameras.
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                http://www.adorama.com/alc/news/13496
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                Article:   Street Photo Stress Test: Ricoh GXR with 28mm/APS Sensor Module.Modular, small, an APS sensor...and street-savvy?
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;At under $1,000, does the Ricoh GXR with the 28mm lens/APS sensor module offer the balance of image quality, performance, and price that street photographers have been waiting for?&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/13276
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                Article:   Shooting Reflections—AdoramaTV .You Keep Shooting
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Bryan Peterson shows how to use the Pro-Optic 14mm super-wide-angle lens to transform a scene by adding a reflection from a small shiny surface and making it look like a shiny lake.&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13258
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                Article:   Interesting Point of View—AdoramaTV.You Keep Shooting
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In this week&apos;s episode of You Keep Shooting, Bryan Peterson demonstrates how to improve pictures by adding something interesting to the foreground when you&apos;re shooting with a wide-angle lens.&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13239
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                Article:   Product Review: Olympus Zuiko 12mm f/2.0 Lens for Micro Four Thirds.Pro-caliber lens for street, documentary shooters
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Olympus is targeting street photographers with the simultaneous release of the fast-working E-P3 Micro Four Thirds compact camera and a posh prime lens, the Zuiko 12mm f/2.0. Did they get the lens right? Here&apos;s what one street shooting thinks after taking it for a walk around NYC.&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13138
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                Article:   Wide-Angle Macro Photography.Mini landscapes at 1:1 magnification
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;I enjoy working with different equipment to get &amp;lsquo;close&amp;rsquo; to subjects with a camera, but I especially like adding thin extension tubes to shorter focal length lenses to create wide angle close-ups.&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13056
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                Article:   Product Review: Pro Optic 14mm f/2.8 Ultrawide Lens.A budget-busting wide-angle alternative
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;The Pro Optic 14mm f/2.8 lens offers a low-cost entry to wide-angle photography. But can it deliver the quality to compete with the more expensive versions?&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13004
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                Article:   Choosing the Right Lens—AdoramaTV.Digital Photography One on One
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;AdoramaTV presents Digital Photography One on One. In this episode Mark Wallace answers the question, &quot;which lens should I buy?&quot; &lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13016
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                Article:   Product Review: Sigma 8-16mm f/4.5-5.6 HSM Zoom Lens.An ultrawide that takes it all in
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;I consider ultrawide zoom lenses to be primarily special-effects tools and the Sigma 8-16mm&amp;nbsp; certainly falls into this category. Let&amp;rsquo;s take a close, undistorted look at its features and abilities.&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/12658
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                Article:   Introduction to Interchangeable Lenses.Just stepped up to a DSLR or MILC? Lenses can expand your creative options. Here are the basics about interchangeable lenses.
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                &lt;p style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Your digital SLR or mirrorless interchangealbe lens compact camera probably came with a lens--a zoom lens, no doubt. But one of the most attractive things about a digital SLR is the ability to change lenses. &lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/8113
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                Article:   Buying Guide: Choosing a Lens.The best lens might not always be the right lens for you
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Choosing a lens for your DSLR or mirrorless interchangeable-lens camera can be a difficult task, not because there are so few choices, but because there are often so many. &lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8282
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                News:   Sigma 8-16mm ultrawide zoom lens hits the streets.8-16mm f/4.5-5.6 DC HSM lens for APS DSLRs is now available
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                Rectilinear lens contains new &quot;F&quot; Low Dispersion glass, is said to be the widest angle zoom on the market.
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                http://www.adorama.com/alc/news/12500
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                News:   Nikon adds wide angle lenses for full-frame DSLRs.Ultra-Wide 16-35mm f/4 VR and Ultra-Fast 24mm f/1.4 lenses are introduced
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                Both lenses are compatible with Nikon FX-format DSLRs with full-frame sensors, and are expected to be popular models.
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                http://www.adorama.com/alc/news/12284
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                Article:   PhotoZAP 26: Welcome to my world.Our critics praise and pan your pictures
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                &lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&amp;ldquo;While the amazing clutter in the woman&amp;rsquo;s apartment is an essential part of this picture, I think the photographer could have organized it better.&amp;rdquo;&amp;mdash;Mason Resnick&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/12167
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                Article:   Product Review: Sony 11-18mm f/3.5-4.5 Lens.We take a close look at a holdover from the Minolta days
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;Made exclusively for Sony DSLRs with APS sensors, the Sony 11-18mm f/4.5-5.6 has the Minolta DNA. Does it deliver what digital shooters need?&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/12017
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                Article:   User Report: Sigma 10-20mm f/3.5 EX DC lens.Heavy Hitter
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                &lt;p&gt;&lt;em&gt;&lt;span style=&quot;font-size: small;&quot;&gt;A superwide zoom lens joins a very small club with its constant f/3.5 aperture. Can it deliver the kind of sharp images that justify the cost and extra weight?&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/11755
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                Blog:   Canon TS-E 17mm f/4L Tilt-Shift Lens: Hands On Review.This ultrawide lens swings great for both old-school and new-school usages
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                The original intent of tilt-shift optics was to correct for perspective problems by allowing the lens elements to go off-parallel with the capture plane. New school shooters have taken swinging optics
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          <link>
                http://www.adorama.com/alc/blogarticle/11734
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                Article:   $4,000 Leica lens vs a $350 off-brand oldie: Which is better? .We test both, but the answer isn’t as straightforward as you might think!
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Life is full of compromises. Take lenses: Should you buy the best lens money can buy, or go for a less expensive model? The classic advice is to always buy the best lens you can afford, but what if there is a &lt;em&gt;major&lt;/em&gt; difference in price?&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/11531
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                Article:   Lens Defect Detective.Is your lens a a sharp shooter or a fuzzy dog? Test it and find out
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Anyone who has followed photography discussions on the web over the last 10 years or so will have noticed an increasing number of complaints about defective lenses. It&apos;s gotten to the point where I&apos;ve actually seen some people complain that they are afraid tobuy a lens in case they get a bad one!&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/8114
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                Article:   BUYING GUIDE: Digital Single-Lens Reflex (DSLR) Lenses.Expand your creative options with the right lens--or lenses
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Learn your lens lines&lt;/span&gt;&lt;/p&gt;
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          <link>
                http://www.adorama.com/alc/article/8044
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