http://www.adorama.com/alc/taginfo/wide angle <p><span style="font-size: small;">Join Bryan as he visits Jackson Square in the New Orleans French Quarter.&nbsp; Here he will show you a new approach to your photography.</span></p> http://www.adorama.com/alc/article/14173 <p><span style="font-size: small;">Chances are if you bought your first interchangeable-lens camera, a DSLR or MILC, you got a mid-range zoom "kit" lens. For a while things were good, but then you became frustrated with the lens's limits. If you're ready to bring the thrill back to photography, it's time to buy your second lens!</span></p> http://www.adorama.com/alc/article/14104 <p><span style="font-size: small;">Watch and learn how valuable a leading line is in directing the viewer in your photo, and how a small aperture is key.</span></p> http://www.adorama.com/alc/article/14123 http://www.adorama.com/alc/news/14057 <p><span style="font-size: small;">Join Bryan Peterson at Peggy's Cove, Nova Scotia where he shows how to turn an eight-inch puddle into a lake.</span></p> http://www.adorama.com/alc/article/14037 <p><span style="font-size: small;">A new generation of superzoom telephoto lenses has arisen that can take in scenic vistas, zoom in on distant subjecs, and focus up close for near-macro shots. Will one of them be your next lens?</span></p> http://www.adorama.com/alc/article/13834 <p style="text-align: left;"><span style="font-size: small;">Your digital SLR or mirrorless interchangealbe lens compact camera probably came with a lens--a zoom lens, no doubt. But one of the most attractive things about a digital SLR is the ability to change lenses. </span></p> http://www.adorama.com/alc/article/8113 <p><span style="font-size: small;">Can an independent-manufactured, mid-range, large-aperture zoom fulfill the demands of professional photography use? </span></p> http://www.adorama.com/alc/article/13764 http://www.adorama.com/alc/news/13753 <p><span style="font-size: small;">If you're looking to capture high-impact underwater photography without the backscatter, an ultra-wide lens and closeup photography are your secret weapons.</span></p> http://www.adorama.com/alc/article/13694 <p><span style="font-size: small;">AdoramaTV Presents You Keep Shooting with Bryan Peterson, who shouts above a noisy waterfall to show you how to take a long exposure that shows its beauty.<br /></span></p> http://www.adorama.com/alc/article/13662 <p><span style="font-size: small;">Here's an area where some compact digital cameras have a definite edge over DSLRs and interchangeable-lens compacts: the ability to easily capture dramatic, challenging wide-angle macro photos.</span></p> http://www.adorama.com/alc/article/13649 <p><span style="font-size: small;">Are you ready to get serious about underwater photography? Then it's time for you to explore the treasures under the sea, from sunken ships to big sea creatures, with a wide-angle lens. </span></p> http://www.adorama.com/alc/article/13620 <p><span style="font-size: small;">Where in the world is Bryan Peterson? Here he's in Dubai using the world's tallest building as a backdrop to a jumpy photo!<br /></span></p> http://www.adorama.com/alc/article/13608 http://www.adorama.com/alc/news/13550 http://www.adorama.com/alc/news/13496 <p><span style="font-size: small;">At under $1,000, does the Ricoh GXR with the 28mm lens/APS sensor module offer the balance of image quality, performance, and price that street photographers have been waiting for?<br /></span></p> http://www.adorama.com/alc/article/13276 <p><span style="font-size: small;">Bryan Peterson shows how to use the Pro-Optic 14mm super-wide-angle lens to transform a scene by adding a reflection from a small shiny surface and making it look like a shiny lake.</span></p> http://www.adorama.com/alc/article/13258 <p><span style="font-size: small;">In this week's episode of You Keep Shooting, Bryan Peterson demonstrates how to improve pictures by adding something interesting to the foreground when you're shooting with a wide-angle lens.</span></p> http://www.adorama.com/alc/article/13239 <p><span style="font-size: small;">Olympus is targeting street photographers with the simultaneous release of the fast-working E-P3 Micro Four Thirds compact camera and a posh prime lens, the Zuiko 12mm f/2.0. Did they get the lens right? Here's what one street shooting thinks after taking it for a walk around NYC.</span></p> http://www.adorama.com/alc/article/13138 <p><span style="font-size: small;">I enjoy working with different equipment to get &lsquo;close&rsquo; to subjects with a camera, but I especially like adding thin extension tubes to shorter focal length lenses to create wide angle close-ups.</span></p> http://www.adorama.com/alc/article/13056 <p><span style="font-size: small;">The Pro Optic 14mm f/2.8 lens offers a low-cost entry to wide-angle photography. But can it deliver the quality to compete with the more expensive versions?</span></p> http://www.adorama.com/alc/article/13004 <p><span style="font-size: small;">AdoramaTV presents Digital Photography One on One. In this episode Mark Wallace answers the question, "which lens should I buy?" </span></p> http://www.adorama.com/alc/article/13016 <p><span style="font-size: small;">I consider ultrawide zoom lenses to be primarily special-effects tools and the Sigma 8-16mm&nbsp; certainly falls into this category. Let&rsquo;s take a close, undistorted look at its features and abilities.</span></p> http://www.adorama.com/alc/article/12658 <p><span style="font-size: small;">Choosing a lens for your DSLR or mirrorless interchangeable-lens camera can be a difficult task, not because there are so few choices, but because there are often so many. </span></p> http://www.adorama.com/alc/article/8282 http://www.adorama.com/alc/news/12500 http://www.adorama.com/alc/news/12284 <p><em><span style="font-size: small;">&ldquo;While the amazing clutter in the woman&rsquo;s apartment is an essential part of this picture, I think the photographer could have organized it better.&rdquo;&mdash;Mason Resnick</span></em></p> http://www.adorama.com/alc/article/12167 <p><span style="font-size: small;"><em>Made exclusively for Sony DSLRs with APS sensors, the Sony 11-18mm f/4.5-5.6 has the Minolta DNA. Does it deliver what digital shooters need?</em></span></p> <p>&nbsp;</p> <!--EndFragment--> http://www.adorama.com/alc/article/12017 <p><em><span style="font-size: small;">A superwide zoom lens joins a very small club with its constant f/3.5 aperture. Can it deliver the kind of sharp images that justify the cost and extra weight?<br /></span></em></p> http://www.adorama.com/alc/article/11755 http://www.adorama.com/alc/blogarticle/11734 <p><span style="font-size: small;">Life is full of compromises. Take lenses: Should you buy the best lens money can buy, or go for a less expensive model? The classic advice is to always buy the best lens you can afford, but what if there is a <em>major</em> difference in price?</span></p> http://www.adorama.com/alc/article/11531 <p><span style="font-size: small;">Anyone who has followed photography discussions on the web over the last 10 years or so will have noticed an increasing number of complaints about defective lenses. It's gotten to the point where I've actually seen some people complain that they are afraid tobuy a lens in case they get a bad one!</span></p> http://www.adorama.com/alc/article/8114 <p><span style="font-size: small;">Learn your lens lines</span></p> http://www.adorama.com/alc/article/8044