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        <title>low light</title>
        <link>http://www.adorama.com/alc/taginfo/low light</link>
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                Article:   Three-Point Lighting for Video and Podcast Interviews.DSLR Video Tips—AdoramaTV
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;AdoramaTV Presents DSLR Video Tips with Richard Harrington. Join Rich as he discusses three-point lighting when shooting an interview on DSLR.&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13795
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                Article:   How the Right Light Can Transform a Photograph.Visual Impressions—AdoramaTV
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;AdoramaTV Presents Visual Impressions with Joe DiMaggio. Join Joe as he discusses the importance of lighting in photography. &lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/13800
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                Article:   FAQ: What is Noise in a Digital Photograph? .In-depth answer to a basic digital photography question
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;You&amp;rsquo;ve probably read or heard about unacceptable noise in digital photos. What does that mean and how does it occur?&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/12955
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                News:   Ricoh announces CX3 compact digital camera.&quot;Dramatic&quot; improvements in low-light image quality claimed
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                http://www.adorama.com/alc/news/12272
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                News:   NASA: Nikons in Space! .D3s, lenses going to the final frontier
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                http://www.adorama.com/alc/news/12140
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                Article:   Tripods: The ultimate image stabilization.No shaky shots. Guaranteed.
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;In this time of high-tech image stabilized and vibration reduction lenses as well as anti-shake capabilities built into cameras from Sony, Olympus, and Pentax, you might wonder if you even need a tripod? I think so. Let me tell you why. &lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8655
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                Article:   Use fast lenses for low light.Wide aperture lenses can see more in the dark
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;Most lenses are designed to work under normal lighting conditions. In photographic terms, &quot;normal&quot; generally means outdoors. Normal lighting may work in overcast weather, shade of trees or buildings, or in brightly lit rooms with skylights and plenty windows, but the real world isn&apos;t always like that. &lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8653
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                Article:   Mud in the fast lane.Three compact digital cameras were tested at high ISOs. They all failed.
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;We&apos;ve established that you&apos;ll get your best overall image quality with a compact digital camera at its lowest settings, but what happens at their highest ISO speeds?&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8566
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                Article:   &quot;Normal&quot; lens buying guide.Life begins at 50
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;If one way to overcome problems associated with low light is to shoot at a wide aperture, then you need a wide-aperture (&quot;fast&quot;) lens. Most kit zoom lenses only open to around f/3.5 or f/4, and fast zooms that maintain a maximum aperture of f/2.8 throughout the zoom range cost a mint. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8439
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                Article:   Use a wider aperture.f/1.8 and be there!
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;em&gt;To overcome many of the problems associated with low-light photography, and give your creative juices a jump-start, use a lens with a wide maximum aperture (in the f/1.4-2.8 range) and shoot away.&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8438
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                Article:   &quot;High resolution&quot; compacts, low light don’t mix.Low light causes problems for photographers. Let&apos;s solve them.
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;So-called &quot;high-resolution&quot; &lt;a href=&quot;../../catalog.tpl?op=itemlist&amp;amp;cat1=Cameras%20%26%20Lenses&amp;amp;cat2=Digital%20Cameras%20%26%20Accessories&amp;amp;cat3=Digital%20Cameras&quot;&gt;&lt;strong&gt;compact cameras&lt;/strong&gt;&lt;/a&gt; (8MP and up) and low light are a recipe for disaster, as illustrated in the photos below. (The technical explanation follows.)&lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8436
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                Article:   Hand-Held Photos in Low Light.A simple shutter speed formula
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                &lt;p&gt;&lt;span style=&quot;font-size: small;&quot;&gt;If you&apos;re shooting handheld images in low light, there&apos;s a simple formula to know. &lt;/span&gt;&lt;/p&gt;
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                http://www.adorama.com/alc/article/8353
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