http://www.adorama.com/alc/taginfo/pro-optic <p><span style="font-size: small;">Pro Optic has updated its 85mm f/1.4 budget prime. What does the new version, with it&rsquo;s new aspherical lens formulation, provide in performance enhancements? So what else to do with an 85mm lens but take a portrait or two!</span></p> http://www.adorama.com/alc/article/13708 <p><span style="font-size: small;">Bryan Peterson shows how to use the Pro-Optic 14mm super-wide-angle lens to transform a scene by adding a reflection from a small shiny surface and making it look like a shiny lake.</span></p> http://www.adorama.com/alc/article/13258 <p><span style="font-size: small;">The Pro Optic 14mm f/2.8 lens offers a low-cost entry to wide-angle photography. But can it deliver the quality to compete with the more expensive versions?</span></p> http://www.adorama.com/alc/article/13004 <p><span style="font-size: small;">Adorama Photography TV presents Pro Optic UV and polarizing filters. </span></p> http://www.adorama.com/alc/article/13003 <p><span style="font-size: small;">If you're an aspiring nature shooter who is discouraged by the high cost of supertelephoto lenses (which can run into the thousands of dollars), here's a low-cost alternative: the Pro Optic 500mm f/6.3 mirror lens.</span></p> http://www.adorama.com/alc/article/8618 <p>Lots of photographers would like to own a really wide angle, fish-eye lens, but there has always been one major roadblock standing in the way: the price tag. These optical devices are complicated to design and build, and that complexity is ultimately reflected in the cost.</p> http://www.adorama.com/alc/article/11968 <p><em><span style="font-size: small;">We continue our look at tele-extenders an how they can add versatility to your lenses in general, and macro photography capabilities in particular.</span></em></p> http://www.adorama.com/alc/article/11517