{"id":103226,"date":"2024-07-12T10:00:00","date_gmt":"2024-07-12T14:00:00","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=103226"},"modified":"2025-06-13T14:24:17","modified_gmt":"2025-06-13T18:24:17","slug":"sony-burano-dzo-arles-lenses","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/sony-burano-dzo-arles-lenses\/","title":{"rendered":"Sony BURANO and DZO Arles Lenses: Shooting a Short Documentary"},"content":{"rendered":"\n<p>My name is Julien Jarry.. I am a Director and DP based in New York. My team and I specialize in <a href=\"https:\/\/www.adorama.com\/alc\/how-to-make-a-documentary\/\" target=\"_blank\" rel=\"noreferrer noopener\">documentaries<\/a> and <a href=\"https:\/\/www.adorama.com\/lists\/tv-commercial\" target=\"_blank\" rel=\"noreferrer noopener\">commercials<\/a>, focusing on communicating a message, and casting a vision. We tell stories to accomplish goals such as raising money, awareness, and marketing a product or strategy.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Sony BURANO and DZO Arles Lenses: Shooting a Short Documentary\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/episode\/7ATikDYFs8bXUZPRz9ZgfX?si=s7Jt9gmFT2q4efQUyiensg&#038;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Recently, we were tasked to create a short documentary that could act as an \u2018About\u2019 video for a local architect. Here, you\u2019ll learn how we lit and shot the scene and <a href=\"https:\/\/www.adorama.com\/alc\/b-roll-video\/\">captured the B-roll<\/a>. Of course, you\u2019ll also gain an inside look into our process. Let\u2019s jump right in.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Shooting Black and White with the Sony BURANO<\/strong><\/h2>\n\n\n<div id=\"SOMPC2610\"  class=\"west_sku_post\" data=\"SOMPC2610\"><\/div>\n\n\n\n<p>The <a href=\"https:\/\/www.adorama.com\/sompc2610.html\">Sony BURANO<\/a>&#8216;s 8.6K image sensor is gorgeous. I thought it would enhance the footage of the architect&#8217;s work to capture everything inside his office and his creative process in black and white. I aimed for clean and punchy blacks to create a strong visual impact. Black and white footage thrives on contrast, and we kept that in mind while lighting his workspace.<\/p>\n\n\n\n<p>I paired the Sony BURANO with the <a href=\"https:\/\/www.adorama.com\/sofx6.html\" target=\"_blank\" rel=\"noreferrer noopener\">Sony FX6<\/a> as a B camera and it held up to the task. For lenses, we went with the new <a href=\"https:\/\/www.adorama.com\/dzosap.html\" target=\"_blank\" rel=\"noreferrer noopener\">DZO Arles primes<\/a> because of their clean yet interesting look at T1.4 apertures. I enjoy shooting with shallow depth of field, and the new Arles lenses at T1.4 looked beautiful.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/JJA08124_WEB-683x1024.jpg\" alt=\"picture of Sony BURANO\" class=\"wp-image-103230\"\/><figcaption class=\"wp-element-caption\">Photo from Julien Jarry<\/figcaption><\/figure>\n\n\n<div id=\"DZOS5A25IPL\"  class=\"west_sku_post\" data=\"DZOS5A25IPL\"><\/div>\n\n\n\n<p>The DZO Arles lenses strike the perfect balance of size and weight and combined with the BURANO, shot in black and white, really landed where I wanted for this project\u2019s feel.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=1C4d5LtGHQU&amp;pp=ygUQYWRvcmFtYSBsaWdodGluZw%3D%3D\">Lighting<\/a>-wise, I leaned on my trusty <a href=\"https:\/\/www.adorama.com\/l\/Photography\/Lighting-and-Studio\/Continuous-Lighting\/Aputure~LED-Lighting\" target=\"_blank\" rel=\"noreferrer noopener\">Aputure lights<\/a>, keeping it simple with a few 600Ds, a 36-degree spotlight mount used creatively, an <a href=\"https:\/\/www.adorama.com\/apl241a14.html\" target=\"_blank\" rel=\"noreferrer noopener\">Amaran tube light<\/a>, and some ultra bounce. For sound, I decided on the <a href=\"https:\/\/www.adorama.com\/semkh416p48.html\">Sennheiser 416 shotgun microphone<\/a>, which is all you need sometimes. It&#8217;s considered the industry standard for good reason.<\/p>\n\n\n\n<p>Additionally, we utilized my SmallHD monitors, Wooden Camera accessories, Anton Bauer batteries, and <a href=\"https:\/\/www.adorama.com\/l\/Photography\/Sachtler~Tripods-and-Supports\" target=\"_blank\" rel=\"noreferrer noopener\">Sachtler tripods<\/a>, which are always standard on my camera packages. They make everything seamless for us no matter what we throw at them. &nbsp;<\/p>\n\n\n\n<p>The <a href=\"https:\/\/www.adorama.com\/sc5584.html\" target=\"_blank\" rel=\"noreferrer noopener\">Sachtler Flowtech 100<\/a> and <a href=\"https:\/\/www.adorama.com\/scflwtc75.html\" target=\"_blank\" rel=\"noreferrer noopener\">75<\/a> with Aktiv 10 and 8 combos I own really pulled their weight on this shoot. We were butted up against the back corner of the room, as the space was tight. But I was able to manipulate the legs up onto a desk so that I could achieve the composition that I was looking for.&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Location Scouting<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/JJA08174-819x1024.jpg\" alt=\"view of location with Sony BURANO\" class=\"wp-image-103228\"\/><figcaption class=\"wp-element-caption\">Photo from Julien Jarry<\/figcaption><\/figure>\n\n\n\n<p>I scouted the location the day before to ensure that the concept I had in mind would work, and thankfully, it did. I initially tested a frame using the <a href=\"https:\/\/www.adorama.com\/iso2414.html\">24mm f1.4 GM lens<\/a> on my <a href=\"https:\/\/www.adorama.com\/isoa7r5.html\">Sony A7RV<\/a>, knowing that we were going to use the <a href=\"https:\/\/www.adorama.com\/dzosap.html\">DZO 25mm T1.4 lens<\/a> for the main angle.<\/p>\n\n\n\n<p>On set the next day, we began by setting up our interview frames and lighting. We positioned the A and B cameras and, again, the tripods were enormously helpful in achieving the desired setup. The lighting was motivated by the natural light coming in through the window in the space. Thankfully, the sky was consistently cloudy on the day of our shoot.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/JJA08151_WEB-819x1024.jpg\" alt=\"Julian Jarry and crew filming a documentary\" class=\"wp-image-103234\"\/><figcaption class=\"wp-element-caption\">Photo from Julien Jarry<\/figcaption><\/figure>\n\n\n\n<p>However, the window was not positioned ideally for the shot. It was just far back enough, lacking the frontal level we needed, so we threw up an ultra-bounce and used the <a href=\"https:\/\/www.adorama.com\/aps600dproas.html\" target=\"_blank\" rel=\"noreferrer noopener\">Aputure 600D Pro<\/a> and <a href=\"https:\/\/www.adorama.com\/apspot36set.html\" target=\"_blank\" rel=\"noreferrer noopener\">36-degree spotlight mount<\/a> to simulate a &#8220;window&#8221; effect across the room. This was necessary because there was no room to put another light modifier where we needed this level to come from in the room.<\/p>\n\n\n\n<p>The setup ended up working out very well and I am super happy with the results. The additional lighting on our subject\u2019s face was exactly what we needed. To maintain consistent ambient lighting throughout the day in the back room, which was in frame, we used another 600D pro bounced into another ultra bounce. Additionally, we used an <a href=\"https:\/\/www.adorama.com\/ap20012a10.html\" target=\"_blank\" rel=\"noreferrer noopener\">Amaran PT2c tube<\/a> as a hair light, and finally, <a href=\"https:\/\/www.adorama.com\/apcb7c.html\" target=\"_blank\" rel=\"noreferrer noopener\">a single B7c<\/a> in a desk lamp in the background completed the lighting setup.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Production Crew<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/JJA08110_WEB-1024x683.jpg\" alt=\"cinema camera being used for interview\" class=\"wp-image-103232\"\/><figcaption class=\"wp-element-caption\">Photo from Julien Jarry<\/figcaption><\/figure>\n\n\n\n<p>This was a relatively small job in a compact space. We kept our crew small to maintain agility. After shooting the interview and some office footage, we needed to relocate to a construction site to capture additional B-roll.<\/p>\n\n\n\n<p>My wife Kelly was the B camera operator and swing, while Kevin handled the lighting as the gaffer. We had Antonio shoot the behind-the-scenes video for the footage you now have access to on Adorama TV, and our friend Enrique took a couple of BTS stills.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>The Shot List<\/strong><\/h2>\n\n\n\n<p>I had a rough shot list in my head, and it worked because the project was simple. Usually, I don&#8217;t recommend doing this, as you can easily forget things. I knew I could shoot our subject simply doing what they naturally would do and also shoot all the cool stuff in their office. It worked out, and I like working that way. It feels like a documentary because it is.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Innovative Feature of the Sony BURANO<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/JJA08232-copy-819x1024.jpg\" alt=\"Close up of Sony BURANO buttons and features\" class=\"wp-image-103227\"\/><figcaption class=\"wp-element-caption\">Photo from Julien Jarry<\/figcaption><\/figure>\n\n\n\n<p>I was pleasantly surprised by the Sony BURANO&#8217;s IBIS (in body image stabilization). Initially, I didn&#8217;t think I needed or wanted it, but I used it throughout the entire time of shooting b-roll. I\u2019m happy to say it significantly enhanced the stability of my handheld footage captured on the <a href=\"https:\/\/www.adorama.com\/l\/Easyrig~Video\" target=\"_blank\" rel=\"noreferrer noopener\">Easyrig<\/a>. &nbsp;<\/p>\n\n\n\n<p>I found it difficult to imagine turning it off for this project, as it took my footage to a whole new level of perfection. The ability to map IBIS on\/off to a custom button made it easy for me to transition to and from a tripod. The 8.6K resolution is truly next level. For me, upgrading from the FX6 is the next natural step when looking for more image quality.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Overall Thoughts<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/JJA08129_WEB-683x1024.jpg\" alt=\"Sony BURANO lens and tripod\" class=\"wp-image-103229\"\/><figcaption class=\"wp-element-caption\">Photo from Julien Jarry<\/figcaption><\/figure>\n\n\n\n<p>Part of my ongoing project with this client of mine is still photography. Although I had previously spent time photographing homes he had built, I was particularly excited about the documentary-style work I could make in his office. During this video shoot, I didn\u2019t have time to shoot any stills of him. However, with the resolution of the Sony BURANO, I can pull high-quality frame grabs that I can be proud of. Overall, I\u2019m truly stoked about what we produced.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Know the story behind Julien Jarry&#8217;s use of the Sony BURANO and DZO Arles Lenses. Learn lighting, sound, and techniques for perfect B&#038;W video.<\/p>\n","protected":false},"author":11111175,"featured_media":103245,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,17821,17822],"tags":[16370,18476,1466,18027,15394,276,17319],"class_list":["post-103226","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video","category-video-cameras","category-video-lenses","tag-aputure","tag-burano","tag-documentary-1466","tag-dzofilm","tag-sachtler","tag-sony-276","tag-sony-fx6"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sony BURANO and DZO Arles Lenses: Shooting a Short Documentary - Adorama<\/title>\n<meta name=\"description\" content=\"Know the story behind Julien Jarry&#039;s use of the Sony BURANO and DZO Arles Lenses. 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