{"id":103349,"date":"2024-07-10T13:00:00","date_gmt":"2024-07-10T17:00:00","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=103349"},"modified":"2024-07-09T17:02:39","modified_gmt":"2024-07-09T21:02:39","slug":"how-to-shoot-a-motorcycle-roller","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/how-to-shoot-a-motorcycle-roller\/","title":{"rendered":"How to Shoot A Motorcycle Roller"},"content":{"rendered":"\n<p>Right now, there seems to be a huge trend on social media of shooting &#8220;rollers.&#8221; For those unfamiliar with the phrase, a &#8220;roller&#8221; is a shot of a moving vehicle from another moving vehicle. In this article, we will dive into how to use some of these readily available tools to create a motorcycle roller of your own, keeping in mind three simple steps to get the best shots and keep everyone safe.<\/p>\n\n\n\n<p>In the past, these shots involved a complicated setup that would cost hundreds of thousands of dollars to own or thousands a day to rent. As with most aspects of filmmaking, as technology has advanced, the equipment has become cheaper, smaller, and more accessible. What once required a special car and dedicated crew can now be shot on a bicycle with a single operator.<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper\" title=\"Chasing Motorcycles Using the LUMIX S5 IIX, Sigma Lenses, and Zhiyun Lights | Filmmaker Week\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_SI6_HI8ccrM\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/SI6_HI8ccrM\/hqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/SI6_HI8ccrM\" \/><meta itemprop=\"duration\" content=\"PT9M4S\" \/><meta itemprop=\"uploadDate\" content=\"2024-07-09T14:00:21Z\" \/><\/div><div id=\"lyte_SI6_HI8ccrM\" data-src=\"https:\/\/i.ytimg.com\/vi\/SI6_HI8ccrM\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Chasing Motorcycles Using the LUMIX S5 IIX, Sigma Lenses, and Zhiyun Lights | Filmmaker Week<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/SI6_HI8ccrM\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/SI6_HI8ccrM\/0.jpg\" alt=\"Chasing Motorcycles Using the LUMIX S5 IIX, Sigma Lenses, and Zhiyun Lights | Filmmaker Week\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Follow filmmaker, Fritz Bacon, as he puts the LUMIX S5IIX Motorcycle autofocus tracking to the test. Pairing the Sigma 24-70mm f\/2.8 DG DN II Art Lens, with the Sigma 28-45mm f\/1.8 DG DN ART Lens L Mount he travels around NYC with 3 different motorcyclists and 3 different approaches. The setup then moves inside where Fritz utilizes the Zhiyun Molus B500 in conjunction with the Molus G200 to create a dramatically lit intro. Fritz Bacon is a multidisciplinary creative based in New York City. With a strong background in filmmaking, photography, and everything on the internet. Fritz has an overwhelming desire to create and tell visual stories designed to be shared with the masses. With an ever-growing amount of viral photos and videos under his belt, his current focus is writing and directing commercials for the world\u2019s leading brands. Chapters: 00:00 Using the LUMIX S5 IIX, Sigma Lenses, and Zhiyun Lights 00:34 Brainstorming a project using Motorcycles 01:10 Shooting Motorcycles in the streets of New York City 02:16 Shooting in low light with the Sigma 28-45mm f\/1.8 02:50 Using a car rig with the Panasonic Lumix S5 IIX 04:45 Lighting a fast pace intro for a Motorcycle narrative film SUBSCRIBE AND BE PART OF THE ADORAMA FAMILY: \u27a5 https:\/\/www.youtube.com\/user\/adoramaTV __________________________________ Be the first to shop our great deals and sales by signing up for emails from Adorama! https:\/\/www.adorama.com\/MyAccount\/Login __________________________________ \u2718 PRODUCTION EQUIPMENT USED: Panasonic Lumix S5 IIX Mirrorless Camera https:\/\/www.adorama.com\/pcs5m2x.html Sigma 28-45mm f\/1.8 DG DN ART Lens L Mount https:\/\/www.adorama.com\/sg2845.html Sigma 24-70mm f\/2.8 DG DN II Art Lens L Mount https:\/\/www.adorama.com\/sg2470dg2.html Zhiyun MOLUS G200 200W Bi-Color Pocket COB LED Light https:\/\/www.adorama.com\/zhc040023am1.html Zhiyun MOLUS B500 500W Bi-Color LED Monolight https:\/\/www.adorama.com\/zhc040048am1.html Glow EZ Lock Collapsible Silver Beauty Dish (42&quot;) https:\/\/www.adorama.com\/glbdez42s.html Lexar GOLD Series Professional 1800x 256GB UHS-II SDXC Memory Card https:\/\/www.adorama.com\/ilxsd18256gb.html DJI RS 4 Gimbal Stabilizer https:\/\/www.adorama.com\/djirs4g.html DJI Focus Pro Creator Combo https:\/\/www.adorama.com\/djifpcc.html Tilta Hydra Alien Car Mounting System Pro Kit, V-Mount https:\/\/www.adorama.com\/iahdat02av.html SmallHD Cine 5 5&quot; 16:9 Full HD Touchscreen On-Camera Monitor https:\/\/www.adorama.com\/sm160526.html Insta360 ACE Pro 8K Action Camera, Black https:\/\/www.adorama.com\/instacepro.html Indipro 2x Micro-Series 98Wh V-Mount Li-Ion Battery and Dual V-Mount Battery Charger Kit https:\/\/www.adorama.com\/ip2psktdc.html #lumixs5iix #sigmalenses #adorama __________________________________ \u2750 LET&#039;S GET SOCIAL \u274f \u27a5 TikTok https:\/\/www.tiktok.com\/@adoramanyc \u27a5 Facebook https:\/\/www.facebook.com\/adorama\/ \u27a5 Instagram https:\/\/www.instagram.com\/adorama\/ \u27a5 Twitter https:\/\/twitter.com\/adorama \u2750 MORE ADORAMA \u274f \u27a5 Shop https:\/\/www.adorama.com\/ \u27a5 Blog https:\/\/www.adorama.com\/alc\/ \u27a5 Adorama Events https:\/\/www.youtube.com\/@AdoramaEvents __________________________________ Filmmaker and Photographer: Fritz Bacon Instagram: https:\/\/www.instagram.com\/@fritzbacon TikTok: https:\/\/www.tiktok.com\/@fritzbacon YouTube: https:\/\/www.youtube.com\/channel\/UC6pr6bq5eaypXqjuI4Ij_wg Filmmaker Week Playlist: https:\/\/www.youtube.com\/playlist?list=PLwm6LvGc5xq0cLZ8ObC3BBHWvpX-tWa1m __________________________________ THANKS SO MUCH FOR WATCHING!\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<h2 class=\"wp-block-heading\">The Gear<\/h2>\n\n\n\n<p>Technology has come a long way from what we had in years past. However, the gear we choose is still of utmost importance in pulling off a successful motorcycle roller. It is also critical to not only have the gear but also the knowledge to properly install and operate it. The gear is split into three categories, camera, support, and monitoring.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Camera<\/h3>\n\n\n\n<p>For the camera, we were using the <a href=\"https:\/\/www.adorama.com\/pcs5m2x.html\">LUMIX S5IIX<\/a>. It is a lightweight option while still packing a load of helpful features. Features like a 5-axis body image stabilizer (B.I.S.) and 6.5, stop Dual I.S. 2 stabilization, and 14 stops of dynamic range. The most helpful feature for this shoot was the motorcycle subject detection, which was released in the latest firmware update.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Support<\/h3>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/3.21.1_3.21.1-1024x576.jpg\" alt=\"\" class=\"wp-image-103351\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/3.21.1_3.21.1-1024x576.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/3.21.1_3.21.1-300x169.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/3.21.1_3.21.1-825x465.jpg 825w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/3.21.1_3.21.1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>To support and control the camera, we used a DJI Ronin RS3 Pro connected to a <a href=\"https:\/\/www.adorama.com\/iahdat02av.html\">Tilta Hydra Alien Car Mounting System<\/a>. The Ronin typically provides enough stabilization in scenarios that need pitch, roll, or yaw correction but when it comes to rollers. Vertical motion also needs to be taken into consideration. This is where the Hydra Alien comes into play. Once calibrated to the proper weight, it will counteract most vertical motion and vibration from the car.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Monitoring<\/h3>\n\n\n\n<p>To control and monitor the system, we used a <a href=\"https:\/\/www.adorama.com\/smmonindie7.html\">Small HD Indie 7<\/a>, connected to Accsoon CineEye 2S Pro (item no longer available), to see what the camera was looking at. To control the Ronin, we paired that to the DJI Ronin app. This allowed us to control the Ronin with a PS4 controller.<\/p>\n\n\n\n<p>There is a lot of gear involved in this particular type of shot. It&#8217;s important to do a few dry runs with it all set up to work out any issues before the shoot. One thing to note: Our crew ran into a problem with the wireless systems. It worked out fine when we were in a less populated area of Brooklyn, but when we went into Manhattan, we had trouble with those wireless systems and realized it would have been better to hardwire in if we had the time.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">The Route<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/1.87.1_1.87.1-1024x576.jpg\" alt=\"\" class=\"wp-image-103352\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/1.87.1_1.87.1-1024x576.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/1.87.1_1.87.1-300x169.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/1.87.1_1.87.1-825x465.jpg 825w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/07\/1.87.1_1.87.1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>Motorcycle rollers are a great way to focus on a subject, but to get a great shot, the background needs to match the tone of what you are looking to convey. Planning the route is essential for two reasons. The first is preparing for the visuals. In most of the shots in our video on AdoramaTV, we scouted the locations ahead of time to help show the scale of the motorcycles in the city.<\/p>\n\n\n\n<p>The other need to plan out the route ahead of time is so you can share it with your talent. Safety is extremely important on shoots like this. This means planning the route ahead and sharing with your talent. This will allow them to take into consideration their vehicle and movements. If they see any issues, they can let you know ahead of time so you can plan accordingly or make adjustments as needed.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Communication<\/h2>\n\n\n\n<p>Finally, the last part of a successful motorcycle roller shoot is communication between the crew and talent. For our crew, we had three: a driver, the DP, and an assistant. Shooting a motorcycle roller is a bit different when it comes to communication. With cars, it&#8217;s easy to have a phone or walkie-talkie, but oftentimes, motorcyclists do not have comms in their helmets. Only one rider had helmet comms in our shoot.<\/p>\n\n\n\n<p>If you do have comms, giving directions and positioning the subject where they need to be in the frame is easy. For the rider who did not have comms, we sat down beforehand and, after going over the route, came up with a series of simple hand movements that our assistant would signal out the window to the rider. The three moves were to speed up, slow down, and adjust lane position.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion<\/h2>\n\n\n\n<p>These types of shots are great for b-roll, action sequences, and really any moment where you need to highlight something moving at speed. There are a lot of options on the market to pull these types of shots off at any budget. If you keep safety as a top priority, plan the route, know your gear, and have solid communication, you will be able to shoot your next motorcycle roller without issue.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Right now, there seems to be a huge trend on social media of shooting &#8220;rollers.&#8221; For those unfamiliar with the phrase, a &#8220;roller&#8221; is a shot of a moving vehicle from another moving vehicle. In this article, we will dive into how to use some of these readily available tools to create a motorcycle roller of your own, keeping in mind three simple steps to get the best shots and keep everyone safe.<\/p>\n","protected":false},"author":11111173,"featured_media":103354,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,17823],"tags":[18484],"class_list":["post-103349","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video","category-videography","tag-motorcycle-rollers"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How to Shoot A Motorcycle Roller - Adorama<\/title>\n<meta name=\"description\" content=\"When you create a motorcycle roller of your own, just keep in mind three simple steps to get the best shots and keep everyone safe\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.adorama.com\/alc\/how-to-shoot-a-motorcycle-roller\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to Shoot A Motorcycle Roller - 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