{"id":106723,"date":"2024-11-05T12:00:00","date_gmt":"2024-11-05T17:00:00","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=106723"},"modified":"2024-11-05T10:15:17","modified_gmt":"2024-11-05T15:15:17","slug":"variable-nd-filters-a-practical-approach","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/variable-nd-filters-a-practical-approach\/","title":{"rendered":"Variable ND Filters: A Practical Approach"},"content":{"rendered":"\n<p>While I was making a video in my home studio, my son pointed to my filter. He said, &#8220;Are you putting sunglasses on the lens now?&#8221;. I proudly smiled and told him this was precisely what I was doing. I went on to explain that it was called a neutral density (ND) filter. To be exact, it was a Variable ND filter.<\/p>\n\n\n\n<p>Two months prior&#8230;<\/p>\n\n\n\n<p>\u201cWhy do you wear sunglasses, Dad?\u201d my son asked me once while hiking.<\/p>\n\n\n\n<p>\u201cWell, because it\u2019s too bright, the glasses block some light so that I can see more easily with less glare,\u201d I replied by putting my shades on him to demonstrate.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Variable ND, A Way to See Clearly<\/h2>\n\n\n\n<p>Just like humans, cameras need to see clearly. This means keeping the exposure in a specific range so we don&#8217;t lose detail in the bright areas or shadows. We use filters with a dark tint to block just the right amount of light so that the photo or video is &#8220;exposed&#8221; to our requirements. Achieving correct exposure in the camera requires a combination of camera settings <em>and <\/em>essential equipment like neutral density filters. For me, filters in my photography and filmmaking are not optional extras; they are mandatory. After reading this article, you will agree.<\/p>\n\n\n\n<p>ND filters have various strengths corresponding to the amount of light they block. The challenge is to swap them in accordance with the ever-changing light around you. This is where a variable ND filter comes in handy because you only need to buy one filter. By rotating it, you control the amount of stops of light that are blocked.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Shutter Speed and the Variable ND<\/h2>\n\n\n\n<p>Remember this: in film-making, maintaining a specific shutter speed is crucial for achieving natural motion blur of moving objects like cars, animals, birds, humans, etc. For example, with a frame rate of 25 fps, following the 180-degree shutter rule, we aim for a shutter speed of 1\/50. For 50 fps, the shutter speed is 1\/100, and so forth. The Variable ND filter helps easily adjust exposure, allowing you to choose your ISO and aperture values to help preserve a cinematic look. This way, you don&#8217;t compromise on the shutter speed that aligns with the frame rate, even in bright conditions. Variable ND filters are crucial for outdoor shooting in dynamic scenarios because they offer flexibility.<\/p>\n\n\n\n<p>ND filters are also invaluable for landscape photography. They allow you to use long exposures to achieve results like motion blur in the water and silky smooth ocean waves and clouds.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/11\/Long-Exposure-of-Table-Mountain-683x1024.jpg\" alt=\"Long-Exposure-of-Table-Mountain- Variable ND\" class=\"wp-image-106886\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/11\/Long-Exposure-of-Table-Mountain-683x1024.jpg 683w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/11\/Long-Exposure-of-Table-Mountain-200x300.jpg 200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/11\/Long-Exposure-of-Table-Mountain-1025x1536.jpg 1025w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2024\/11\/Long-Exposure-of-Table-Mountain.jpg 1200w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Using an ND filter, the choppy waves were rendered silky smooth with a shutter speed spanning over a few minutes while maintaining an aperture value and ISO of my choice.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><a href=\"https:\/\/www.adorama.com\/iatcvsk32767.html\">NiSi Swift True Color Kit<\/a><\/h2>\n\n\n\n<p>As a solo filmmaker and YouTuber, I use NiSi&#8217;s Swift True Color Kit with a 1-5 Stop variable ND filter and a 4-stop ND filter for daily video work. It has a competitive price range, and unlike its predecessor, it does not give a color cast. The variable 1-5 Stop is screwed to the front of your lens. Accordingly, buy the one that fits your lens&#8217;s ring size. Another advantage of purchasing the kit is that you can, through magnetic latching,&nbsp; attach the 4-stop ND filter on top of the variable 1-5 Stop, making it a 5-9-stop filter.<\/p>\n\n\n\n<p>The combination is achieved without the banding you usually get at wide angles with a single 10-stop variable ND filter. The nano-coating also ensures the filter is scratch-resistant and hydrophobic. This is great for a clumsy person like me who shoves filters, micro-fiber cloths, keys, and cell phones in one pocket for convenience.<\/p>\n\n\n\n<p>Consequently, this has prevented many would-have-been replacements with my shooting style. Lastly, a small removable pin on the variable ND filter helps you rotate it easily while recording and making your videos. It&#8217;s super convenient!<\/p>\n\n\n\n<p>NiSi filters have <a href=\"https:\/\/www.adorama.com\/l\/Photography\/Lens-Filters\/Neutral-Density-Filters\">alternatives<\/a> available in the market, so be sure to explore your options to ensure that your purchase meets your needs and expectations.<\/p>\n\n\n\n<p>All Photos by Mujahid Ur Rehman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While I was making a video in my home studio, my son pointed to my filter. He said, &#8220;Are you putting sunglasses on the lens now?&#8221;. I proudly smiled and told him this was precisely what I was doing. I went on to explain that it was called a neutral density (ND) filter. To be [&hellip;]<\/p>\n","protected":false},"author":11111173,"featured_media":106887,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17770],"tags":[],"class_list":["post-106723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Variable ND Filters: A Practical Approach - Adorama<\/title>\n<meta name=\"description\" content=\"As a solo filmmaker, I use NiSi&#039;s Swift True Color Kit with a 1-5 Stop variable ND filter and a 4-stop ND filter for daily video work\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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