{"id":111664,"date":"2025-05-28T11:18:06","date_gmt":"2025-05-28T15:18:06","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=111664"},"modified":"2025-05-29T09:49:11","modified_gmt":"2025-05-29T13:49:11","slug":"the-sony-fx2-has-arrived","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/the-sony-fx2-has-arrived\/","title":{"rendered":"The Sony FX2 Has Arrived, A Cinematographer&#8217;s Companion"},"content":{"rendered":"\n<p>There\u2019s been a lot of buzz and anticipation surrounding the <a href=\"https:\/\/www.adorama.com\/sofx2.html\">Sony FX2<\/a>. This is not because it is being marketed to reinvent the wheel. Rather, it looks like it can seriously fine-tune what\u2019s working in other cameras in the company\u2019s Cinema Line. As the long-rumored successor to the FX3, the FX2 is built on an already solid foundation. The Sony FX2 focuses on better usability, reliability, and streamlined workflow. It\u2019s designed for serious filmmakers who need a camera that can keep up without getting in the way.<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper\" title=\"Sony FX2 Full-Frame Cinema &amp;amp; Photo Camera | Hands on with Samuel Bouret\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_nzgxzQEyag0\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/nzgxzQEyag0\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/nzgxzQEyag0\" \/><meta itemprop=\"duration\" content=\"PT4M55S\" \/><meta itemprop=\"uploadDate\" content=\"2025-05-28T14:01:21Z\" \/><\/div><div id=\"lyte_nzgxzQEyag0\" data-src=\"https:\/\/i.ytimg.com\/vi\/nzgxzQEyag0\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Sony FX2 Full-Frame Cinema &amp; Photo Camera | Hands on with Samuel Bouret<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/nzgxzQEyag0\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/nzgxzQEyag0\/0.jpg\" alt=\"Sony FX2 Full-Frame Cinema &amp;amp; Photo Camera | Hands on with Samuel Bouret\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Join Samuel Bouret as he covers the new Sony FX2 cinema camera. Samuel Bouret walks through the streets of Newark, NJ, with a gimbal in hand to test Sony&#039;s latest full-frame cinema camera, which also doubles as a photography camera. The Sony FX2 features a 33-megapixel full-frame sensor. It offers dual base ISO settings at 800 and 4000, optimized for S-Log3 shooting in a wide range of lighting conditions. It has 10-bit 4:2:2 internal recording for flexible color grading, and also offers 16-bit RAW output (Super 35mm equivalent) via HDMI. You\u2019ll get a wide dynamic range with up to 15+ stops of latitude, perfect for preserving highlights and shadows. When recording in full-frame 4K, the FX2 utilizes 7K oversampling with full-pixel readout for stunning detail and clarity. For color science and cinematic looks, the FX2 includes S-Cinetone, ITU709, S-Log3, and HLG picture profiles. Stabilization is handled by a 5-axis in-body system that provides up to 5 stops of correction at both the center and periphery of the frame. \u2718 Sony FX2 Full Frame Cinema Camera https:\/\/www.adorama.com\/sofx2b.html \u2718 Sony FX2 Cinema Line Camera with XLR Handle Unit https:\/\/www.adorama.com\/sofx2.html Key Features of the Sony FX2 Full Frame Cinema Camera: \u25ba 33 MP Full Frame \u25ba Dual Base ISO 800 and 4000 for S-Log3 Shooting \u25ba Exmor R CMOS sensor \u25ba BIONZ XR processing engine \u25ba 10-bit 4:2:2 recording for flexible editing, or 16-bit RAW (S35 equivalent) output via HDMI \u25ba Wide latitude up to 15+ stops \u25ba 7K oversampling with full pixel readout when shooting full frame 4K \u25ba 100-102400 ISO \u25ba Recording format of XAVC S \/ XAVC S-I \/ XAVC HS \u25ba 3.68 million dot OLED resolution \u25ba Cinema look\/ S-log \u2014 S-cinetone, ITU709, S-Log3, HLG \u25ba 5-Axis (Dynamic Axis\/Active\/Standard) Image Stabilization center 5 stops, periphery 5-stops \u25ba Weighs 679g SUBSCRIBE TO ADORAMA CINEMA: \ud83c\udf9e\ufe0f https:\/\/www.youtube.com\/@AdoramaCinema ___________ \u2718 FEATURED GEAR: Sony Alpha a7S III Mirrorless Camera https:\/\/www.adorama.rfvk.net\/POa30N Sony GM 35mm 1.4 https:\/\/www.adorama.rfvk.net\/gOoZDr Tamron 17-28 https:\/\/www.adorama.rfvk.net\/4GdQdM Tamron 28-75 https:\/\/www.adorama.rfvk.net\/DyLXLj Dji Rs3 https:\/\/www.adorama.rfvk.net\/Oe129Q Dji Rs4 https:\/\/www.adorama.rfvk.net\/4GdQr9 Angel Bird v90 https:\/\/www.adorama.rfvk.net\/QjKm6A Prograde SD v90 https:\/\/www.adorama.rfvk.net\/POa36Y Polar Pro Peter McKinnon Chroma VND\/PL Filter 6-9 Stop 49mm VND\/PL + Black Mist https:\/\/www.adorama.rfvk.net\/Oe12mN NiSi 77mm Swift True Color VND Kit with True Color 1-5 Stops VND + ND16 4-Stop Filter https:\/\/www.adorama.rfvk.net\/qzgbyy Deity Microphones Theos Digital 2-Person Camera-Mount Wireless Omnidirectional Lavalier Microphone System https:\/\/www.adorama.com\/dydtu0253d56.html?sterm=2kyTwLzjRxycRtU0XiTZTcrUksT1uyJI0lWyA0&amp;utm_source=rflaid916740&amp;utm_medium=affiliate Flashpoint 600w Pro II https:\/\/www.adorama.rfvk.net\/LKDbra Glow Ez 36 inch https:\/\/www.adorama.rfvk.net\/QjKmGY #sonycinema #sonyfx2 #adoramacinema ___________ \ud835\udd38\ud835\udd3b\ud835\udd46\u211d\ud835\udd38\ud835\udd44\ud835\udd38 \u2af8 TikTok https:\/\/www.tiktok.com\/@adoramanyc \u2af8 Instagram https:\/\/www.instagram.com\/adorama\/ \u2af8 Facebook https:\/\/www.facebook.com\/adorama\/ \u2af8 Twitter https:\/\/twitter.com\/adorama MORE \ud835\udd38\ud835\udd3b\ud835\udd46\u211d\ud835\udd38\ud835\udd44\ud835\udd38 \u2af8 Shop online https:\/\/www.adorama.com\/l\/Video\/ \u2af8 Shop in-store https:\/\/www.adorama.com\/g\/nyc-store \u2af8 Rent https:\/\/www.adoramarentals.com\/ \u2af8 Business https:\/\/www.adorama.com\/business\/solution\/video\/ \u2af8 Blog https:\/\/www.adorama.com\/alc\/category\/video\/ ___________ The team: Photographer, cinematographer: https:\/\/www.instagram.com\/SAMUELBOURET\/ model: https:\/\/www.instagram.com\/i.am.marrs\/ BTS: https:\/\/www.instagram.com\/amauris.hernandez\/ Assistant: https:\/\/www.instagram.com\/carmenmbouret\/ ___________ Deepen your understanding of filmmaking; we can&#039;t wait to have you back!\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><figcaption><\/figcaption><\/figure>\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Samuel Bouret Takes to the Streets with the Sony FX2<\/h2>\n\n\n\n<p>Cinematographer and photographer Samuel Bouret recently got his hands on the Sony FX2 for this quick review with AdoramaCinema. \u201cLet\u2019s see what this baby can do,\u201d he says in the opening scene of the accompanying video. We see his male subject stroll through the Four Corners Historic District in downtown Newark, New Jersey. Bouret takes the Sony FX2 and pans through the neighborhood. The viewers glimpse the historic Newark Paramount Theater, with its original marquee and signage intact. As the video continues, we get the sense that this isn\u2019t just another camera drop. The FX2 means business.<\/p>\n\n\n\n<p>Bouret soon experiences the standout features of the Sony FX2, built with a 33MP full-frame Exmor R CMOS sensor (the same one found in the Sony A7 IV and A7C II) and paired with Sony\u2019s latest generation image processing engine\u2014the high-speed BIONZ XR. The results? Exceptional image quality and responsiveness, stunning clarity, fast performance, and some serious filmmaking muscle for working pros. As described in the video narration, the camera handles low light and extended range with ease thanks to a Dual Base ISO of 800 and 4000 when shooting in S-Log mode. If you need to push further, it supports up to ISO 102,400. With over 15 stops of dynamic range, it captures stunning detail in both shadows and highlights.<\/p>\n\n\n<div id=\"SOFX2\"  class=\"west_sku_post\" data=\"SOFX2\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Powerful and Compact Cine Camera<\/h2>\n\n\n\n<p>As Bouret\u2019s subject continues to move through downtown Newark\u2014posing against scaffolding, casually walking past storefronts, and then later weaving and running through the city streets\u2014the filmmaker experiences the FX2\u2019s full power in action, including the sharpness of 7K oversampling using full pixel readout for, he says, \u201ccrystal clear 4K full-frame recording, record in 10-bit 4:2:2 All-Intra recording up to 600 Mbps, or output 16-bit raw via HDMI, leading to maximum freedom in post. Whether you&#8217;re shooting handheld or rigged, you\u2019re covered.<\/p>\n\n\n\n<p>You can also slow things down with variable frame rates\u2014including 4K at 60 fps (with the crop) or up to 120 fps in full HD. The tiltable HD EVF allows flexibility to frame from different angles, and the camera comes with a reversible eye cup for left- or right-eye shooters. Dynamic Active Mode keeps handheld footage steady, and users can load up to 16 user LUTs to preview the final look in-camera or use them in post.<\/p>\n\n\n\n<p>As the review continues with Bouret at the helm, the Sony FX2 continues to reveal its magic to him. Dual mounting holes on the base guarantee more rigging options, a built-in cooling fan helps during longer takes, and upgraded eye-tracking is 30 percent more accurate than the FX3 and FX30. Plus, this evolution of the FX3 now recognizes people, animals, birds, cars, planes\u2014even insects. The camera also has Type-A HDMI, USB-C, headphones, and mic jacks, plus dual card slots that support both CFexpress Type A and SDXC cards. It\u2019s dust- and moisture-resistant, built to go anywhere, and ready for just about anything.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2025\/05\/Still-photot-made-with-Sony-FX2-by-Samuel-Bouret-1024x683.jpg\" alt=\"Still photot made with Sony FX2 by Samuel Bouret.jpg\" class=\"wp-image-111669\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2025\/05\/Still-photot-made-with-Sony-FX2-by-Samuel-Bouret-1024x683.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2025\/05\/Still-photot-made-with-Sony-FX2-by-Samuel-Bouret-300x200.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2025\/05\/Still-photot-made-with-Sony-FX2-by-Samuel-Bouret.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Still photot made with Sony FX2 by Samuel Bouret.jpg<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">More than a Cine Camera &#8211; The Sony FX2 as a Still Camera<\/h2>\n\n\n\n<p>At this point, Bouret switches from shooting video at 60 fps to taking some stills with the FX2 and the Sony G Master 35mm f\/1.4 lens. The results? Images appear on screen with striking depth, sharpness, rich contrast, and dramatic skies\u2014as well as a vivid pop of color in the form of a red fire hydrant in the foreground of a few images. Says Bouret, \u201cNew to the FX2 is S-Log Photo Mode, a setting that allows you to capture 33MP stills with a wide dynamic range and incredible detail. You can also capture the action with the mechanical shutter up to 1\/4000 of a second or go completely silent with the electronic shutter up to 1\/8000 of a second\u2014and burst shoot up to 10 fps for over 1,000 continuous shots. The flash sync speed is 1\/160 or 1\/200 in APS-C format.\u201d<\/p>\n\n\n\n<p>In the end, Bouret walks away with a good first impression of this camera and comes to realize that the FX2 is not a replacement for the <a href=\"https:\/\/www.adorama.com\/soilmefx3a.html\">FX3 <\/a>but rather a distinct model with its own strengths. \u201cThis is like the baby brother of the FX3, to me, but I think it\u2019s a step up from the FX30,\u201d Bouret candidly discloses in his final assessment. \u201cIt\u2019s full frame, it\u2019s 33 megapixels. I would choose the FX3 if I need more horsepower, like 4K 120, because this does 4K at 60, and it crops in, but besides that, what a beautiful camera. The images, the video quality\u2014I really love this camera.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There\u2019s been a lot of buzz and anticipation surrounding the Sony FX2. This is not because it is being marketed to reinvent the wheel. Rather, it looks like it can seriously fine-tune what\u2019s working in other cameras in the company\u2019s Cinema Line. As the long-rumored successor to the FX3, the FX2 is built on an [&hellip;]<\/p>\n","protected":false},"author":11111173,"featured_media":111668,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17774,17770,5,17821],"tags":[18695],"class_list":["post-111664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cameras","category-photography","category-video","category-video-cameras","tag-sony-cinema"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Sony FX2 Has Arrived, A Cinematographer&#039;s Companion - Adorama<\/title>\n<meta name=\"description\" content=\"The Sony FX2 focuses on better usability, reliability, and streamlined workflow. 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It\u2019s designed for serious filmmakers\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.adorama.com\/alc\/the-sony-fx2-has-arrived\/\" \/>\n<meta property=\"og:site_name\" content=\"Adorama\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/adorama\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-28T15:18:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-05-29T13:49:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2025\/05\/Sony-FX2-Image-by-Daniel-for-Feature.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Daniel Norton\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@adorama\" \/>\n<meta name=\"twitter:site\" content=\"@adorama\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Daniel Norton\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/\"},\"author\":{\"name\":\"Daniel Norton\",\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/#\\\/schema\\\/person\\\/d03e80f3ee5e1b86b3f12f10943986b7\"},\"headline\":\"The Sony FX2 Has Arrived, A Cinematographer&#8217;s Companion\",\"datePublished\":\"2025-05-28T15:18:06+00:00\",\"dateModified\":\"2025-05-29T13:49:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/\"},\"wordCount\":879,\"publisher\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Sony-FX2-Image-by-Daniel-for-Feature.jpg\",\"keywords\":[\"Sony Cinema\"],\"articleSection\":[\"Cameras\",\"Photography\",\"Video\",\"Video Cameras\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/\",\"url\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/\",\"name\":\"The Sony FX2 Has Arrived, A Cinematographer's Companion - Adorama\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/the-sony-fx2-has-arrived\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/wp-content\\\/uploads\\\/2025\\\/05\\\/Sony-FX2-Image-by-Daniel-for-Feature.jpg\",\"datePublished\":\"2025-05-28T15:18:06+00:00\",\"dateModified\":\"2025-05-29T13:49:11+00:00\",\"description\":\"The Sony FX2 focuses on better usability, reliability, and streamlined workflow. 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