{"id":114098,"date":"2025-12-09T14:00:00","date_gmt":"2025-12-09T19:00:00","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=114098"},"modified":"2025-12-10T13:47:46","modified_gmt":"2025-12-10T18:47:46","slug":"fabian-perez-director-love-thy-nader","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/fabian-perez-director-love-thy-nader\/","title":{"rendered":"ARC Client Spotlight: Fabian Perez, Director of Photography, Love Thy Nader"},"content":{"rendered":"\n

We recently caught up with Fabian Perez, a longtime Adorama Rental Co.<\/a> client. They are a seasoned Director of Photography with more than a decade behind the camera. Over the years, he\u2019s lent his eye and expertise to hit reality shows like Ink Master<\/em>, Project Runway<\/em>, and Top Chef<\/em>. His latest project, Hulu\u2019s breakout series Love Thy Nader<\/em>, holds a special place in his heart. It allowed him to do what he loves most\u2014craft something distinctive, visually rich, and emotionally resonant. Follow along as he shares this inside look at his life and career.<\/p>\n\n\n\n

Q) Can you tell us a little bit about yourself and your background in production?<\/h3>\n\n\n\n

Fabian Perez:<\/strong> I got my start about 13 or 14 years ago as a production assistant on The David Tutera Project<\/em>. I was just happy to have my foot in the door. Within a month or two, I was hooked on the camera department\u2014everything about cameras and lighting fascinated me. I worked my way up from junior AC to lead AC. My first big break came on Ink Master<\/em>, where I started operating and learning from an incredible group of mentors. There were about 7 to 10 DPs with their own approaches to lighting and storytelling. From there, I moved on to shows like Project Runway<\/em> and Top Chef<\/em>. This is where I really came to appreciate the creativity that goes into unscripted TV. Even with the tight schedules and small crews. <\/p>\n\n\n\n

Eventually, I started shooting second unit on The Real Housewives of Dubai<\/em>. This was another great learning experience, and that led me to projects for Hulu and Bravo. Most recently, I landed on Hulu\u2019s Love Thy Nader<\/a>,<\/em> which is especially meaningful to me. It was the show\u2019s first season, and I worked on the pilot as well. I got to really help shape its look and make it my own. (A big shout-out to our executive producer, Rachel Tung, for trusting me with that.)<\/p>\n\n\n\n

\"Fabian<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Q) What has been your favorite project or show you really got to immerse yourself in that spoke to your soul?<\/h3>\n\n\n\n

FP:<\/strong> There are three shows I\u2019ve worked on that really stand out for me: Ink Master, which<\/em> was a true milestone\u2014a trial by fire that taught me resilience and helped shape the foundation of my career. Top Chef<\/em> was another favorite\u2014working with director Ariel Boles was an incredible learning experience, and I carried those lessons into other cooking shows we did together. And then there is Love Thy Nader<\/em>. From the start, executive producer Rachel Tung had a clear vision, and everything just clicked. The cast was fantastic\u2014driven, kind, and full of heart\u2014and bringing their story to life for Hulu was an absolute joy.<\/p>\n\n\n\n

Q: What made you decide on the equipment and style choices you went with for Love Thy Nader<\/strong><\/em>?<\/strong><\/h3>\n\n\n\n

FP:<\/strong> For the pilot, we worked with a mix of gear\u2014but one thing we were clear about from the start was that the look had to be rich, cinematic, and full of vibrant color. The cast is comprised of four sisters who are models with a high-fashion, Kardashian-level aesthetic, so every outfit, every skin tone, needed to pop. At the same time, being in the unscripted world means balancing that look with practicality, i.e. tight budgets, fast turnarounds, small crews.<\/p>\n\n\n\n

We ultimately went with Canon C300 Mark IIIs because they delivered that signature Canon color and dynamic range without sacrificing mobility. I would\u2019ve loved to try the C400, but it wasn\u2019t out yet. The C300s are a bit heavy, sure, but they gave me the control I wanted in-camera, so what we captured stayed true to my vision before it even hit post.<\/p>\n\n\n\n

Lens-wise, we used Canon 25\u2013250mm and 15\u2013120mm lenses for the reality-style coverage, along with some prime glass. For smaller setups, we ran C70s to keep the same sensor and look, especially when producers had to grab quick shots. I was adamant about keeping the style consistent\u2014the goal being that no one should be able to tell which camera shot what.<\/p>\n\n\n\n

For car rigs, we went with DJI Pocket Osmos for a more stabilized, cinematic feel, and the DJI Ronin 4D for those movement and slow-motion shots. That camera is incredible\u2014it gave the show its polish and energy without losing that spontaneous, real-world edge.<\/p>\n\n\n\n

\"A<\/figure>\n\n\n\n

<\/p>\n\n\n\n

Q) What has been your experience with Adorama Rental Co (i.e., the prep facility, the gear quality, service, etc.)?<\/h3>\n\n\n\n

FP: <\/strong>My two biggest concerns when working with a rental house are always the gear they carry and the people I\u2019m dealing with\u2014especially when you\u2019re juggling a line producer\u2019s preferences and the budget. It\u2019s always a bit of a balancing act. What I really appreciated about working with Adorama was how much they listened to what we needed\u2014and then went a step further to suggest what might work even better.<\/p>\n\n\n\n

For example, if I called and said we needed a specific kind of light\u2014something I\u2019ve used on other shows\u2014I\u2019d email ARC Business Development Manager Derek Barocas. He\u2019d come back right away saying, \u201cWe don\u2019t have that exact model, but here\u2019s one that does X, Y, and Z, and it\u2019ll get you through until we can source the exact one.\u201d That kind of response is huge. It wasn\u2019t just, \u201cSorry, we don\u2019t have it.\u201d It was always, \u201cLet\u2019s figure it out.\u201d That flexibility made all the difference.<\/p>\n\n\n\n

Adorama never gave up on trying to get us what we needed\u2014they always pushed to make it work. And the facility itself is great\u2014tons of space with really organized bays. The team was so personable and always checked in to make sure everything was running smoothly. That level of care really stood out. Everything is always in great condition when we get it. We couldn\u2019t be happier. Adorama always makes it work.<\/p>\n\n\n\n

Q) Are there any new equipment releases\/announcements you\u2019re excited about? Why?<\/h3>\n\n\n\n

FP:<\/strong> I\u2019m curious to see what DJI does next with the Ronin 4D. I just know there\u2019s got to be a new model coming soon\u2014the 6K and 8K have been out for a while now, so it feels like an update is on the horizon. I\u2019m especially interested in how they\u2019ll push things further this time. <\/p>\n\n\n\n

What I\u2019d love <\/em>to see is the ability to shoot vertical with the 4D. So much brand and social content these days is framed that way, and it would be amazing if DJI added a vertical mode or even a simple adaptor for it. That would be a real game-changer<\/p>\n\n\n\n

\"At<\/figure>\n\n\n\n

Q) Are there any upcoming projects that you are involved in that you care to share about?<\/strong>

FP:<\/strong> I would be happy to return for a Season 2 of Love Thy Nader,<\/em> if I am offered to, to take it even further and really keep elevating the look and storytelling.<\/p>\n\n\n\n

Outside of LTN<\/em>, I\u2019m just hopeful for a better tomorrow for our industry. All any of us can do is keep doing what we love. As well as hope everyone else gets to do the same.\u00a0<\/p>\n\n\n\n

Q) What\u2019s one fun fact your colleagues might not know about you?
<\/strong>
FP:<\/strong> I love to cook! I\u2019ve always said that if I hadn\u2019t fallen in love with production and television, I would have delved more into the culinary arts and learned to be a chef. One of my favorite things to cook is risotto\u2014I make a mean truffle goat cheese risotto! I start with a base layer of truffle cheese risotto, then add chorizo on top. It\u2019s awesome!<\/p>\n\n\n\n

At ARC<\/a>, being part of Fabian\u2019s creative journey reminds us why we do what we do, and we\u2019re grateful for the chance to stand alongside artists like him as we continue championing the work that moves our world forward.<\/p>\n","protected":false},"excerpt":{"rendered":"

We recently caught up with Fabian Perez, a longtime Adorama Rental Co. client. They are a seasoned Director of Photography with more than a decade behind the camera. Over the years, he\u2019s lent his eye and expertise to hit reality shows like Ink Master, Project Runway, and Top Chef. His latest project, Hulu\u2019s breakout series […]<\/p>\n","protected":false},"author":11111173,"featured_media":114255,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[18738,15800,11094,1797],"class_list":["post-114098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video","tag-arc-client","tag-director-of-photography","tag-filmmaking","tag-television-1797"],"acf":[],"yoast_head":"\nFabian Perez, Director of Photography, ARC Client Spotlight - Adorama<\/title>\n<meta name=\"description\" content=\"We recently caught up with Fabian Perez, a longtime Adorama Rental Co. client. 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