{"id":114232,"date":"2025-12-08T10:00:00","date_gmt":"2025-12-08T15:00:00","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=114232"},"modified":"2025-12-04T10:22:04","modified_gmt":"2025-12-04T15:22:04","slug":"gear-up-2025-2","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/gear-up-2025-2\/","title":{"rendered":"Gear Up, Part 2: Must-Have Cameras and Lenses"},"content":{"rendered":"\n<p>The last six months have been jam-packed with gear launches galore. There have been so many &#8220;can&#8217;t miss&#8221; products that we couldn&#8217;t fit them all into one recap. Consequently, just in time for the holidays, we&#8217;ve compiled <strong>Part 2<\/strong>. This list features more of the hottest new tools, cameras, and lenses launched earlier this year. You can check out Part 1 <a href=\"https:\/\/www.adorama.com\/alc\/gear-up-the-hottest-new-tools-for-photographers-and-filmmakers\/\">here<\/a>. Sigma&#8217;s groundbreaking 200mm f\/2 Sports lens and ultra-wide 12mm f\/1.4 Contemporary lens are just the beginning. Don&#8217;t forget Nikon&#8217;s sleek new Z f mirrorless and next-gen 24\u201370mm f\/2.8 S II. This roundup delivers! <\/p>\n\n\n\n<p>We&#8217;ve also included Hasselblad&#8217;s X2D II 100C medium-format marvel. Additionally, Panasonic&#8217;s long-reaching LUMIX S 100\u2013500mm and OM System&#8217;s fast new 50\u2013200mm f\/2.8 IS PRO. Further, DZOFILM&#8217;s Vespid Prime II cine lenses, the compact powerhouse RICOH GR IV, and more. Consider this your go-to guide to gear that can take your photography and filmmaking up by several notches!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Pushing Creativity at Both Ends: Sigma&#8217;s 200mm f\/2 Sports Lens and 12mm f\/1.4 Contemporary<\/h2>\n\n\n\n<p>Three of Sigma&#8217;s August lens releases push creative boundaries at both ends of the spectrum. First, the <a href=\"https:\/\/www.adorama.com\/sg2002soe.html\">200mm f\/2 DG OS Sports Lens<\/a>. Essentially, this is a 200mm f\/2 telephoto prime for full-frame mirrorless cameras\u2014every bit as impressive as it sounds. This lens makes subjects pop. With its bright F2 aperture, gorgeous bokeh, and strong compression, it&#8217;s suitable for shooting portraits or fast-moving indoor sports. Plus, it&#8217;s got weather sealing, 6.5-stop image stabilization, and Sigma&#8217;s fast, precise HLA autofocus system.<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper\" title=\"Sigma 200mm f2 On A Nikon! | Hands On\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_0tkVECw4UEg\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/0tkVECw4UEg\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/0tkVECw4UEg\" \/><meta itemprop=\"duration\" content=\"PT50M8S\" \/><meta itemprop=\"uploadDate\" content=\"2025-11-04T13:50:38Z\" \/><\/div><div id=\"lyte_0tkVECw4UEg\" data-src=\"https:\/\/i.ytimg.com\/vi\/0tkVECw4UEg\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Sigma 200mm f2 On A Nikon! | Hands On<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/0tkVECw4UEg\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/0tkVECw4UEg\/0.jpg\" alt=\"Sigma 200mm f2 On A Nikon! | Hands On\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"200mm f2 has been a legendary lens configuration and now Sigma has made one for mirrorless but.. not for Nikon Z mount. So lets try a megadap adapter to mount this new Sigma 200mm f2 onto a Nikon and see how it does. --Host Seth Miranda https:\/\/www.instagram.com\/lastxwitness\/ https:\/\/www.twitter.com\/lastxwitness https:\/\/www.FaceBook.com\/lastxwitness https:\/\/www.twitch.tv\/lastxwitness Join The FREE Discord! https:\/\/www.discord.gg\/FsYVQEZ \ud83d\udca5 Feel Free To Buy Me A Coffee (to keep me going) https:\/\/www.buymeacoffee.com\/LastXwitness \ud83d\udca5\ud83d\udca5\ud83d\udca5FREE LIGHTING GUIDE https:\/\/mailchi.mp\/66e587b585c3\/lighting \ud83d\udd17Sigma 200mm f2 DG OS Full Specs https:\/\/adorama.prf.hn\/click\/camref:1110lrexE\/pubref:httpswww.adorama.comsg2002soe.html\/destination:httpswww.adorama.comsg2002soe.html \ud83d\udcf8Model : Erin O&#039;Hara https:\/\/www.instagram.com\/oh_erna \ud83d\udcfcComic Con photo set up playlist https:\/\/youtu.be\/840ZP-NNv_g?si=aPNmsdrnmfD18Jvg \ud83d\udcfcJoe McNally Nikon Z8 (using 200mm f2) https:\/\/youtu.be\/YwgQwMNpxJY?si=zXw0nbNfId2gKSPJ \ud83d\udcfcNikon Stage (auto iso explained) Nikon Stage WPPI 2025 https:\/\/youtu.be\/fx7m3TNDvBM?si=L9SC7PGIcJTYdcZC Nikon Stage WPPI 2024 https:\/\/youtu.be\/3oCHKKCYNN4?si=jCDQ64tZLg0v3in1 0:00 200mm f2 Intro 3:22 What is up with a 200mm f2 lens? 5:35 Calling Joe McNally for a big favor 11:20 Sigma 200mm f2 physical run down 15:22 Call in Erin to model 16:36 First Set Up (gave up on LED lights) 18:07 Shooting outside with Sigma 200mm f2 on Nikon Z9 22:53 Color space of the Sigma 200mm f2 on Nikon 23:43 Auto ISO rant 25:03 Performance of Sigma 200mm f2 adapted to Nikon Z mount 26:58 Using the Megadap lens adapter with Nikon 29:33 Sigma as a brand 31:37 Lens adapter firmware issues 32:34 Foreground with Sigma 200mm f2 33:16 Sigma 200mm f2 minimum focusing distance 34:15 Wonky autofocus overlay? 35:07 HSS and TTL 38:14 Shooting in studio with Sigma 200mm f2 on a Nikon 42:30 Glitches adapting Sigma E mount to Nikon Z mount 43:50 Should you buy to adapt? 45:33 Conclusion Affiliate Links (grabbing gear through these links helps out the channel!) https:\/\/www.adorama.com\/lastxwitness\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><figcaption>A bit uncoventional, Seth Miranda Adapts this lens to Nikon Z Mount<\/figcaption><\/figure>\n\n\n<p>For those who shoot <a href=\"https:\/\/www.adorama.com\/sg2002soe.html\">Sony E<\/a> and <a href=\"https:\/\/www.adorama.com\/sg2002l.html\">L-Mount,<\/a> there is no need to adapt this beauty.<\/p>\n\n\n\n<p>On the other end of the spectrum is the <a href=\"https:\/\/www.adorama.com\/sg1214soe.html\">12mm f\/1.4 DC Contemporary Lens<\/a>. This is an ultra-wide-angle prime for APS-C cameras. It captures everything from sweeping landscapes to star-filled skies with crisp detail and rich color. It is compact enough for everyday shooting. This lens is designed for both stills and video, and is a lightweight powerhouse that delivers big visual impact.<\/p>\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"lyte-wrapper\" title=\"Sigma 12mm F1.4 DC Contemporary &ndash; Ultra-Wide Prime for APS-C Mirrorless\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_oLF5woT_-TU\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/oLF5woT_-TU\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/oLF5woT_-TU\" \/><meta itemprop=\"duration\" content=\"PT2M43S\" \/><meta itemprop=\"uploadDate\" content=\"2025-08-19T05:00:50Z\" \/><\/div><div id=\"lyte_oLF5woT_-TU\" data-src=\"https:\/\/i.ytimg.com\/vi\/oLF5woT_-TU\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Sigma 12mm F1.4 DC Contemporary \u2013 Ultra-Wide Prime for APS-C Mirrorless<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/oLF5woT_-TU\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/oLF5woT_-TU\/0.jpg\" alt=\"Sigma 12mm F1.4 DC Contemporary &ndash; Ultra-Wide Prime for APS-C Mirrorless\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"The Sigma 12mm F1.4 DC | Contemporary is an ultra-wide-angle prime lens designed for APS-C mirrorless cameras. It combines a 12mm focal length (equivalent to 18mm for Sony E, FUJIFILM X, and 19mm for Canon RF) with a large f\/1.4 aperture for low-light shooting and creative depth of field. Suitable for stills and video, this lens supports a wide range of applications, from landscapes and astrophotography to vlogging and street photography. I took this lens out and tested various scenarios, from photography to videography. I captured street portraits, food shots, and assessed its close-up capabilities, sharpness, and autofocus. *Salvatore D&#039;Alia* is a filmmaker, photographer &amp; content Creator. Italian-born and raised, I moved to New York City in 2010 after graduating from the Academy of Cinema and Television in Milan. Sal started his career as a freelance director, producer, camera operator, and editor. He has worked with many Fortune 500 companies and artists, including Madonna, Ed Sheeran, Blake Shelton, and others. Sal is a pioneer of original content on the web; his work has garnered over 1 billion views on YouTube, encompassing music, sports, and art. He&#039;s the Brand Content Lead at Adorama and, since 2016, has been a Sony Alpha ambassador, as well as one of the founding members of the Sony Alpha Collective. \u2718 Sigma 12mm F1.4 DC Contemporary Lens for Sony E https:\/\/www.adorama.com\/sg1214soe.html \u2718 Sigma 12mm F1.4 DC Contemporary Lens for Canon RF https:\/\/www.adorama.com\/sg1214crf.html \u2718 Sigma 12mm F1.4 DC Contemporary Lens for Fujifilm X https:\/\/www.adorama.com\/sg1214fjx.html Key Features for the Sigma 12mm F1.4 DC Contemporary Lens \u25ba Max F1.8 aperture with F16 minimum aperture \u25ba Has a 62mm filter thread \u25ba Lens construction: 14 lens elements in 12 groups \u25ba High optical performance with 3 aspherical and 2 SLD elements \u25ba Dust- and splash-resistant structure with water- and oil-repellent coating \u25ba Stepping motor autofocus with minimal focus breathing \u25ba 9 Diaphragm Blades (Rounded Diaphragm) \u25ba Compact, lightweight design (225g, 69.4mm length) \u25ba Weighs: Sony E-mount: 225g \/ 7.9oz. \/FUJIFILM X Mount: 235g \/ 8.3oz. \/Canon RF Mount: 250g \/ 8.8oz. SUBSCRIBE AND BE PART OF THE ADORAMA FAMILY: \u27a5 https:\/\/www.youtube.com\/user\/adoramaTV __________________________________ Be the first to shop our great deals and sales by signing up for emails from Adorama! https:\/\/www.adorama.com\/MyAccount\/Login \ud83d\udd37 Save 5% Every Day\u2020 or Special Financing* On purchases of &#36;199+ with the Adorama Edge Credit Card. Learn More: https:\/\/www.adorama.com\/g\/adorama-credit. __________________________________ \u2718 GEAR USED: Sony Alpha a7R V Mirrorless Camera https:\/\/www.adorama.com\/isoa7r5.html #sigma #wideanglelens #adorama __________________________________ \u2750 LET&#039;S GET SOCIAL \u274f \u27a5 TikTok https:\/\/www.tiktok.com\/@adoramanyc \u27a5 Facebook https:\/\/www.facebook.com\/adorama\/ \u27a5 Instagram https:\/\/www.instagram.com\/adorama\/ \u27a5 X https:\/\/x.com\/adorama \u27a5 Discord https:\/\/www.adorama.com\/discord \u2750 MORE ADORAMA \u274f \u27a5 Shop https:\/\/www.adorama.com\/ \u27a5 Blog https:\/\/www.adorama.com\/alc\/ \u27a5 Adorama Events https:\/\/www.youtube.com\/@AdoramaEvents __________________________________ Photographer and Filmmaker: Sal D&#039;Alia https:\/\/www.instagram.com\/timbuz\/ __________________________________ THANKS SO MUCH FOR WATCHING!\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><figcaption>Sal takes the 12mm for a spin<\/figcaption><\/figure>\n\n\n<p>Check out <a href=\"https:\/\/www.adorama.com\/sg1214soe.html\">Sony E<\/a>, <a href=\"https:\/\/www.adorama.com\/sg1214crf.html\">Canon RF<\/a>, and <a href=\"https:\/\/www.adorama.com\/sg1214fjx.html\">Fujifilm X<\/a> mount versions.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">It&#8217;s All in the Detail: Hasselblad&#8217;s X2D II 100C Medium-Format Mirrorless<\/h2>\n\n\n\n<p>The Hasselblad X2D II 100C is built for creators who won&#8217;t settle for anything less than true-to-life color and incredible detail. Its 100MP medium-format CMOS sensor, paired with Hasselblad&#8217;s Natural Colour Solution and HDR, captures images with stunning depth and realism. A new AF-C mode with subject detection and 10-stop 5-axis stabilization keeps every shot sharp and steady, even in tricky light.<\/p>\n\n\n<div id=\"HSCPHB94901\"  class=\"west_sku_post\" data=\"HSCPHB94901\"><\/div>\n\n\n\n<p>The design has been refined, too. It has a lighter matte graphite body, improved grip, and intuitive controls. For instance, a responsive 5D joystick and customizable buttons make it a joy to use. The camera has 1TB of built-in SSD storage and a bright tilting OLED display. Naturally, full XCD lens compatibility. It&#8217;s as practical as it is powerful. Thanks to Phocus Mobile 2, you can wirelessly edit and transfer your images. This keeps your creative flow seamless from capture to finish.<\/p>\n\n\n<div id=\"HSCPHB92701\"  class=\"west_sku_post\" data=\"HSCPHB92701\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"> Compact, Powerful, and Lightning Fast: RICOH GR IV<\/h2>\n\n\n\n<p>The <a href=\"https:\/\/www.adorama.com\/ircgr4n.html\">RICOH GR IV<\/a> digital camera carries forward everything photographers love about the GR series. Including stellar image quality, lightning-fast response, and pocketable design\u2014now taken to the next level. It features a newly developed back-illuminated APS-C sensor. This is paired with the GR ENGINE 7 for incredible detail, low noise, and vibrant color. Accordingly, a new GR lens delivers exceptional clarity. Furthermore, the redesigned lens barrel cuts startup time to just 0.6 seconds\u2014the fastest in GR history.<\/p>\n\n\n\n<p>Compact yet powerful, the GR IV offers upgraded connectivity with dual Bluetooth\u00ae and Wi-Fi for easy sharing and remote control. Additionally, an improved control layout and longer battery life for effortless shooting anywhere. Paired with new accessories like the lightweight RICOH GF-2 External Flash, this camera is built for creators who want high-end performance in a take-anywhere form.<\/p>\n\n\n<div id=\"IRCGR4N\"  class=\"west_sku_post\" data=\"IRCGR4N\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Nikon&#8217;s NIKKOR Z 24-70mm f\/2.8 S II: Precision and Artistry in One<\/h2>\n\n\n\n<p>The new Nikon <a href=\"https:\/\/www.adorama.com\/nkz2470282.html\">NIKKOR Z 24-70mm f\/2.8 S II<\/a> takes a pro favorite and makes it even better. The full-frame mirrorless lens has an internal zoom mechanism. It brings new levels of balance, stability, and dust resistance. This is perfect for gimbals, matte boxes, and fast-paced shoots. Even better, it delivers buttery-smooth focus transitions while a new optical formula boosts sharpness, bokeh, and flare resistance for standout image quality in any light.<\/p>\n\n\n\n<p>With close focusing down to 9.5 inches, a constant f\/2.8 aperture, and 11 rounded diaphragm blades for dreamy, natural bokeh, this lens is built for creators who want both precision and artistry in one compact, rock-solid zoom.<\/p>\n\n\n<div id=\"NKZ2470282\"  class=\"west_sku_post\" data=\"NKZ2470282\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Up Close with the Panasonic LUMIX S 100-500mm f\/5-7.1<\/h2>\n\n\n\n<p>Get close\u2014way up close\u2014with the <a href=\"https:\/\/www.adorama.com\/pcsr100500.html\">Panasonic LUMIX S 100-500mm f\/5-7.1<\/a>, an ultra-telephoto zoom built for the LUMIX S Series full-frame mirrorless lineup. Covering everything from detailed wildlife shots to fast-moving motorsports and sweeping landscapes, it delivers crisp resolution, smooth bokeh, and incredible versatility. Pair it with a teleconverter to reach a jaw-dropping 1000mm, and you&#8217;re ready for just about any scene. With a closest focusing distance of 0.8m and up to 7 stops of Dual I.S. stabilization, this lens keeps every shot steady, sharp, and full of life.<\/p>\n\n\n<div id=\"PCSR100500\"  class=\"west_sku_post\" data=\"PCSR100500\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">OM System&#8217;s M.Zuiko Digital ED 50-200mm f\/2.8 IS PRO<\/h2>\n\n\n\n<p>The <a href=\"https:\/\/www.adorama.com\/om5020028.html\">M.Zuiko Digital ED 50\u2013200mm f2.8 IS PRO lens<\/a> from OM System pushes the boundaries of what a super-telephoto zoom can do. Marketed as the world&#8217;s only fully weather-sealed 100\u2013400mm equivalent lens with a constant f\/2.8 aperture, it packs serious reach and speed into a surprisingly compact 2.37-lb (1,075g) body. Paired with Olympus&#8217; powerful 5-axis Sync IS, it delivers steady, handheld shots even at extreme focal lengths\u2014perfect for wildlife, sports, and outdoor work. Add the MC-20 2x teleconverter, and you&#8217;re looking at up to 800mm of reach, plus IP53 weather sealing for all-weather reliability and 1:1 magnification at just 0.78m. With in-camera Focus Stacking, 50-fps continuous AF shooting, and intuitive controls like four function switches and an L-Fn button, the 50\u2013200mm f\/2.8 IS PRO is built to handle whatever the environment throws at you.<\/p>\n\n\n<div id=\"OM5020028\"  class=\"west_sku_post\" data=\"OM5020028\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">DZOFILM&#8217;s Vespid Prime II series of lenses<\/h2>\n\n\n\n<p>The <a href=\"https:\/\/www.adorama.com\/dzov235ih.html\">Vespid Prime II<\/a> series of lenses from DZOFilm builds beautifully on the success of the company&#8217;s original primes launched in 2020. The new lineup takes everything filmmakers loved about the first generation and sharpens it\u2014resulting in higher resolution, richer color consistency, and far better control over flare and chromatic aberration.<\/p>\n\n\n\n<p>Covering full-frame and VV sensors with a constant T1.9 aperture, the Vespid Prime II series of lenses includes six focal lengths. 18mm, 24mm, 35mm, 50mm, 85mm, and 105mm. Each lens is lightweight at around 800 grams, has an 80mm front diameter, and supports Cooke \/i metadata. And thanks to its precisely ground aspherical elements, you get edge-to-edge sharpness with minimal distortion.<\/p>\n\n\n<div id=\"DZOV26SETIX\"  class=\"west_sku_post\" data=\"DZOV26SETIX\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Sigma Introduces Even More Game-Changing Lenses<\/h2>\n\n\n\n<p>Whether you&#8217;re shooting portraits or capturing the everyday, you&#8217;ll want to take a closer look at these three game-changers from Sigma:<\/p>\n\n\n\n<p>The <a href=\"https:\/\/www.adorama.com\/sg13514soe.html\">Sigma 135mm f\/1.4 DG Art Lens<\/a> (for the Sony E) is a 135mm autofocus lens with an F1.4 maximum aperture\u2014a true game-changer for portrait photographers. It delivers incredible depth, clarity, and emotion, with smooth, rounded bokeh and tack-sharp detail from edge to edge, even wide open. Dual HLA focusing motors provide quick, accurate autofocus, and complete weather sealing means it&#8217;s ready for anything. (Also check out the L Mount version <a href=\"https:\/\/www.adorama.com\/sg13514l.html\">here<\/a>.)<\/p>\n\n\n<div id=\"SG13514SOE\"  class=\"west_sku_post\" data=\"SG13514SOE\"><\/div>\n\n\n\n<p>A modern take on a mirrorless classic, the <a href=\"https:\/\/www.adorama.com\/sg3512dgsoe.html\">Sigma 35mm f\/1.2 DG II Art Lens<\/a>keeps the luminous F1.2 aperture of the original but trims the weight by 30% and the length by 20%. The result is a lighter, more refined lens that still offers breathtaking sharpness, creamy bokeh, and almost zero focus breathing\u2014perfect for both stills and video. Dual HLA motors ensure fast, silent focusing to keep up with any creative pace. (Also check out the L Mount version <a href=\"https:\/\/www.adorama.com\/sg3512dgl.html\">here<\/a>.)<\/p>\n\n\n<div id=\"SG3512DGSOE\"  class=\"west_sku_post\" data=\"SG3512DGSOE\"><\/div>\n\n\n\n<p>Finally, the <a href=\"https:\/\/www.adorama.com\/sg20200soe.html\">Sigma 20\u2013200mm f\/3.5\u20136.3 DG Contemporary Lens<\/a><strong> (for the Sony E) <\/strong>is a high-power zoom lens for full-frame mirrorless cameras that covers 20mm wide angle to a 200mm telephoto. Compact, weather-sealed, and surprisingly versatile, it&#8217;s built for travel and everyday shooting alike, offering a 1:2 magnification ratio for close-ups and fast, reliable autofocus wherever your next adventure takes you.<\/p>\n\n\n<div id=\"SG20200SOE\"  class=\"west_sku_post\" data=\"SG20200SOE\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Nikon&#8217;s Z f Mirrorless Camera, Silver: Modern Mirrorless Performance<\/h2>\n\n\n\n<p>Inspired by the chrome-plated classics of the film era, the new <a href=\"https:\/\/www.adorama.com\/nkzfs.html\">Nikon Z f Mirrorless Camera, Silver<\/a> is the perfect combination of iconic design and modern mirrorless performance. Standout features include Subject Recognition with 3D tracking, Eye Detection AF for photos and videos, Pre-Release Capture, Auto-Mode enhanced by Deep Learning, ISO 100-64,000 for stills with low noise across the entire range. ISO 100-51,200 for video, HEIF Image Format with Richer Tonal Gradation, and so much more.<\/p>\n\n\n<div id=\"NKZFS\"  class=\"west_sku_post\" data=\"NKZFS\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Crisp and Cutting Edge: Sigma&#8217;s 28-45mm T2.0 Cine Lens<\/strong><\/h2>\n\n\n\n<p>Sigma kicked off its new AF Cine Line this past September with the impressive <a href=\"https:\/\/www.adorama.com\/sg612967.html\">28-45mm T2.0<\/a>, a lens that fuses the precision of cinema glass with the speed and smarts of modern autofocus. Built on the acclaimed Sigma Art optical system, it delivers gorgeous image quality and crisp rendering, while the fast, near-silent AF ensures smooth, reliable tracking on set. Designed for the demands of professional film production, it handles multiple shooting styles and environments with ease\u2014perfect for today&#8217;s hybrid filmmakers.<\/p>\n\n\n\n<p>With advanced optics, a rugged, pro-grade build, and intuitive handling, the 28-45mm T2 brings Sigma&#8217;s cutting-edge tech to the big screen\u2014opening fresh creative possibilities for every filmmaker behind the lens.<\/p>\n\n\n<div id=\"SG612967\"  class=\"west_sku_post\" data=\"SG612967\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The last six months have been jam-packed with gear launches galore. There have been so many &#8220;can&#8217;t miss&#8221; products that we couldn&#8217;t fit them all into one recap. Consequently, just in time for the holidays, we&#8217;ve compiled Part 2. This list features more of the hottest new tools, cameras, and lenses launched earlier this year. [&hellip;]<\/p>\n","protected":false},"author":11111173,"featured_media":114237,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17770],"tags":[],"class_list":["post-114232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gear Up, Part 2: Must-Have Cameras and Lenses - Adorama<\/title>\n<meta name=\"description\" content=\"This list features more of the hottest new tools, cameras, and lenses launched earlier this year. Cameras, Lenses, you name it!\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.adorama.com\/alc\/gear-up-2025-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gear Up, Part 2: Must-Have Cameras and Lenses - Adorama\" \/>\n<meta property=\"og:description\" content=\"This list features more of the hottest new tools, cameras, and lenses launched earlier this year. 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