{"id":24877,"date":"2016-08-30T17:49:16","date_gmt":"2016-08-30T21:49:16","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=24877"},"modified":"2021-12-01T11:30:22","modified_gmt":"2021-12-01T16:30:22","slug":"sunrise-sunset-photo-tips-award-winning-photographer-rick-sammon","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/sunrise-sunset-photo-tips-award-winning-photographer-rick-sammon\/","title":{"rendered":"Sunrise & Sunset Photo Tips From Award-Winning Photographer Rick Sammon"},"content":{"rendered":"

Sunrise and sunset are some of the best times of the day to capture stunning images, but figuring out the proper settings can sometimes be a little tricky. Award-winning photographer and teacher Rick Sammon shares some of his best tips.<\/p>\n

34 Tips for Shooting a Sunrise or a Sunset<\/h3>\n

\"Starburst<\/p>\n

Location: Spearfish, South Dakota<\/p>\n

Tip #1: Starburst Effect<\/h4>\n

When the sun is in the frame, set your aperture to f\/22 to get the starburst effect. The wider the lens, the more pronounced the starburst effect. Also, make sure the front element of your lens is totally clean. Even a tiny speck of dust can look like a big blob in a picture when you are shooting into the sun.<\/p>\n

\"HDR<\/p>\n

Location: Tucumcari, New Mexico<\/p>\n

Tip #2: HDR Images<\/h4>\n

HDR (High Dynamic Range) photography<\/a> is perfect for sunrise\/sunset shots due to the high contrast range when you are shooting into the sun. To capture the entire dynamic range of the scene, keep taking underexposed images until you have no \u201cblinkies\u201d on your camera\u2019s LCD monitor and keep taking overexposed images until you can see into the shadows in the image while looking at the LCD monitor.<\/p>\n

The greater the contrast range, the greater the number of pictures you need to take. I created this image in Photomatix, the best HDR program out there.<\/p>\n

\"sailboat<\/p>\n

Location: Key West, Florida<\/p>\n

Tip #3: No Filters<\/h4>\n

When shooting into the sun, remove all filters from your lens\u2014even your skylight filter. When a filter is on your lens, the sunlight passes through the filter and may (depending on the angle of the sun) bounce off the front element of your lens and back onto the filter, creating a ghost image of the sun in your frame.<\/p>\n

\"night<\/p>\n

Location: Miami\u2019s South Beach, Florida<\/p>\n

Tip #4: Blue in the Sky<\/h4>\n

A good time to take city shots is shortly after sunset<\/a>, when city lights are just coming on and while there is still some color in the sky.<\/p>\n

\"birds<\/p>\n

Location: Bosque del Apache, New Mexico<\/p>\n

Tip #5: Foreground Element<\/h4>\n

When possible, use a foreground element to add a sense of scale to your photograph. Also, the more \u201clayers\u201d you have in a scene, the greater the sense of depth. Here there are three layers: bird in the foreground, birds in mid-frame, and the mountains\/sun in the background.<\/p>\n

Interested in bird photography? Check out my Master the Art and Craft of Bird Photography<\/a> class.<\/p>\n

\"majestic<\/p>\n

Location: Kenya, Africa<\/p>\n

Tip #6: Horizon Line<\/h4>\n

Usually, placing the horizon line in the center of the frame is boring. When the sky is interesting, place the horizon line at the bottom of the frame, and vice versa.<\/p>\n

If you want to master landscape photography<\/a>, I have a class on that, too. Click here<\/a> for more info.<\/p>\n

\"sunset<\/p>\n

Location: Cape Cod, Massachusetts.<\/p>\n

Tip #7: Silhouettes<\/h4>\n

When photographing someone against a sunrise or sunset<\/a>, have him or her look directly left or right so you can see his or her profile. If they look at the camera, you will not be able to recognize them.<\/p>\n

\"three<\/p>\n

Location: Los Osos, California<\/p>\n

Tip #8: Rule of Odds<\/h4>\n

If you have the opportunity to photograph an even or odd number of subjects, go for the odd number. For some reason, the rule of odds usually makes for better composition than the rule of evens.<\/p>\n

\"silhouette<\/p>\n

Location: Key West, Florida<\/p>\n

Tip #9: Softer Side<\/h4>\n

Before sunrise and after sunset is a wonderful time to take pictures without strong shadows. In lower light levels, you\u2019ll probably need a tripod. Use a cable release or your camera\u2019s self-time to release the shutter. That helps to prevent camera shake during long exposures. You can create images like this with Topaz Simplify. Click here<\/a> to get a discount all Topaz plug-ins.<\/p>\n

\"action<\/p>\n

Location: Los Osos, California<\/p>\n

Tip #10: Rule of Thirds<\/h4>\n

Placing the sun in the dead center of the frame is deadly\u2014usually deadly boring. Rather, use the Rule of Thirds by imagining a tic-tac-toe grid placed over a scene and placing the sun where the lines intersect. Learn more about composition in my KelbyOne class, Composition: The Strongest Way of Seeing<\/a>.<\/p>\n

\"silhouette<\/p>\n

Location: Spearfish, South Dakota<\/p>\n

Tip #11: Expose for the Highlights<\/h4>\n

In high-contrast situations, it\u2019s important to expose for the highlights. Make sure your camera\u2019s highlight alert feature is activated and avoid \u201cblinkies.\u201d Also check your histogram and make sure you don\u2019t have a big spike on the right.<\/p>\n

\"surreal<\/p>\n

Location: Angkor Wat, Cambodia<\/p>\n

Tip #12: Have Fun with Plug-ins<\/h4>\n

Plug-ins can help us awaken the artist within by removing some of the reality from a scene. Here I used Topaz Adjust to increase the color, detail and contrast to my image.<\/p>\n

\"black<\/p>\n

Location: Death Valley, California<\/p>\n

Tip #13: Go for Black-and-White<\/h4>\n

Strong shadows at sunrise and sunset help to produce dramatic images. Those strong shadows can look even more dramatic in black-and-white photographs. Topaz Black-and-White Effects and Nik Silver Efex Pro are the two plug-ins I use to create my black-and-white images.<\/p>\n

\"silhouetted<\/p>\n

Location: Tanzania, Africa<\/p>\n

Tip #14: Adjust Your Exposure<\/h4>\n

As the sun rises and sets, your exposure will be constantly changing\u2014quickly. Keep checking your pictures on your camera\u2019s LCD monitor to make sure you are getting good exposures.<\/p>\n

\"blurry<\/p>\n

Location: Tanzania, Africa<\/p>\n

Tip #15: Safety First<\/h4>\n

Don\u2019t look directly into the sun at sunrise and sunset\u2014or any time for that matter. The sun\u2019s bright light can damage your eyes and may contribute to a loss in vision. This image simulates the harmful effects of macular degeneration. To protect your eyes, wear sunglasses. Also, use your camera\u2019s live view feature, which is easier on your eyes than looking through your camera\u2019s viewfinder.<\/p>\n

\"action<\/p>\n

Location: Spearfish, South Dakota<\/p>\n

Tip #16: Leave Some Room<\/h4>\n

If a subject is moving in the frame, leave some room into which the subject can move or run.<\/p>\n

\"silhouette<\/p>\n

Location: Botswana, Africa<\/p>\n

Tip #17: Check the Weather<\/h4>\n

Clouds and atmospheric haze are usually key ingredients in good sunrise and sunset photographs. Before your shoot, check the weather. In some situations, you may want to \u201csleep in.\u201d<\/p>\n

\"silhouette<\/p>\n

Location: Botswana, Africa<\/p>\n

Tip #18: Pack a Flashlight<\/h4>\n

For the best sunrise shots, you\u2019ll probably want to arrive well before the sun rises, maybe even in total darkness. Wearing a head-mounted flashlight<\/a> will let you set up your equipment without having to hold a flashlight.<\/p>\n

\"silhouette<\/p>\n

Location: Rajasthan, India<\/p>\n

Tip #19: Make Pictures<\/h4>\n

There\u2019s a big difference between taking pictures and making pictures. Here I made the picture by paying this man $5 to ride back and forth several times until I got the shot. When you are out shooting, always think about how you can make creative\u2014and fun\u2014pictures.<\/p>\n

\"silhouette<\/p>\n

Location: Croton-on-Hudson, New York<\/p>\n

Tip #20: Always Carry a Camera<\/h4>\n

This is my most basic, yet most important, tip: Always have a camera with you. You just never know when you might see (and want to capture) a wonderful sunrise or sunset.<\/p>\n

Hey! We shoot here on my yearly Rick\u2019s Backyard Photo Workshop.<\/a><\/p>\n

\"silhouette<\/p>\n

Location: California Photo Fest in Morro Bay, CA<\/p>\n

Tip #21: Share Your Shots<\/h4>\n

Share your favorite sunrise and sunset shots and get inspired by other talented photographers.<\/p>\n

\"silhouette<\/p>\n

Location: California Photo Fest in Morro Bay, CA<\/p>\n

Tip #22: Include Reflections<\/h4>\n

When photographing sunrises and sunsets by the ocean, we can get beautiful reflections<\/a> in the still, shallow water on the beach. When composing your picture, make sure that the top of your subject is not cut off in the bottom of your frame.<\/p>\n

\"satellite<\/p>\n

Location: Very Large Array, New Mexico (photographed by the light of the rising moon)<\/p>\n

Tip #23: Capture the Night Sky<\/h4>\n

For a single image of the night sky, as opposed to time-lapse images, use a wide-angle lens, set your camera on a tripod, and try these settings for starters: ISO to 1600, lens set to the widest aperture, shutter speed set to 10 seconds. Use a cable release or your camera\u2019s self-timer to avoid camera shake during the long exposure.<\/p>\n

After you shoot, check your image on your camera\u2019s LCD monitor. If it\u2019s too dark, increase the ISO. Longer exposures<\/a> will show the movement of the stars. Keep in mind that you really can\u2019t judge the exposure by the image on the LCD monitor, especially at night. For best results, take several exposures at different settings. Use Lightroom or Photoshop to reduce noise.<\/p>\n

\"silhouette<\/p>\n

Location: Kenya, Africa<\/p>\n

Tip #24: Focus Carefully<\/h4>\n

Just because you have an autofocus camera does not mean that your camera knows where to focus. For this shot of a wildebeest, I used a focus point on the left side of my camera. Had I selected the center focus point, the animal would have been out of focus, as the background is there.<\/p>\n

\"rick<\/p>\n

Location: Bosque del Apache, New Mexico<\/p>\n

Tip #25: Make a Montage<\/h4>\n

This image is a combination of three images: the birds, the moon and the landscape. When you are photographing a sunrise or sunset, in addition to photographing a wide view, take pictures that can be used in a montage. Photograph only the sun or moon, only the landscape, only a subject, and so on. To add to the artistry of this image, I used the Midnight filter in Nik Color Efex Pro.<\/p>\n

\"moonlit<\/p>\n

Location: Croton-on-Hudson, NY<\/p>\n

Tip #26: Paint with Light<\/h4>\n

Want to have even more fun\u2014and more of a challenge\u2014while taking pictures at night? Paint a subject with light. Five million candle power flashlights are available to illuminate even fairly large subjects at a distance. It takes lots of experimenting to evenly illuminate a subject, but practice makes perfect. For this picture of the New Croton Dam, I used my powerful flashlight to add some light to the moonlit scene. A slow shutter speed blurred the clouds.<\/p>\n

\"sunset<\/p>\n

Location: St. John\u2019s Pier, St. Augustine, Florida<\/p>\n

Tip #27: Follow Your Heart<\/h4>\n

When it comes to image enhancements, follow your heart. Do what you think is best, not what someone else may like. If you like supersaturated images like this that burst with color, go for it. Speaking of hearts, check out the upside down heart in this image.<\/p>\n

\"hundreds<\/p>\n

Location: Bosque del Apache, New Mexico<\/p>\n

Tip #28: Always Look Back<\/h4>\n

Don\u2019t forget to look behind you when you are photographing sunrises and sunsets. The light is good back there, too. These snow geese where taking off behind me when I was facing the sun. Good thing I looked back!<\/p>\n

\"hundreds<\/p>\n

Location: Bosque del Apache, New Mexico<\/p>\n

Tip #29: Dress for Success<\/h4>\n

If you are not comfortable when you are photographing, you will not be in the best mood to take pictures. I always dress for success. It was -1 degrees Fahrenheit (-18.3 Celsius) when I took this shot. Had I not had hand and toe warmers, plus warm gloves and a winter coat and hat, I probably would not have stood outside in the cold waiting for two hours to get this shot. When I am shooting along the coast, I always pack waterproof boots.<\/p>\n

\"Three<\/p>\n

Location: Provence, France<\/p>\n

Tip #30: See the Light<\/h4>\n

When the light is low in the sky, it\u2019s important to see the direction of light\u2014so you can see where shadows will fall. One idea would be to have a subject\u2019s face, or several subjects\u2019 faces, evenly illuminated. I took this photograph on one of my digital photography workshops. Off camera, three riders are herding the horses in exactly the right direction\u2014so the horses faces are evenly illuminated.<\/p>\n

\"Moon
Photo by Matt Bero on Unsplash<\/figcaption><\/figure>\n

Tip #31: Catch the Moon at Sunrise<\/h4>\n

Depending on moonrise, you maybe be able to get a nice shot of the moon at sunrise. Tight shots are nice, but wide-angle shots can tell more of a story or create photographs with a sense of place. Shoot it both ways.<\/p>\n

\"Golden<\/p>\n

Location: Botswana, Africa<\/p>\n

Tip #32: Lenses to Shoot the Moon<\/h4>\n

I use two lenses to shoot the moon. Here, I used my Canon 100-400mm IS lens. In the previous image, I used my Canon 70-200mm IS lens. Longer lenses will show the moon larger in the frame while wider lenses will show the moon smaller.<\/p>\n

Tip #33: Bi-Color Gradual Filters Rock<\/h4>\n

Not great color in your sunrise or sunset pictures? Not to worry. Add colors with the Bi-Color Filters (presets and user defined) in Nik Color Efex Pro.<\/p>\n

\"golden<\/p>\n

Tip #34: Don\u2019t Cry<\/h4>\n

\u201cDon\u2019t cry when the sun is gone, because the tears will not let you see the stars.\u201d \u2013 Violeta Parra<\/p>\n","protected":false},"excerpt":{"rendered":"

Sunrise and sunset are some of the best times of the day to capture stunning images, but figuring out the proper settings can sometimes be a little tricky. Award-winning photographer and teacher Rick Sammon shares some of his best tips.<\/p>\n","protected":false},"author":165,"featured_media":24878,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[639,645,17770,17780],"tags":[13055,679,682,749,13056,750,8937,1630],"class_list":["post-24877","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-how-to","category-photography-645","category-photography","category-photography-tips","tag-best-settings-to-photograph-sunset","tag-how-to-679","tag-rick-sammon-682","tag-sunrise-749","tag-sunrise-photos","tag-sunset-750","tag-sunset-photos","tag-tips-and-tricks-1630"],"acf":[],"yoast_head":"\nSunrise & Sunset Photo Tips From Award-Winning Photographer Rick Sammon - Adorama<\/title>\n<meta name=\"description\" content=\"Sunrise and sunset are some of the best times of the day to capture stunning images, but figuring out the proper settings can sometimes be a little tricky. 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