{"id":30785,"date":"2017-03-29T07:00:24","date_gmt":"2017-03-29T11:00:24","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=30785"},"modified":"2017-03-29T14:25:36","modified_gmt":"2017-03-29T18:25:36","slug":"five-photos-you-havent-taken-yet","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/five-photos-you-havent-taken-yet\/","title":{"rendered":"5 Photos You Haven\u2019t Taken…Yet"},"content":{"rendered":"

Many photographers, whether amateur or professional, find themselves taking the same photos day in and day out. Amateurs may not be aware of the other photos they can take; professionals often don\u2019t take photos they aren\u2019t paid for. But this sometimes leaves photographers in a rut, and also takes away the possibility of creative cross-pollination that dabbling in other photo styles can foster. Here are five photos you can take, today. They don\u2019t require any equipment you don\u2019t have, and it\u2019s quite possible that you already know how to do them. But, as I found when I made a poll on a photography forum, even many pro photographers who know how to freelens have never tried it! So give these a try \u2013 you might pleasantly surprise yourself with the results, and \u2013 in any case \u2013 you\u2019ll give yourself a recharge by getting out of your box for a few minutes.<\/p>\n

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Canon 7D, 50mm (reversed, handheld), ISO640, 1\/320, F\/1.4<\/figcaption><\/figure>\n

Macro: <\/strong>Macro photos, or magnified photos of objects, are fun because they get you looking in a different light at something that you see every day. Don\u2019t think that you need an expensive macro lens<\/a> to get started in macro photography. Due to the laws of physics<\/a>, taking your 50mm or your 18-55mm lens and flipping it backwards will give you the magnifying ability to take great macro photos. There are inexpensive adapters<\/a> you can buy to take your kit lens and attach it to your camera, backwards, and take macro shots that way. But I promised that you can start all these today \u2013 there\u2019s a way to do this without the adapter. Just take your lens, flip it around, and you can start. Depending on your lens, you might be able to manually adjust the aperture, or you\u2019ll have to adjust it while the lens is attached to the camera, taking the lens off when it\u2019s at the right setting. (Some lenses default to all the way open, others stop all the way down.) Be careful not to get dirt in your camera and not to scratch your lens. Find something small, focus by moving closer and farther from your object, and click!<\/p>\n

Canon 7D, 50mm (freelens, handheld) ISO500, 1\/250, F\/1.4<\/figcaption><\/figure>\n

Freelensing:<\/strong> Freelensing is a technique where you essentially override all your camera\u2019s wishes when it comes to focus by removing the lens from the mount and moving it around to create areas of focus and areas of out-of-focus. Start by setting your lens on infinity focus and removing it from the lens mount. Hold it snugly against the camera body, tilt and slide and watch what happens. You can isolate small areas of focus here, calling attention to very narrow areas of your photo. Tip: Some people find it easier to do this using the live-view feature on their DSLR, rather than using the viewfinder. Same precautions apply as with using your macro \u2013 you\u2019re using the camera body and lens in ways that Canon, Nikon, and Sony didn\u2019t plan for \u2013 be careful! And if you do get into this, there are lenses<\/a> that will allow you to freelens while protecting your lens and your sensor.<\/p>\n

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Canon 7D, 50mm, f\/3.5, ISO100, 1\/8000<\/figcaption><\/figure>\n

Silhouette: <\/strong>Silhouettes have a long and distinguished history in the creative arts, dating back to the 1700\u2019s. They depend on the ratio of light and dark in the image being different enough that the subject of the image is black while the background is still visible. Using digital imagery, it\u2019s a lot easier to make this than it was in the past \u2013 even if you don\u2019t get the ratio just right, you can easily fix it in post-processing. But this is not something that you can just snap and fix. By definition, when taking a silhouette, you\u2019re taking out much of the detail in your image. So your photo is much more dependent on good composition, and the background (if there is one) is very important. It can be a challenge \u2013 a fun one \u2013 to take a good silhouette<\/a>.<\/p>\n

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Canon 7D, 16mm, ISO640, 1\/30, f\/22<\/figcaption><\/figure>\n

Abstract: <\/strong>Abstract photography is an area that is neglected by many photographers. \u00a0That\u2019s understandable \u2013 they are trying to be representational, which is pretty much what photography is about. But with abstract photography, you are taking a picture that doesn\u2019t look like anything that\u2019s recognizable. But you can let your creativity out, seeking out tension, balance, color, form, and structure, while constraining yourself both to what your camera can see, and not portraying something immediately obvious to the viewer. Try to find something fresh, see something new that isn\u2019t the thing you\u2019ve always seen in the past. Then try to show that in your camera.<\/p>\n

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Canon 7D, 28mm, f\/6.3, 30 seconds, ISO100,<\/figcaption><\/figure>\n

Night: <\/strong>Night photography is a personal favorite of mine. Your camera collects light and saves it onto a sensor. It takes much longer to collect the light if there\u2019s barely any light there! So to take a photo at night come prepared to leave your shutter open and your camera perfectly still for 15-30 seconds at your widest aperture. You can do this with your camera and kit lens as-is; I\u2019ve taken many long exposures with my camera propped on a bench or on the floor. It will be much easier, of course, with a tripod and a 50\/1.4. One of the cool things about night photography is that the colors of the lights, whether moonlight, streetlights, passing cars, or traffic lights, all interact with the scene to make some potentially beautiful effects that are just impossible during the day.<\/p>\n

I\u2019ve tried to include only the bare minimum about each of these techniques. But each one is treated at greater length one or more times on this website \u2013 if you\u2019re interested, it won\u2019t be hard to find out more.<\/p>\n

Write in the comments if you\u2019ve already tried every one of these techniques; I suspect that many photographers have not. The beauty of trying new techniques is that even when you don\u2019t stick with them, they stick with you. They will go back and influence the way you\u2019ve been taking photos all along, adding a new dimension to the knowledge and technique that you\u2019ve already mastered.<\/p>\n

Happy shooting!<\/p>\n","protected":false},"excerpt":{"rendered":"

Many photographers, whether amateur or professional, find themselves taking the same photos day in and day out. Amateurs may not be aware of the other photos they can take; professionals often don\u2019t take photos they aren\u2019t paid for. But this sometimes leaves photographers in a rut, and also takes away the possibility of creative cross-pollination […]<\/p>\n","protected":false},"author":178,"featured_media":31402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[639,645,17770,17780],"tags":[1111,13546,14369,10947,14370,728,9109,206,2111],"class_list":["post-30785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-how-to","category-photography-645","category-photography","category-photography-tips","tag-abstract-1111","tag-dslr-tips-and-tricks","tag-freelens","tag-how-to","tag-lens-whacking","tag-macro-728","tag-night-photography","tag-photography-206","tag-silhouette-2111"],"acf":[],"yoast_head":"\n5 Photos You Haven\u2019t Taken...Yet - Adorama<\/title>\n<meta name=\"description\" content=\"Many photographers, whether amateur or professional, find themselves taking the same photos day in and day out. 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