{"id":3156,"date":"2010-04-12T20:00:00","date_gmt":"2010-04-12T20:00:00","guid":{"rendered":"http:\/\/dev.wordpress\/?p=3156"},"modified":"2016-12-14T08:23:16","modified_gmt":"2016-12-14T13:23:16","slug":"buying-guide-time-lapse-video-gear","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/buying-guide-time-lapse-video-gear\/","title":{"rendered":"Buying Guide: Time-Lapse Video Gear"},"content":{"rendered":"

Time-lapse\u00a0 photography is great bridge between still photography and videography.\u00a0 Both disciplines co-mingle in this easy-to-learn, yet endlessly challenging, creative technique.<\/p>\n

Today, because the software for creating time-lapse\u00a0 videos has become so much more user-friendly, taking a series of stills and converting them to video is easier than ever.\u00a0 It\u2019s true that you can get your feet wet with a cheap tripod and a coffee-powered intervalometer (in other words you, your finger, and a stopwatch,) but the right gear makes the capture process a whole lot smoother and the results a lot more spectacular!<\/p>\n

Also read: How to create a time-lapse video by Diane Miller<\/a><\/p>\n

Here\u2019s a look at key items that will help you get started.<\/p>\n

\"Nikon<\/a><\/p>\n

Nikon MC-36<\/a>\u00a0<\/b>(or Canon TC-80N3<\/a><\/b>)<\/p>\n

This is essential time-lapse\u00a0 equipment for the Nikon or Canon DSLR shooter! Although a couple of Nikon bodies (D3s, D700 & D300s) do have an intervalometer on the body firmware, it is limited to 999 shots. By using this external timer, you can shoot indefinitely. Don\u2019t see that setting? Don\u2019t worry\u2013on these timers. Simply set it for \u201c00\u201d or \u201c- -\u201d shots and it will keep going until you interrupt it. On the Canon side, there are no firmware interval timers whatsoever, so you must use an external timer to do any time-lapse\u00a0 with Canon DSLR bodies. Another handy feature these external triggers offer is the ability to lock the shutter button in continuous drive mode so you can shoot intervals as fast as your body\/card combo can dish out (in most cases at or better than 3fps in JPG mode).<\/p>\n

\"Flashpoint<\/p>\n

Flashpoint Tripod<\/a><\/b><\/p>\n

Time-lapse\u00a0 and tripods is a symbiotic relationship! A tripod is piece of gear that varies wildly depending on your needs. For me, the bigger, stronger and heavier the better, but if you\u2019re hiking into the urban jungle or tranquil landscape, that doesn\u2019t always jive. Assuming you\u2019re new to time-lapse\u00a0 photography, these incredibly reasonably-priced carbon fiber legs are a great starting point and can satisfy most location demands.\u00a0 It includes an integrated bubble level, which is extremely handy for uneven ground and creative positions.
\n\"Joby<\/a><\/p>\n

Joby Professional Gorillapod Focus<\/a><\/b><\/p>\n

Creative camera positioning can be your biggest asset for engaging time-lapse\u00a0 sequences.\u00a0 High in trees or on urban objects for bird\u2019s eye views, as close to the ground as possible for worm\u2019s eye views, the possibilities are endless with a Gorillapod tucked in your bag.\u00a0 I suggest you go for the top of the line here, because you want the best grip possible to keep your videos stable throughout. The Gorillapod works absolutely stellar with the Ricoh GR.
\n\"Ricoh<\/a><\/p>\n

Ricoh GR Digital III<\/a><\/b><\/p>\n

This high quality compact remains one of my favorite time-lapse\u00a0 cameras of all time. Kudos to Ricoh as the GR and GX line has always had built-in interval timers that will shoot to a minimum of 5 seconds per frame and go continuous until you stop them.\u00a0 These compacts also allow full manual shooting, which is essential to avoid frame to frame exposure variations (aka flicker) The GR uber-compact lens system is nothing short of amazing, with tack sharp results in a wide format f\/1.9! What more could you ask for?? If you\u2019re new to time-lapse ,\u00a0 this is your high quality starter or hide in the corner event \u2018time-lapse\u00a0 b cam\u2019 (bonus: it\u2019s a wonderful compact street shooter to boot!).<\/p>\n

Hoya 77mm Neutral Density ND-400 X<\/a><\/b><\/p>\n

A strong neutral density filter is an essential part of the time-lapse\u00a0 kit. These filters allow you to \u2018drag\u2019 the shutter getting fluid frame-to-frame results in bright conditions.\u00a0 The result can be stunning with fast moving action like crowds of people enhancing the apparent pace of life.\u00a0 The Hoya 9 stop ND is one of the best on the market, as it has little to no color cast. The 77mm thread size is perfect for a bevy of wonderful lenses like the Nikon ED 17-35mm F2.8 or Canon L 16-35mm F2.8.<\/p>\n

\"Genus<\/a><\/p>\n

Genus Mattebox Kit<\/a><\/b><\/p>\n

Shooting outdoors with wonderful sun casting shifting shadow shapes or urban nights with the occasional blinding bright lights, even the best lenses are subject to flare which can be distracting in the final video and result in decreased detail and contrast.\u00a0 If you\u2019re a hybrid photo\/video shooter, a good matte box is a no-brainer. The Genus product is a great balance of cost to performance and this kit comes with everything you need to get started shooting time-lapse as well as cinematic DSLR video. Standard 4\u201dx4\u201d ND and ND grad filters can be dropped in to this kit and accommodate a wide array of lenses as well.<\/p>\n

\"Canon<\/a><\/p>\n

Canon EOS-5D Mark II Digital SLR<\/a><\/b><\/p>\n

It\u2019s no secret that this body is a favorite amongst top time-lapse shooters.\u00a0 Tom Lowe\u2019s short \u2018Mountain Light\u2019 (http:\/\/vimeo.com\/6686768) was shot almost completely with this body and the extraordinary star sequences speak for themselves!\u00a0 This robust pro level body is ready to take on the most demanding time-lapse shooting sessions and the 21.1 MP delivers tons of resolution flexibility for pan and scan (aka \u2018the ken burns effect\u2019) in post production. The full frame sensor makes the most out of wide fast glass like the Canon L 24mm F1.4. Add imagination and an eye for your changing environment and you\u2019ve got a powerful time-lapse combination.<\/p>\n

\"Canon<\/a><\/p>\n

Canon DR-E6 DC Coupler<\/a><\/b><\/p>\n

Reliably powering your 5d Mark II full frame sensor deep into the night to capture amazing star landscapes or continuing over a period of days is impossible without the dummy battery. Plug this adapter into AC power or an alternator connected to a large battery and you\u2019re set to push the time envelope much further than the stock battery would ever allow.\u00a0 Reap the benefit of using live-view to keep progress reports without worrying about loosing those precious frames.<\/p>\n

\"ExpoImaging<\/a><\/p>\n

ExpoImaging ExpoDisc 77mm Digital White Balance Filter<\/a><\/b><\/p>\n

I never hit the field without the ExpoDisc! When you are shooting JPG to clear that buffer at top speed, it\u2019s essential to get the white balance nailed and locked for the entire duration of your time-lapse sequence.\u00a0 By using an exposure-based custom white balance setting with the ExpoDisc in front of the lens you can make ensure the camera\u2019s setting is accurate even in difficult and mixed lighting conditions.\u00a0 This tool can make the difference between a tough-to-color-correct sequence and a perfect one. It\u2019s essential for video, too!<\/p>\n

Adorama Nikon Lens to Canon EOS Body Adapter<\/a><\/b><\/p>\n

After the shutter is triggered on DSLRs it works like this: The mirror goes up, aperture blades dial down, curtain opens and exposes the sensor, aperture blades dial up and mirror drops back down. Now, those aperture blades are pretty darn accurate, but can fall in slightly different positions from exposure to exposure.\u00a0 This may not be a big deal for photographic purposes because say a 1\/16-1\/8 EV difference between shots is not going to throw a wrench in the works. However with time-lapse, especially when your stopping down to say f\/11-f\/22 this slight variation can manifest from frame to frame (aka, flicker). The ultimate solution is to use an adapter that divorces the aperture dial from the body so you dial it into place before shooting without worrying about these exposure variations.<\/p>\n

\"Meade<\/a><\/p>\n

Meade DSM Head with L-Bracket and 497 Handbox<\/a><\/b><\/p>\n

Once you dive into the art of time-lapse, the natural progression is to start thinking about introducing camera motion into your sequences.\u00a0 The key to success here is very slow and accurate movement over long periods of time. In 2006 I started experimenting with using telescope mounts to meet this need. Telescope mounts are built to track celestial objects moving as the earth rotates (about 360 degrees per 24 hours). I found this product to be particularly useful because the tracking speed is infinitely adjustable, allowing me to dial in just the right speed to match important factors: scene, focal length and interval. It also comes with a bracket to mount small telescopes which works well for most DSLRs. Here\u2019s the meat of using this mount for time-lapse; navigate the menu system to AZ ratio (horizontal)\u00a0 and ALT\u00a0 ratio (vertical), use the following as a baseline to calculate the rotational travel in degrees: at 8X with AZ ratio set to 1.0 expect about 150 degrees travel in an hour, also at 8X with the ALT ratio set to 1.0 expect about 100 degrees of travel in an hour.\u00a0 You\u2019ll also have to keep the direction button(s) pressed to keep the head \u2018slewing\u2019 so find a light duty clamp to hold them down.<\/p>\n","protected":false},"excerpt":{"rendered":"

Time-lapse  photography is great bridge between still photography and videography.  Both disciplines co-mingle in this easy-to-learn, yet endlessly challenging, creative technique. <\/p>\n","protected":false},"author":353,"featured_media":21137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21,5,23,17823],"tags":[627,205,316,2252,1818,489,277,312,1502,11829],"class_list":["post-3156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","category-video","category-video-23","category-videography","tag-buying-guide-627","tag-canon-205","tag-flashpoint-316","tag-genus-2252","tag-hoya-1818","tag-joby-489","tag-nikon-277","tag-ricoh-312","tag-time-lapse-1502","tag-time-lapse-video-gear"],"acf":[],"yoast_head":"\nBuying Guide: Time-Lapse Video Gear | Expert photography blogs, tip, techniques, camera reviews - Adorama Learning 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