{"id":49555,"date":"2018-07-03T12:00:33","date_gmt":"2018-07-03T16:00:33","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=49555"},"modified":"2018-07-04T09:18:12","modified_gmt":"2018-07-04T13:18:12","slug":"10-sound-artists-to-look-out-for","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/10-sound-artists-to-look-out-for\/","title":{"rendered":"10 Sound Artists to Look Out For"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>The term sound art is a slippery one, constantly morphing and leaking into formats as diverse as experimental music, film, gallery art, museum installations, spoken word, video games, interactive technologies, motion pictures, and field recording. The tools of the trade include everything from microphones, speakers, mixing boards, hydrophones, and musical instruments to a large bundle of audio gear which can add effects to our desired sounds captured or streamed.<\/p>\n<p>So could anything recorded be considered sound art? Perhaps, but for our purposes, let\u2019s define a &#8220;sound artist&#8217; as a creative person that is doing something interesting to the ear and not limited to exclusively the visual sense; a form of art incorporating sound.<\/p>\n<p>As sound artist and ecologist Bernie Krause states in one of his talks &#8220;while a picture might be worth a thousand words, a soundscape is worth a thousand pictures.&#8221;<\/p>\n<p>Here\u2019s a list of 10 artists, in no particular order, to look out for:<\/p>\n<h3><strong>1. Max Neuhaus, &#8220;Times Square&#8221;<\/strong><\/h3>\n<div class=\"lyte-wrapper\" title=\"Max Neuhaus&amp;#039; Times Square\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_gahUMGmKzIA\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/gahUMGmKzIA\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/gahUMGmKzIA\" \/><meta itemprop=\"duration\" content=\"PT4M42S\" \/><meta itemprop=\"uploadDate\" content=\"2012-04-18T18:51:20Z\" \/><\/div><div id=\"lyte_gahUMGmKzIA\" data-src=\"https:\/\/i.ytimg.com\/vi\/gahUMGmKzIA\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Max Neuhaus&#039; Times Square<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/gahUMGmKzIA\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/gahUMGmKzIA\/0.jpg\" alt=\"Max Neuhaus&amp;#039; Times Square\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"A short I made in honor of Max Neuhaus, and a trip to go see his &quot;Times Square&quot; sound installation. Filmed, written and edited by Adel Souto. adelsouto.com\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>Neuhaus is an example of an artist who works primarily with site-specific sound art. Previously a percussionist and electronic music artist, Neuhaus gave up performance to work with hidden sounds &#8211; no speakers or wires in sight &#8211; a study in sonic sculpture using only our ears. His most well-known piece is \u201cTimes Square,\u201d where the listener experiences harmonic sound textures rising from the grates below at this famed triangular location. This ran from 1977-1992 and again from 2002 to the present.<\/p>\n<h3>2. Eliane Radigue, &#8220;Kyema&#8221;<\/h3>\n<div class=\"lyte-wrapper\" title=\"Eliane Radigue - Kyema\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_PnbGirPTgF0\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/PnbGirPTgF0\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/PnbGirPTgF0\" \/><meta itemprop=\"duration\" content=\"PT1H1M23S\" \/><meta itemprop=\"uploadDate\" content=\"2012-03-08T20:18:55Z\" \/><\/div><div id=\"lyte_PnbGirPTgF0\" data-src=\"https:\/\/i.ytimg.com\/vi\/PnbGirPTgF0\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Eliane Radigue - Kyema<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/PnbGirPTgF0\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/PnbGirPTgF0\/0.jpg\" alt=\"Eliane Radigue - Kyema\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Eliane Radigue - Kyema from Trilogie De La Mort (1998)\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>Inarguably a composer on top of being a sound artist, Paris-born electronic music pioneer Radigue creates minimalist pieces with a signature style of slow evolving forms. Among her tools are tape loops and the Arp 2500 Synthesizer.<\/p>\n<h3>3. Jana Winderen, &#8220;Out of Range&#8221;<\/h3>\n<div class=\"lyte-wrapper\" title=\"01 Jana Winderen - Out of Range [Touch]\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_5BGjs37TRlA\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/5BGjs37TRlA\/hqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/5BGjs37TRlA\" \/><meta itemprop=\"duration\" content=\"PT40M3S\" \/><meta itemprop=\"uploadDate\" content=\"2014-03-03T00:00:02Z\" \/><\/div><div id=\"lyte_5BGjs37TRlA\" data-src=\"https:\/\/i.ytimg.com\/vi\/5BGjs37TRlA\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">01 Jana Winderen - Out of Range [Touch]<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/5BGjs37TRlA\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/5BGjs37TRlA\/0.jpg\" alt=\"01 Jana Winderen - Out of Range [Touch]\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Download: http:\/\/ks.kud.li\/tone50 Subscribe: http:\/\/sb.kud.li\/touchmusic33 Official stream from Touch. Distributed by Kudos Records. On iTunes: http:\/\/it.kud.li\/tone50 On Amazon: http:\/\/az.kud.li\/tone50 More music playlists: http:\/\/pl.kud.li\/touchmusic33 Album: Out of Range [ALBUM] Track: 1 of 1 Title: Out of Range Artist: Jana Winderen Label: Touch Cat#: TONE50 Formats: Digital Digital Release: 3rd March 2014 About This Release: A piece originally commissioned by Deutschlandradio Kultur, Redaktion H\u00f6rspiel \/ Klangkunst for Elektroakustischer Salon: Art&#039;s Birthday 2014, which was performed live at Berghain, Berlin, on Friday 17th \u00a0January 2014. With thanks to Marcus Gammel., and performed live at Elektroakustischer Salon for Art&#039;s Birthday, Berghain 17th January 2014, is now available as a download only release. &quot;Out of Range&quot; is an audio work based on ultrasound and echolocation used by bats, dolphins and other creatures whio operate beyond the range of human hearing - &#039;seeing&#039; with sound, or perhaps &#039;hearing&#039; objects. All sound is invisible; ultrasound is inaudible. Of course, many species have a greater range of hearing than us humans and also more specific and specialised with complex combinations of the different senses...; Creatures on both land and under water produce and\/or perceive very high sound frequencies. Some species of insects, birds, fish, and mammals can emit and hear ultrasound, used for communications, hunting and orientation. These creatures operate on a different level of perception to us, in an inaudible range above 20kHz... Many animals is also using acoustic properties of a space; a bat for example can use the echo from a tower block wall to amplify their calls for mates in the autumn; a toadfish uses the shape of a cave to amplify their calls to protect their habitat. Whales use the different acoustic properties at different depths in the ocean at different pressure levels to send their long distance calls. An astonishing fact about moths is that they have a reflex action with their wings to shut down when they hear the bat echolocation calls...; That we reckon that this is so astonishing says something about us...;. The mix for the piece is based on ultrasound, hydrophone recordings below the water and also of echolocation sound within audible range. The recordings were made in various locations in Central Park and East River in New York, USA, a forest outside Kaliningrad in Russia, Regents Park in London, UK, and various locations in Norway, Denmark and Sweden. The ultrasound is time-stretched to bring it into a frequency range audible for human beings. Recordings were made on a Pettersson Ultrasound Detector D1000X, Reson 4032 and DPA 8011 hydrophones and 4060 dpa microphones onto a Sound Devices 477T hard disk recorder.\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>&#8220;Out of Range&#8221; is an audio work based on ultrasound and echolocation used by bats, dolphins, and other creatures who operate beyond the range of human hearing. Winderen, who is also a biochemist and fish ecologist, uses special ultrasound detector microphones as well as hydrophones to make recordings deep under the water.<\/p>\n<h3>4. Verena Paravel and Lucien Castaing-Taylor, &#8220;Leviathan&#8221;<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"lyte-wrapper\" title=\"Leviathan - Official trailer\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_U2wNiJt-I6U\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/U2wNiJt-I6U\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/U2wNiJt-I6U\" \/><meta itemprop=\"duration\" content=\"PT2M36S\" \/><meta itemprop=\"uploadDate\" content=\"2013-09-17T10:27:36Z\" \/><\/div><div id=\"lyte_U2wNiJt-I6U\" data-src=\"https:\/\/i.ytimg.com\/vi\/U2wNiJt-I6U\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Leviathan - Official trailer<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/U2wNiJt-I6U\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/U2wNiJt-I6U\/0.jpg\" alt=\"Leviathan - Official trailer\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"http:\/\/dogwoof.com\/leviathan Leviathan is now available on DVD, Blu-ray and on demand. One of the most highly anticipated films of the year, from the directors of Sweetgrass and Foreign Parts, Leviathan is a thrilling, immersive documentary that takes you deep inside the dangerous world of commercial fishing. Set aboard a hulking fishing vessel as it navigates the treacherous waves off the New England coast-the very waters that once inspired Moby Dick- the film captures the harsh, unforgiving world of the fishermen in starkly haunting, yet beautiful detail. Employing an arsenal of cameras that pass freely from film crew to ship crew, and swoop from below sea level to astonishing bird&#039;s-eye views, Leviathan is unlike anything you have ever seen; a purely visceral, cinematic experience. https:\/\/twitter.com\/LeviathanMovie https:\/\/www.facebook.com\/LeviathanMovie\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>My favorite example of sound art in film is the documentary &#8220;Leviathan&#8221; created by artists and anthropologists from the Sensory Ethnography Lab at Harvard. The film, which contains almost no dialogue, takes place entirely on a fishing boat, filmed with GoPro cameras attached to fishermen\u2019s arms, heads, and the boat itself. Be sure to watch with good speakers or headphones for the full emotional and sensory experience.<\/p>\n<h3>5. Lawrence Abu Hamden, &#8220;Rubber Coated Steel&#8221;<\/h3>\n<p><center><\/p>\n<div class=\"iframe-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/157655639\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><\/center>The Beirut-based artist Lawrence Abu Hamdan uses sound as a tool for audio visual installations and performances regarding counter-surveillance, highlighting the relationships between the act of listening and human rights violations. In 2014 he was hired by a Human Rights legal organization in Palestine to create an installation project called \u201cEarshot,\u201d a piece intentionally raising the issue of using sonic arts to inform the listener of larger political issues.<\/p>\n<h3>6. Francisco Lopez, &#8220;Sound Environments from a Neotropical Rain Forest&#8221;<\/h3>\n<div class=\"lyte-wrapper\" title=\"La Selva (Sound Environments from a Neotropical Rain Forest)\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_1_slk9NmgGM\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/1_slk9NmgGM\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/1_slk9NmgGM\" \/><meta itemprop=\"duration\" content=\"PT1H10M49S\" \/><meta itemprop=\"uploadDate\" content=\"2015-09-30T14:33:18Z\" \/><\/div><div id=\"lyte_1_slk9NmgGM\" data-src=\"https:\/\/i.ytimg.com\/vi\/1_slk9NmgGM\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">La Selva (Sound Environments from a Neotropical Rain Forest)<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/1_slk9NmgGM\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/1_slk9NmgGM\/0.jpg\" alt=\"La Selva (Sound Environments from a Neotropical Rain Forest)\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Provided to YouTube by Sub rosa La Selva (Sound Environments from a Neotropical Rain Forest) \u00b7 Francisco L\u00f3pez La Selva (Sound Environments from a Neotropical Rain Forest) \u2117 Sub Rosa Released on: 2015-09-16 Composer: Francisco L\u00f3pez Auto-generated by YouTube.\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>You can trace Spanish sound artist Lopez&#8217;s experience as an entomologist to his work. This piece is composed entirely of field recordings from the La Selva rainforest reserve in Costa Rica. He creates connections for the listener between the sound sources \u2014 insects, birds, monkeys \u2014 and the idea that their sources remain largely hidden. His performances have included blindfolding the audience in order to free constraints.<\/p>\n<h3>7. Janet Cardiff, &#8220;The Forty Part Motet&#8221;<\/h3>\n<div class=\"lyte-wrapper\" title=\"One Collective Breath: Janet Cardiff&amp;#039;s &amp;#039;The Forty Part Motet&amp;#039; | KQED Arts\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_rZXBia5kuqY\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/rZXBia5kuqY\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/rZXBia5kuqY\" \/><meta itemprop=\"duration\" content=\"PT5M26S\" \/><meta itemprop=\"uploadDate\" content=\"2015-12-05T01:09:13Z\" \/><\/div><div id=\"lyte_rZXBia5kuqY\" data-src=\"https:\/\/i.ytimg.com\/vi\/rZXBia5kuqY\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">One Collective Breath: Janet Cardiff&#039;s &#039;The Forty Part Motet&#039; | KQED Arts<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/rZXBia5kuqY\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/rZXBia5kuqY\/0.jpg\" alt=\"One Collective Breath: Janet Cardiff&amp;#039;s &amp;#039;The Forty Part Motet&amp;#039; | KQED Arts\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Canadian artist Janet Cardiff\u2019s &quot;The Forty Part Motet,&quot; is deceptively simple in appearance: a spare room occupied solely with a ring of black speakers on stands. But once the first collective breath of the virtual choir begins, and the forty part harmonies of Thomas Tallis\u2019s masterful choral work ripple throughout the gallery, the \u201cmind-boggling\u201d complexity of her sound sculpture becomes apparent. Hit that SUBSCRIBE button! http:\/\/www.youtube.com\/subscription_center?add_user=kqedart Like us on Facebook: https:\/\/www.facebook.com\/kqedarts Follow us on Twitter: https:\/\/twitter.com\/KQEDarts\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>When I asked friends what they thought &#8220;sound art&#8221; was, inevitably this piece came up. It has an accessible nature \u2014 sound, art museum location \u2014 both parts of the term counted for! The Canadian born Cardiff invites the audience to move through out the space and listen to each individual voice of the choir in the sound sculpture, an intimate experience, a new way of listening to a large choir of voices.<\/p>\n<h3>8. Alvin Lucier, &#8220;I Am Sitting in a Room&#8221;<\/h3>\n<p><center><\/p>\n<div class=\"iframe-container\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/55279047\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><\/center>It&#8217;s a given that the introductory student of sound art will have this famous piece from 1969 on her syllabus. Here Lucier records himself narrating a text, then plays back that tape recording, only to loop and rerecord it again and again. Eventually the words become unintelligible and the resonance takes over, creating a surrealist soundscape of drones and natural feedback.<\/p>\n<h3>9. Marina Rosenfeld, &#8220;The Accompanist&#8221;<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"lyte-wrapper\" title=\"The Accompanists: Marina Rosenfeld\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_F0eeZ64lFpc\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/F0eeZ64lFpc\/hqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/F0eeZ64lFpc\" \/><meta itemprop=\"duration\" content=\"PT5M4S\" \/><meta itemprop=\"uploadDate\" content=\"2008-08-07T19:27:27Z\" \/><\/div><div id=\"lyte_F0eeZ64lFpc\" data-src=\"https:\/\/i.ytimg.com\/vi\/F0eeZ64lFpc\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">The Accompanists: Marina Rosenfeld<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/F0eeZ64lFpc\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/F0eeZ64lFpc\/0.jpg\" alt=\"The Accompanists: Marina Rosenfeld\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"The Institute of Contemporary Art The Accompanists: Marina Rosenfeld December 5, 2007 Marina Rosenfeld is a composer and turntablist. She initiated a decade-long engagement with composition, improvisation, performance and situational aesthetic practices while still a student in 1994 with her &quot;sheer frost orchestra:&quot; a performance realized by 17 women on floor-bound electric guitars, deploying nail-polish bottles as sound-producing implements.\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>New York based sound artist, experimental turntablist, and composer Rosenfeld began her career in the early 1990\u2019s with the Sheer Frost Orchestra, scored for 17 women with 17 guitars. Here she is creating improvised music with a distinctive palette of hand-crafted dub plates \u2014 or acetates, a mixer, special loudspeakers, and a turntable.<\/p>\n<h3>10. Chris Watson, &#8220;El Tren Fantasma&#8221;<\/h3>\n<div class=\"lyte-wrapper\" title=\"01 Chris Watson - La Anunciante [Touch]\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_dE3sKZh_QXU\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/dE3sKZh_QXU\/hqdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/dE3sKZh_QXU\" \/><meta itemprop=\"duration\" content=\"PT4M3S\" \/><meta itemprop=\"uploadDate\" content=\"2013-04-05T14:18:56Z\" \/><\/div><div id=\"lyte_dE3sKZh_QXU\" data-src=\"https:\/\/i.ytimg.com\/vi\/dE3sKZh_QXU\/hqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">01 Chris Watson - La Anunciante [Touch]<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/dE3sKZh_QXU\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/dE3sKZh_QXU\/0.jpg\" alt=\"01 Chris Watson - La Anunciante [Touch]\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Download: http:\/\/ks.kud.li\/to42 Subscribe: http:\/\/sb.kud.li\/touchmusic33 Official stream from Touch. Distributed by Kudos Records. On iTunes: http:\/\/it.kud.li\/to42 On Amazon: http:\/\/az.kud.li\/to42 More music playlists: http:\/\/pl.kud.li\/touchmusic33 Album: El Tren Fantasma [ALBUM] Track: 1 of 10 Title: La Anunciante Artist: Chris Watson Label: Touch Cat#: TO42 Formats: CD Digital Release: 14th November 2011 Physical Release: 14th November 2011 About This Release: &quot;Take the ghost train from Los Mochis to Veracruz and travel cross country, coast to coast, Pacific to Atlantic. Ride the rhythm of the rails on board the Ferrocarriles Nacionales de Mxico (FNM) and the music of a journey that has now passed into history.&quot; El Tren Fantasma, (The Ghost Train), is Chris Watson&#039;s 4th solo album for Touch, and his first since Weather Report in 2003, which was named as one of the albums you should hear before you die in The Guardian. A Radio programme was broadcast on BBC Radio 4 on Saturday 30 Oct, 2010, produced by Sarah Blunt, and described as &quot;a thrilling acoustic journey across the heart of Mexico from Pacific to Atlantic coast using archive recordings to recreate a rail passenger service which no longer exists. It&#039;s now more than a decade since FNM operated its last continuous passenger service across country. Chris Watson spent a month on board the train with some of the last passengers to travel this route. As sound recordist he was part of the film crew working on a programme in the BBC TV series Great Railways Journeys. Now, in this album, the journey of the &#039;ghost train&#039; is recreated, evoking memories of a recent past, capturing the atmosphere, rhythms and sounds of human life, wildlife and the journey itself along the tracks of one of Mexico&#039;s greatest engineering projects. About the author... Chris Watson is one of the world&#039;s leading recorders of wildlife and natural phenomena, and for Touch he edits his field recordings into a filmic narrative. For example. the unearthly groaning of ice in an Icelandic glacier is a classic example of, in Watson&#039;s words, putting a microphone where you can&#039;t put your ears. He was born in Sheffield where he attended Rowlinson School and Stannington College (now part of Sheffield College). In 1971 he was a founding member of the influential Sheffield-based experimental music group Cabaret Voltaire. His sound recording career began in 1981 when he joined Tyne Tees Television. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance recordist for film, tv &amp; radio, Chris Watson specialises in natural history and documentary location sound together with track assembly and sound design in post production. Reviews for This Release: &quot;A benchmark in field recording not to mention a map of the soul, an insight into the human condition and a key to dreams.&quot; - Andrew Weatherall &quot;It is over a decade since FNM operated its last continuous passenger service across the country but here sound recordist Chris Watson recreates its atmospheric journey with the help of the train recordings he made while working on the BBC television series Great Railway Journeys... through desert and city, but it is the rocking rhythms of the train itself that prove most memorable. [Stephanie Billen]&quot; - The Observer &quot;El Tren Fantasma (8pm) is Archive on 4&#039;s recollection of a trans-Mexico rail journey by sound recordist Chris Watson. From desert to rainforest, hummingbirds&#039; wings to the boom of heat rising from the Copper Canyon, it recalls a beloved passenger train system abandoned by privatisation. **** [Martin Hoyle]&quot; - The Financial Times &quot;Sometimes, radio can awaken the mind and sharpen the senses like no other medium. This &quot;sound portrait&quot; of a now-abandoned railway line that used to run between the Pacific and Atlantic coasts of Mexico is a good case in point. Captured by sound recordist Chris Watson more than a decade ago, it jostles with human, animal and mechanical life, filling the room with an atmosphere that is more richly evocative of Central America than any TV travel show I&#039;ve seen. Diesel engines thrum, cicadas chirrup and passengers chatter, sing and argue. [Pete Naughton]&quot; - The Daily Telegraph\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<p>Watson, formally of the experimental 1970\u2019s post punk band Caberet Voltaire, is an English wildlife sound recordist and artist. For El Tren Fantasma, he compressed a five-week train journey into a sonic linear narrative for a ten \u201csong\u201d CD. He specializes in documentary location sound, wildlife habitats, and soundscapes from around the world.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The term sound art is a slippery one, constantly morphing and leaking into formats as diverse as experimental music, film, gallery art, museum installations, spoken word, video games, interactive technologies, motion pictures, and field recording. The tools of the trade include everything from microphones, speakers, mixing boards, hydrophones, and musical instruments to a large bundle [&hellip;]<\/p>\n","protected":false},"author":11111143,"featured_media":49934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6,10717,17784,10714],"tags":[],"class_list":["post-49555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-audio","category-audio-features","category-dj","category-features"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>10 Sound Artists to Look Out For - Adorama<\/title>\n<meta name=\"description\" content=\"The term sound art is a slippery one, constantly morphing and leaking into formats as diverse as experimental music, film, gallery art, museum\" \/>\n<meta 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