{"id":70173,"date":"2021-04-20T10:00:08","date_gmt":"2021-04-20T14:00:08","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=70173"},"modified":"2021-06-21T11:58:39","modified_gmt":"2021-06-21T15:58:39","slug":"sony-14mm-f1-8-g-master-lens-hands-on-review-with-erick-hercules","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/sony-14mm-f1-8-g-master-lens-hands-on-review-with-erick-hercules\/","title":{"rendered":"Sony 14mm F1.8 G Master Lens: Hands-on Review with Erick Hercules"},"content":{"rendered":"<p>The new <a href=\"https:\/\/www.adorama.com\/iso1418gm.html\">Sony 14mm F1.8 G Master lens<\/a> was perhaps the most surprisingly entertaining and dynamic lens I\u2019ve had the pleasure of working with, and for more reasons than you might think. Few lenses have actually made me feel like a little kid playing with a new toy (with loud &#8220;wows&#8221; and &#8220;ahh&#8217;s&#8221; included), and this lens definitely did it for me.<\/p>\n<figure id=\"attachment_70183\" aria-describedby=\"caption-attachment-70183\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70183\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4.jpg\" alt=\"erick hercules Sony 14mm f1.8 lens\" width=\"1200\" height=\"802\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4.jpg 1200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4-300x201.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4-1024x684.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4-50x33.jpg 50w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-70183\" class=\"wp-caption-text\">Photo by Adorama<\/figcaption><\/figure>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.adorama.com\/iso1418gm.html\">Sony FE 14mm f\/1.8 GM Lens<\/a> (<span class=\"dynamic-data\" data-type=\"price\" data-sku=\"ISO1418GM\"><\/span>)<\/h3>\n<p style=\"text-align: center;\"><a class=\"tn-read-more\" href=\"http:\/\/www.adorama.com\/iso1418gm.html\" target=\"_blank\" rel=\"noopener\">Pre-Order Now<\/a><\/p>\n<p>From the start, the new 14mm 1.8 is as light and compact as you\u2019d want a lens of this magnitude to be (surprisingly small, actually). Even though it\u2019s supposed to have a heavy front glass element, Sony has done a phenomenal job in balancing its weight and size ratio. Perfect for the given uses of wide angle lenses such as <a href=\"https:\/\/www.adorama.com\/alc\/outdoor-architecture-photography-tips-for-beginners\/\">architecture photography<\/a> and video, this lens\u2019 new features (which I\u2019ll get into in a bit) expand the creative possibilities of commercial, editorial and fine-art photographers like myself. Let\u2019s get into it.<\/p>\n<div class=\"lyte-wrapper\" title=\"Sony 14mm F1.8 G Master Lens while levitating with Erick Hercules\" style=\"width:1280px;max-width:100%;margin:5px;\"><div class=\"lyMe hidef\" id=\"WYL_j-dR_pDc1CI\" itemprop=\"video\" itemscope itemtype=\"https:\/\/schema.org\/VideoObject\"><div><meta itemprop=\"thumbnailUrl\" content=\"https:\/\/i.ytimg.com\/vi\/j-dR_pDc1CI\/maxresdefault.jpg\" \/><meta itemprop=\"embedURL\" content=\"https:\/\/www.youtube.com\/embed\/j-dR_pDc1CI\" \/><meta itemprop=\"duration\" content=\"PT2M55S\" \/><meta itemprop=\"uploadDate\" content=\"2021-04-20T14:00:13Z\" \/><\/div><div id=\"lyte_j-dR_pDc1CI\" data-src=\"https:\/\/i.ytimg.com\/vi\/j-dR_pDc1CI\/maxresdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\" itemprop=\"name\">Sony 14mm F1.8 G Master Lens while levitating with Erick Hercules<\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/j-dR_pDc1CI\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i.ytimg.com\/vi\/j-dR_pDc1CI\/0.jpg\" alt=\"Sony 14mm F1.8 G Master Lens while levitating with Erick Hercules\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><meta itemprop=\"description\" content=\"Commercial Photographer Erick Hercules gives a first look at the Sony 14mm F1.8 G Master Lens while he gets levitation shots across New York City. \u2718 Sony 14mm F1.8 G Master Lens https:\/\/www.adorama.com\/iso1418gm.html Key Features: \u25ba Little to no distortion \u25ba Fast Aperture (F1.8) \u25ba Compact (3.3 x 3.9&quot;) \u25ba Lightweight (16.3oz) \u25ba Close Focus (9.8&quot;) \u25ba Aperture Ring \u25ba Focus Hold Button \u25ba Linear Response MF \u25ba AF for Movie Mode \u25ba Rear Filter Holder \u25ba Nano AR Coating II (Reduces flare and ghosting) \u2192 Article: Sony 14mm F1.8 G Master Lens: Hands-on Review with Erick Hercules https:\/\/www.adorama.com\/alc\/sony-14mm-f1-8-g-master-lens-hands-on-review-with-erick-hercules SUBSCRIBE AND BE PART OF THE ADORAMA FAMILY: \u27a5 https:\/\/www.youtube.com\/user\/adoramaTV For more Sony Related Videos: https:\/\/www.youtube.com\/watch?v=frKNQnPvQjY&amp;list=PLwm6LvGc5xq2lPzMWvIN4S4HR-RhFMvgP __________________________________ \u2718 PRODUCTS USED: Sony a7R III Mirrorless Digital Camera Body https:\/\/www.adorama.com\/isoa7r3.html \u2718 PRODUCTION EQUIPMENT USED: Sony Alpha a7S III Mirrorless Digital Camera Body https:\/\/www.adorama.com\/isoa7sm3.html Sony FE 24-70mm f\/2.8 GM (G Master) E-Mount Lens https:\/\/www.adorama.com\/iso2470gm.html Sennheiser AVX-MKE2 SET https:\/\/www.adorama.com\/seavxmke2s4u.html Sony TOUGH 160GB CFexpress Type A Memory Card https:\/\/www.adorama.com\/soceag160t.html #Sony #WideAngle #Adorama __________________________________ \u2750 LET&#039;S GET SOCIAL \u274f \u27a5 Facebook https:\/\/www.facebook.com\/adorama\/ \u27a5 Instagram https:\/\/www.instagram.com\/adorama\/ \u27a5 Twitter https:\/\/twitter.com\/adorama \u2750 MORE ADORAMA \u274f \u27a5 Podcast https:\/\/www.adorama.com\/g\/adorama-podcast# \u27a5 Blog https:\/\/www.adorama.com\/alc\/ \u27a5 Shop https:\/\/www.adorama.com\/ __________________________________ Follow Erick Hercules https:\/\/www.instagram.com\/erickhercules\/ Model: https:\/\/instagram.com\/waffle_kozik __________________________________ THANKS SO MUCH FOR WATCHING!\"><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px;\"><\/div><\/p>\n<h2>Aperture<\/h2>\n<p>The first thing I noticed about the new Sony 14mm was the obvious 1.8 aperture. That alone heightened my anticipation for bokeh with such a wide focal length (my honest thoughts: \u201cwill you even be able to tell?\u201d). Trust me when I tell you, it exceeded my expectations immediately.<\/p>\n<figure id=\"attachment_70182\" aria-describedby=\"caption-attachment-70182\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70182\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-oieusrhgbe04h5b-wernwe-rbse.jpg\" alt=\"erick hercules Sony 14mm f1.8 lens\" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-oieusrhgbe04h5b-wernwe-rbse.jpg 1200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-oieusrhgbe04h5b-wernwe-rbse-300x200.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-oieusrhgbe04h5b-wernwe-rbse-1024x684.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-oieusrhgbe04h5b-wernwe-rbse-50x33.jpg 50w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-70182\" class=\"wp-caption-text\"><span style=\"font-weight: 400;\">Model: <\/span><a href=\"https:\/\/www.instagram.com\/waffle_kozik\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Joel Kozik<\/span><\/a><span style=\"font-weight: 400;\">, From the world renowned <\/span><a href=\"https:\/\/www.instagram.com\/wafflenyc\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Waffle Crew<\/span><\/a>.\u00a0<span style=\"font-weight: 400;\">Sony a7riii | 1\/800 | 1.8\u00a0 | ISO 500. (Photo by Erick Hercules)<\/span><\/figcaption><\/figure>\n<figure id=\"attachment_70181\" aria-describedby=\"caption-attachment-70181\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70181\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aorbaeirbsoerba-e4gq3wbaae.jpg\" alt=\"\" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aorbaeirbsoerba-e4gq3wbaae.jpg 1200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aorbaeirbsoerba-e4gq3wbaae-300x200.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aorbaeirbsoerba-e4gq3wbaae-1024x684.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aorbaeirbsoerba-e4gq3wbaae-50x33.jpg 50w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-70181\" class=\"wp-caption-text\">Sony a7riii | 1\/800 | 1.8\u00a0 | ISO 320. (Photo by Erick Hercules)<\/figcaption><\/figure>\n<p>We brought in professional dancer Joel Kozik to test some creative angles for us. We began to shoot with a wide open aperture and a fast shutter. As you can see on this first image, although it has a super wide 14mm focal length, the bokeh on the top left is unmistakably there. Meanwhile, his body and eyes maintain a sharpness that cuts right through the image (thank you, Sony eye-autofocus).<\/p>\n<p>For the second image, Joel was literally a few feet away from me, so you get an incredibly smooth and noticeable bokeh background, with a sharp face and noticeable hand gestures (a positive outcome of the incredibly wide focal length).<\/p>\n<h2>Distortion (or lack thereof!)<\/h2>\n<p>The second thing I noticed was the noticeable decrease of lens distortion on a lens this wide.<\/p>\n<figure id=\"attachment_70180\" aria-describedby=\"caption-attachment-70180\" style=\"width: 801px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70180\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworuhberibwe-nabwearhbg345.jpg\" alt=\"\" width=\"801\" height=\"1200\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworuhberibwe-nabwearhbg345.jpg 801w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworuhberibwe-nabwearhbg345-200x300.jpg 200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworuhberibwe-nabwearhbg345-684x1024.jpg 684w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworuhberibwe-nabwearhbg345-33x50.jpg 33w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><figcaption id=\"caption-attachment-70180\" class=\"wp-caption-text\">Sony a7riii | 1\/1000 | 2.2 | ISO 500 (Photo by Erick Hercules)<\/figcaption><\/figure>\n<p>To test the lens distortion vulnerability, I did three sets of images. I first shot Joel framed doing a backflip on the right side of the image (above). With a lens this wide, my subject is usually incredibly warped (aka distorted). However, I was blown away at the fact that Joel was\u2026 still Joel in the image!<\/p>\n<figure id=\"attachment_70179\" aria-describedby=\"caption-attachment-70179\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70179\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aoiuernbiauerbw-4qabhearb.jpg\" alt=\"\" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aoiuernbiauerbw-4qabhearb.jpg 1200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aoiuernbiauerbw-4qabhearb-300x200.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aoiuernbiauerbw-4qabhearb-1024x684.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aoiuernbiauerbw-4qabhearb-50x33.jpg 50w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-70179\" class=\"wp-caption-text\">Sony a7riii | 1\/1000 | 4.0 | ISO 500 (Photo by Erick Hercules)<\/figcaption><\/figure>\n<p>The second test was a &#8220;wow&#8221;, out loud moment for me. I had Joel do a trick amidst buildings surrounding him. From my experience shooting this kind of photography for commercial clients, I tend to shoot at 16mm, then crop in to decrease the distortions on the sides. This time, the full image was perfect. No distortion, no bending of architecture, and no more post-cropping! Yes.<\/p>\n<figure id=\"attachment_70178\" aria-describedby=\"caption-attachment-70178\" style=\"width: 801px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70178\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworeughbieur5he0r-awerg4hwab.jpg\" alt=\"\" width=\"801\" height=\"1200\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworeughbieur5he0r-awerg4hwab.jpg 801w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworeughbieur5he0r-awerg4hwab-200x300.jpg 200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworeughbieur5he0r-awerg4hwab-684x1024.jpg 684w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aworeughbieur5he0r-awerg4hwab-33x50.jpg 33w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><figcaption id=\"caption-attachment-70178\" class=\"wp-caption-text\">Sony a7riii | 1\/125 | 4.5 | ISO 640 (Photo by Erick Hercules)<\/figcaption><\/figure>\n<figure id=\"attachment_70177\" aria-describedby=\"caption-attachment-70177\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70177\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubaerbqe-34hqab.jpg\" alt=\"\" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubaerbqe-34hqab.jpg 1200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubaerbqe-34hqab-300x200.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubaerbqe-34hqab-1024x684.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubaerbqe-34hqab-50x33.jpg 50w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-70177\" class=\"wp-caption-text\">Sony a7riii | 1\/125 | 4.5 | ISO 640 (Photo by Erick Hercules)<\/figcaption><\/figure>\n<p>The third test was to focus on architectural lines across the full image. I love telling stories using lines, shapes, and architectural textures to compose something that plays with the reality of street photography. Normally I tend to use standard or zoom lenses such as the 50mm, 85mm or the 70-200mm because they maintain the compositional lines and shapes intact. However, I was more than pleased with the outcome of my angle studies with this 14mm. Lines and shapes maintain their form with an almost mathematical precision. This allows me to truly maximize my subjects (the building wall and all its components) in ways I never considered before.<\/p>\n<h2>Sharpness<\/h2>\n<p>One thing Sony G master lenses are known for is sharpness.<\/p>\n<figure id=\"attachment_70176\" aria-describedby=\"caption-attachment-70176\" style=\"width: 801px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70176\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubhe9wr54hq-haeg245hagf.jpg\" alt=\"\" width=\"801\" height=\"1200\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubhe9wr54hq-haeg245hagf.jpg 801w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubhe9wr54hq-haeg245hagf-200x300.jpg 200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubhe9wr54hq-haeg245hagf-684x1024.jpg 684w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-aireubhe9wr54hq-haeg245hagf-33x50.jpg 33w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><figcaption id=\"caption-attachment-70176\" class=\"wp-caption-text\">Sony a7riii | 1\/1000 | 5.6 | ISO 250 (Photo by Erick Hercules)<\/figcaption><\/figure>\n<p>To test the sharpness of this lens, I shot a very closed aperture levitation shot with a focus on Joel\u2019s chest. As you can see from the image above, not only is his whole body pretty much as crisp as can be, but so is the background. Add the lack of distortion of this new 14mm into the mix, and you get an image that literally wouldn\u2019t have been possible to take without this lens.<\/p>\n<figure id=\"attachment_70183\" aria-describedby=\"caption-attachment-70183\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-70183\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4.jpg\" alt=\"erick hercules Sony 14mm f1.8 lens\" width=\"1200\" height=\"802\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4.jpg 1200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4-300x201.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4-1024x684.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/04\/sony1418-lens-erick-hercules-soeurhbseorb-serbserbwe4-50x33.jpg 50w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-70183\" class=\"wp-caption-text\">Photo by Adorama<\/figcaption><\/figure>\n<h2>Conclusion<\/h2>\n<p>Needless to say, this lens has opened my eyes to the possibilities of utilizing a 14mm lens in more creative ways than I thought without being scared of the warping and distortion that have historically followed this focal length since its inception.<\/p>\n<p>An immediate pleasure to use, this lens features aspects I thought couldn\u2019t exist in a 14mm. Of course, Sony is known for stretching the possibilities of the conventional, and once again, they didn\u2019t disappoint. I\u2019d highly recommend this lens to commercial, dance, street, fine art, and editorial photographers. It&#8217;s also perfect for literally anyone who is looking to expand their eye in a way that has never been seen before. Trust me, you too will feel like a little kid with a new toy.<\/p>\n<p>Thank you Adorama and Sony for letting me play with this lens, and\u00a0<a href=\"https:\/\/www.instagram.com\/waffle_kozik\/?igshid=97syh7kl1wte\" target=\"_blank\" rel=\"noopener\">Joel Kozik<\/a> for your incredible levitation skills! You can find more on my angle studies, commercial work, and levitation photography at <a href=\"https:\/\/www.instagram.com\/erickhercules\/?igshid=1pqyvrmplhynj\" target=\"_blank\" rel=\"noopener\">@erickhercules<\/a> and <a href=\"https:\/\/www.instagram.com\/welevitate\/?hl=en\" target=\"_blank\" rel=\"noopener\">@WeLevitate<\/a>.<\/p>\n<p><strong>The\u00a0<a href=\"https:\/\/www.adorama.com\/iso1418gm.html\">Sony 14mm f1.8 G Master lens<\/a> is available for preorder for\u00a0$1,598.00 at\u00a0<a href=\"https:\/\/www.adorama.com\/iso1418gm.html\">Adorama<\/a>.\u00a0<\/strong><\/p>\n<p><em>Feature photo by Adorama<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The new Sony 14mm F1.8 G Master lens was perhaps the most surprisingly entertaining and dynamic lens I\u2019ve had the pleasure of working with, and for more reasons than you might think. Few lenses have actually made me feel like a little kid playing with a new toy (with loud &#8220;wows&#8221; and &#8220;ahh&#8217;s&#8221; included), and [&hellip;]<\/p>\n","protected":false},"author":11111143,"featured_media":70185,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21,17775,642,17770],"tags":[12959,276,11716,16776],"class_list":["post-70173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gear","category-lenses","category-photography-642","category-photography","tag-hands-on-review","tag-sony-276","tag-sony-alpha","tag-sony-lens"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sony 14mm F1.8 G Master Lens: Hands-on Review with Erick Hercules<\/title>\n<meta name=\"description\" content=\"The new Sony 14mm F1.8 G Master 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