{"id":72596,"date":"2021-07-30T15:00:30","date_gmt":"2021-07-30T19:00:30","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=72596"},"modified":"2021-08-02T09:14:11","modified_gmt":"2021-08-02T13:14:11","slug":"lens-in-focus-nikon-24-70mm-lens","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/lens-in-focus-nikon-24-70mm-lens\/","title":{"rendered":"Lens in Focus: Nikon Ambassador Lucas Gilman Shares His Favorite Lens"},"content":{"rendered":"<p>&#8220;What&#8217;s your favorite lens?&#8221; may be one of the most asked questions I get from other photographers. Lens choice is a very personal one. Focal length and lens-build quality ultimately impact how the final image looks. I&#8217;ve been a professional photographer for more than 20 years. I love classic &#8220;old school&#8221; Nikon primes for their cinematic and dreamy quality. I also love the new Nikon Z series primes because they are razor sharp and super fast. But, if I had to choose one, it would be a <strong><a href=\"https:\/\/www.adorama.com\/nkz247028.html\" target=\"_blank\" rel=\"noopener\">Nikon 24-70mm f\/2.8 lens.<\/a><\/strong><\/p>\n<h2>Why the Nikon 24-70mm lens?<\/h2>\n<p>Well, for me, it&#8217;s the most versatile lens out there. It&#8217;s wide enough to shoot landscapes and has enough telephoto reach to shoot portraits and action. With a maximum aperture of f\/2.8, it&#8217;s fast enough to shoot in lower light conditions. Although, a lens is only as good as the photographer using it. Pick smart shoot times. Get up early and stay out late. Shoot the golden and blue hours. I shoot water with either a super-fast shutter speed (like 1\/3000+ of second( or really slow (like 1-10 seconds) to make the water look more dynamic. With a super-fast shutter speed \u2014 like the cliff diving image \u2014 you&#8217;ll freeze every drop of water. With a slow shutter \u2014 like the Icelandic waterfall \u2014 it will give you a dreamy feeling of movement.<\/p>\n<figure id=\"attachment_72599\" aria-describedby=\"caption-attachment-72599\" style=\"width: 683px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-72599\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_.jpg\" alt=\"\" width=\"683\" height=\"1024\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_.jpg 683w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_-200x300.jpg 200w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption id=\"caption-attachment-72599\" class=\"wp-caption-text\">Photo by Lucas Gilman<\/figcaption><\/figure>\n<p>Sometimes I&#8217;m not able to physically move closer to my subject because I&#8217;m on the edge of a cliff or near the water. The Nikon 24-70mm lens allows me to zoom in and remove any distracting things on the edges of the frame. People often ask why my images look so sharp and vibrant. First, I shoot at times of day when the light is interesting \u2014 like sunrise and sunset. Second, I choose apertures that will give me the sharpest possible image.<\/p>\n<p>Typically your lens is sharpest at 2 to 3 stops from its maximum aperture. So, for the Nikon 24-70mm lens, the sharpest aperture will be around f\/5.6 to f\/8. I&#8217;m not a pixel peeper, but this gives me results I&#8217;m happy with. Also, picking the correct area to focus on in <a href=\"https:\/\/www.adorama.com\/alc\/nature-landscape-photo-tips\/\" target=\"_blank\" rel=\"noopener\">landscape images<\/a> will improve your image quality immensely. You usually don&#8217;t want to focus on the far-off background or something super close to the camera. Typically, focusing on something about 1\/3 to 1\/2 of the way (distance-wise) into your frame will give you great results.<\/p>\n<p>You can always test this by zooming in on the LCD preview screen to check sharpness in different areas of your frame. When traveling light, I generally carry a 6 or 10-stop <a href=\"https:\/\/www.adorama.com\/wccndkt.html\" target=\"_blank\" rel=\"noopener\">Wine Country Camera Blackstone ND Filter<\/a> in my bag to shoot longer exposures with moving water at any time of day.<\/p>\n<p>Below is a selection of images I&#8217;ve made with the F-mount <a href=\"https:\/\/www.adorama.com\/nk2470e.html\" target=\"_blank\" rel=\"noopener\">Nikon AF-S NIKKOR 24-70mm f\/2.8E ED VR lens<\/a> and the new mirrorless <a href=\"https:\/\/www.adorama.com\/nkz247028am.html\" target=\"_blank\" rel=\"noopener\">Z-mount NIKKOR Z 24-70mm f\/2.8 S lens<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-72601\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_342.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_342.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_342-300x200.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-72603\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_353.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_353.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_353-300x200.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-72606\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_6169.jpg\" alt=\"\" width=\"1024\" height=\"678\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_6169.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_6169-300x199.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-72600\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_338.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_338.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_338-300x200.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-72605\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_2.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_2.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman_2-300x200.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-72602\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_349.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_349.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2021\/07\/Lucas-Gilman-Illume-Blog_349-300x200.jpg 300w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span style=\"font-size: 16px;\">You can see more of <\/span><a style=\"font-size: 16px;\" href=\"https:\/\/www.instagram.com\/lucasgilman\/\" target=\"_blank\" rel=\"noopener\">my work<\/a><span style=\"font-size: 16px;\"> on Instagram.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;What&#8217;s your favorite lens?&#8221; may be one of the most asked questions I get from other photographers. Lens choice is a very personal one. Focal length and lens-build quality ultimately impact how the final image looks. I&#8217;ve been a professional photographer for more than 20 years. I love classic &#8220;old school&#8221; Nikon primes for their [&hellip;]<\/p>\n","protected":false},"author":11111166,"featured_media":72597,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[10714,17775,10715,17770],"tags":[207,2153,250,17132,17630,6724,277,206],"class_list":["post-72596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-lenses","category-photo-features","category-photography","tag-camera-207","tag-landscape-photography-2153","tag-lens-250","tag-lens-in-focus","tag-lucas-gilman","tag-nature-photography-6724","tag-nikon-277","tag-photography-206"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lens in Focus: Nikon Ambassador Lucas Gilman Shares His Favorite Lens - 42West<\/title>\n<meta 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