{"id":81098,"date":"2022-03-10T11:55:29","date_gmt":"2022-03-10T16:55:29","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=81098"},"modified":"2022-03-10T14:40:56","modified_gmt":"2022-03-10T19:40:56","slug":"capture-horse-portraits","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/capture-horse-portraits\/","title":{"rendered":"How to Capture Horse Portraits"},"content":{"rendered":"\n<p>So, you\u2019re a horse lover? Me too! Each horse has its own special characteristics, charm, and history that makes it unique. But how do you actually capture the essence of a particular horse in a portrait? In this article, I\u2019ll go through several of my own approaches for capturing horse portraits  \u2014 both for indoor and outdoor scenarios.<\/p>\n\n\n\n<p>I\u2019ve been a resident of Iceland since 2016 and as long as I\u2019ve lived in here, I\u2019ve been drawn to the power and mystique of the Icelandic Horse. What impresses me the most about the Icelandic horse is their strength to endure the elements. In any condition they can survive \u2014 whether it be snow, rain, or powerful wind. Now, why does this matter? Because it shapes how I want to capture the horse. And once we know\u00a0<em>what<\/em>\u00a0we want to capture, we can then plan\u00a0<em>how<\/em>\u00a0we capture it. In the case of the Icelandic horse, capturing the unique characteristics of mystique, wildness, compassion, and power is my goal. There are benefits to both indoor and outdoor portraits, which I\u2019ll explain for each.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00583.jpg\" alt=\"\" class=\"wp-image-81368\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00583.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00583-300x169.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00583-825x465.jpg 825w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Indoor Approach<\/strong> for Horse Portraits<\/h2>\n\n\n\n<p>The story of the Icelandic Horse is deeply tied to the Icelandic people. And because of this, there are countless breeders and trainers across the country that make it possible to create a setting to portrait the horse using controlled lighting. The advantage of doing portraits indoors is that you can easily isolate the subject using constant lighting. This helps to better showcase the characteristics of the subject. So, what do you need to consider when setting up indoor horse portraits?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 1: Create a Comfortable Environment<\/strong><\/h3>\n\n\n\n<p>Wherever you are and whatever the type of horse you\u2019d like to photograph, keep in mind that one of the most important elements of creating portraits is the setting. A subject must be comfortable and at ease in order for them to relax and present themselves naturally without hesitation. I\u2019ve been fortunate myself to work with&nbsp;Kjarr Horses&nbsp;in the South of Iceland who have been breeding and training horses for decades. I visited their stables where I worked with two of their horse trainers who spend hours each day grooming and training the horses for shows and competitions.<\/p>\n\n\n\n<p>The horses are incredibly calm and stress-free in their presence and in a location that they are familiar with. The trainers know how to encourage the horses to move and remain posed in certain positions, which makes creating portraits much easier and enjoyable. Because these horses spend more time around people, they\u2019re also comfortable being in my presence as well.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"559\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.49.28.jpg\" alt=\"\" class=\"wp-image-81341\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.49.28.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.49.28-300x168.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 2: Use Constant Lighting<\/strong><\/h3>\n\n\n\n<p>Whenever working with animals, it\u2019s always a best practice to never use any sort of flash. The sudden burst of lights can surprise or startle animals because it\u2019s something unfamiliar to them. This could result in the subject running away, injuring itself, or harming you as the photographer or the equipment. If the goal is to create portraits with a dark background, you\u2019ll need to create enough of a difference in light between the subject and the background. LED lights, like the&nbsp;<a href=\"https:\/\/www.google.com\/url?q=https:\/\/www.adorama.com\/apc300d2vkit.html&amp;sa=D&amp;source=editors&amp;ust=1645805113835055&amp;usg=AOvVaw1f3RlpgGnBSja0YMsV1iuC\" target=\"_blank\" rel=\"noreferrer noopener\">Aperture C300D II<\/a>, are much better for shaping light because you can visually see the result in real-time at varying intensities and angles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02176.jpg\" alt=\"\" class=\"wp-image-81343\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02176.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02176-300x169.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02176-825x465.jpg 825w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02186.jpg\" alt=\"\" class=\"wp-image-81344\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02186.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02186-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<p>I like using these lights specifically because they can be powered either by plugging into a wall socket or using&nbsp;<a href=\"https:\/\/www.adorama.com\/ip2vmdca.html\" target=\"_blank\" rel=\"noreferrer noopener\">V-lock batteries<\/a>&nbsp;if you need to work in a location without power options. Plus, you can use modifiers like&nbsp;<a href=\"https:\/\/www.adorama.com\/semr7.html\" target=\"_blank\" rel=\"noreferrer noopener\">reflector dishes<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.adorama.com\/ph82723.html\" target=\"_blank\" rel=\"noreferrer noopener\">soft-boxes<\/a>&nbsp;to create different looks if you want to experiment. <\/p>\n\n\n\n<p><strong>Special note<\/strong>: Always make sure you use a&nbsp;<a href=\"https:\/\/www.adorama.com\/fpls9k1.html\" target=\"_blank\" rel=\"noreferrer noopener\">sturdy stand<\/a>&nbsp;to mount the lights. If you want to be extra safe, you can even add weights or <a href=\"https:\/\/www.adorama.com\/fpsbeb35.html\" target=\"_blank\" rel=\"noreferrer noopener\">sandbags<\/a> make sure the stands are secure.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 3: Start with a Single Light<\/strong><\/h3>\n\n\n\n<p>My standard approach is to start out with one single light and see how the subject reacts. It\u2019s best to work when the ambient light of the space is minimal. If that\u2019s not an option, you can still get great results during the day by bringing the LED lights up to 100% to create a greater difference in exposure between the subject and the background. Notice how the light in this riding arena is still much darker than the light on the face of the horse illuminated by the LED.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.34.29.jpg\" alt=\"\" class=\"wp-image-81345\" width=\"838\" height=\"470\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.34.29.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.34.29-300x168.jpg 300w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246-2.jpg\" alt=\"\" class=\"wp-image-81346\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246-2.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246-2-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<p>When using a single light, you can position the subject and the light in creative ways to create more dynamic contrast on the subject. You should limit the amount of light that spills onto the background. Using&nbsp;<a href=\"https:\/\/www.adorama.com\/semr7.html\" target=\"_blank\" rel=\"noreferrer noopener\">modifiers<\/a>&nbsp;that direct the light are very helpful because they preven leak onto the backdrop.<\/p>\n\n\n\n<p>With a single light, you can create dynamic portraits that focus on single elements of the subject. Place the light in various positions and change the distance and intensity to get different effects. A single light allows you to zone in on a characteristic \u2014 such as their fur, hair, and the power in their shoulders.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02182-1024x576.jpg\" alt=\"\" class=\"wp-image-81347\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02182-1024x576.jpg 1024w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02182-300x169.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02182-825x465.jpg 825w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02182.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 4: Big Open Spaces<\/strong><\/h3>\n\n\n\n<p>One solution to light spillover onto the background would be to work in a very large space where the background is very far from the subject. This will also allow you to also get creative if you want to incorporate movement into the photographs.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"554\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-17.32.39.jpg\" alt=\"\" class=\"wp-image-81348\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-17.32.39.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-17.32.39-300x166.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"563\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02694-Edit.jpg\" alt=\"\" class=\"wp-image-81349\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02694-Edit.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02694-Edit-300x169.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02694-Edit-825x465.jpg 825w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 5: Use Two Lights and Experiment<\/strong><\/h3>\n\n\n\n<p>With one light, you\u2019ll be able to create silhouettes, rim lighting, and expose the subject from a single side. If you want to bring a bit more detail into the subject, two lights are key. By placing the subject close to one light and using another light to fill in the shadows, you can expose the subject and get a more dynamic feel. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.37.55.jpg\" alt=\"\" class=\"wp-image-81350\" width=\"838\" height=\"467\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.37.55.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.37.55-300x167.jpg 300w\" sizes=\"auto, (max-width: 838px) 100vw, 838px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01250-Edit-683x1024.jpg\" alt=\"\" class=\"wp-image-81351\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01250-Edit-683x1024.jpg 683w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01250-Edit-200x300.jpg 200w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01250-Edit.jpg 1000w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 6: Experiment with Lenses<\/strong><\/h3>\n\n\n\n<p>Depending on the size and proportions of your subject, different focal lengths will result in different looks. I\u2019ve found \u2014 for horses specifically \u2014 using a wide-angle lens like the&nbsp;<a href=\"https:\/\/www.adorama.com\/iso2018g.html\" target=\"_blank\" rel=\"noreferrer noopener\">Sony 20mm F1.8<\/a>&nbsp;results in a very skinny and tall-stretched face. This isn\u2019t flattering to me. Instead, I step back a bit and use a&nbsp;<a href=\"https:\/\/www.adorama.com\/iso70200gm2.html\" target=\"_blank\" rel=\"noreferrer noopener\">70-200 F2.8 GM OSS II&nbsp;lens<\/a>. I find that \u2014 for the Icelandic horse \u2014 70mm is really ideal.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01211-1.jpg\" alt=\"\" class=\"wp-image-81354\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01211-1.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01211-1-300x300.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01211-1-150x150.jpg 150w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01211-1-256x256.jpg 256w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<p><strong>20mm:<\/strong> Shoulders and torso shrunken. Frail looking and warped. Face elongated and disproportionate.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"1000\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246.jpg\" alt=\"\" class=\"wp-image-81355\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246-300x300.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246-150x150.jpg 150w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC00246-256x256.jpg 256w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<p><strong>70mm<\/strong>: Shoulders and beck appear more connected, broad, and powerful. Face is wider and more proportional.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 7: Use Animal Eye-Autofocus<\/strong><\/h3>\n\n\n\n<p>On the Sony camera bodies, like the&nbsp;<a href=\"https:\/\/www.adorama.com\/isoa1.html\" target=\"_blank\" rel=\"noreferrer noopener\">Alpha 1<\/a>&nbsp;and&nbsp;<a href=\"https:\/\/www.adorama.com\/isoa7m4.html\" target=\"_blank\" rel=\"noreferrer noopener\">Alpha a7IV<\/a>, you can enable animal eye autofocus. I\u2019ve found this to be a total game-changer for my workflow. I can focus my attention more on the subject and their body posture, the lighting, and the other elements of the portrait, rather than on focus points around. Personally, I\u2019ve been using the \u201cwide\u201d focus area and letting the camera catch the eye.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 8: Custom Buttons<\/strong><\/h3>\n\n\n\n<p>I\u2019ve found that keeping the autofocus on continuous mode and <a href=\"https:\/\/www.adorama.com\/alc\/back-button-focus\/\" target=\"_blank\" rel=\"noreferrer noopener\">setting up back-button focus<\/a> can be very useful as well. By decoupling the focus from the shutter button and setting the focus for a custom button, you\u2019ll find it much easier to concentrate on the composition.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 9: Be at Eye Level<\/strong><\/h3>\n\n\n\n<p>One of the most significant and simple improvements that you can make to any portrait is to modify your height relative to the subject&#8217;s eyes. If you\u2019re taller than the eye-line of the subject, then you\u2019ll be shooting down onto them. Anyone viewing the portrait will subconsciously associate dominance, because of the vantage point. <\/p>\n\n\n\n<p>However, if you lower your camera relative to the subject and meet them eye-to-eye, the result will be a much more intimate portrait that feels mutually connective. Even being a little bit lower than the subject can result in a sense of honor. Plus, the interesting angles from below generally flatter the facial structure of horses \u2014 at least in my opinion. &nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"562\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.45.26.jpg\" alt=\"\" class=\"wp-image-81357\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.45.26.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.45.26-300x169.jpg 300w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/Screenshot-2022-02-20-at-15.45.26-825x465.jpg 825w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01728-Edit.jpg\" alt=\"\" class=\"wp-image-81356\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01728-Edit.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC01728-Edit-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd. <\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Outdoor Approach<\/strong> for Horse Portraits<\/h2>\n\n\n\n<p>The story of the Icelandic horse is deeply tied to the Icelandic landscape. The climate of Iceland \u2014 harsh winters, rugged terrain, and intense weather \u2014 demanded the strongest horses. This shaped the Icelandic horse in many ways. In order to capture their essence in the landscape, we need to see them move.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 1: Capture Motion &#8211; Be Stationary<\/strong><\/h3>\n\n\n\n<p>Get the horses moving. Work with trainers who know how to work with the horses and come up with a plan to capture them in motion. For the Icelandic horse, I worked with the trainers for two methods: <\/p>\n\n\n\n<p>In the first method, I was stationary on the ground and the horse would react to clicking noises and cues made by the trainer. This would encourage the horse to run and show off its power. For this method, I combined many of the tips from the indoor portraits. I kept physically low, and used continuous animal-eye autofocus and my Sony 70-200mmm lens.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 2: Really \u2014 Get Low&nbsp;<\/strong><\/h3>\n\n\n\n<p>Blur the foreground by using a low aperture number (like f2.8) and incorporate one-third foreground out of focus and blurry. Be careful not to cut off too much of the subject&#8217;s feet. Using the swivel screen on Sony mirrorless cameras, you can basically be resting the camera on the ground. The blurry foreground really helps to isolate the subject and make them appear powerful and prominent within the frame.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC03383.jpg\" alt=\"\" class=\"wp-image-81358\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC03383.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC03383-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Taken by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 3: Use High-Speed Mode<\/strong><\/h3>\n\n\n\n<p>On the <a href=\"https:\/\/www.adorama.com\/isoa1.html\" target=\"_blank\" rel=\"noreferrer noopener\">Sony Alpha 1<\/a>, there\u2019s the ability to capture up to 30 frames per second in burst mode with the CF Xpress Type A memory cards (<a href=\"https:\/\/www.adorama.com\/soceag80t.html\" target=\"_blank\" rel=\"noreferrer noopener\">80GB<\/a> or <a href=\"https:\/\/www.adorama.com\/pgrcfxa16gp2.html\" target=\"_blank\" rel=\"noreferrer noopener\">2x 160GB<\/a>) Because horses move so quickly, it\u2019s important to freeze the pinnacle of their movement. When I was reviewing the initial images with the horse trainers, they pointed out specific positions of the legs that they deemed more beautiful. The perfect stride \u2014 they called it \u2014 for the horse. When the horse is in perfect stride, its entire being is connected to that moment and you can see that its entire body and muscles are working in harmony.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04162.jpg\" alt=\"\" class=\"wp-image-81359\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04162.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04162-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<p>In high-speed burst mode, it\u2019s much easier to select these moments after the fact rather than trying to anticipate and press the shutter at the climax. Although, this approach isn\u2019t just limited to cameras with super high speed burst mode. Most of the Sony mirrorless line have high frame rates that allow you to capture multiple frames per second, increasing your chances of capturing the desired posture and motion of your subject. &nbsp;<\/p>\n\n\n\n<p>However, it should be noted that this is not a solution to truly training your intuition to anticipate any compositional movements that would be aesthetically pleasing. Sometimes, studying photos of horses before going to shoot them can give you better awareness of what body postures are more appealing. Don\u2019t rely on high-speed burst but use it as a tool to help you accomplish what might be a former limitation of the equipment.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 4: Telephoto Zoom vs. Fixed Focal<\/strong><\/h3>\n\n\n\n<p>From my experience, the best approach for horse portraits is to use a tele-photo zoom \u2014 like the&nbsp;<a href=\"https:\/\/www.adorama.com\/iso70200gm2.html\" target=\"_blank\" rel=\"noreferrer noopener\">70-200 F2.8 GM OSS II&nbsp;<\/a>or even the Sony&nbsp;<a href=\"https:\/\/www.adorama.com\/iso200600e.html\" target=\"_blank\" rel=\"noreferrer noopener\">200-600mm F5.6-6.3 G OSS<\/a>. If the subject is constantly changing its distance from you, then you could have a much easier time reframing and creating a composition. When the horse is at a maximum distance, start out at the maximum focal length \u2014 or even the minimal \u2014 to create both a close-up at a far distance, or a larger more environmental portrait. As the horse approaches, you can quickly change the focal length to the desired composition.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04137.jpg\" alt=\"\" class=\"wp-image-81360\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04137.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04137-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04148.jpg\" alt=\"\" class=\"wp-image-81361\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04148.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04148-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 5: The Perfect Stride isn\u2019t Always the Perfect Portrait<\/strong><\/h3>\n\n\n\n<p>Of course, this doesn\u2019t mean you can&#8217;t appreciate the photos where the horse is not in perfect sync . I also look for moments of emotion, momentum, or power in the movement. You can also look for other compositional elements that showcase the horse\u2019s other features \u2014 like its hair, body, strong shoulders and neck.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04202.jpg\" alt=\"\" class=\"wp-image-81362\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04202.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC04202-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Tip 6: Capture Motion \u2013 Move with the Horse<\/strong><\/h3>\n\n\n\n<p>Horses move quickly. If you\u2019re stationary, you can expect to capture their motion from a limited perspective. If you can move with the horse, we\u2019ll be able to expand your range of visuals. <\/p>\n\n\n\n<p>For this approach, I was directed by the trainers at&nbsp;Kjarr Horses&nbsp;to join them in a daily routine of exercising the horses using two vehicles. There is one at the front to lead the horses, and one at the back to follow. The front vehicle just happened to have a back door that opened up and a sitting area, where I could position myself to photograph the horses as they ran toward the vehicle and down the road.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02391-Edit.jpg\" alt=\"\" class=\"wp-image-81363\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02391-Edit.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02391-Edit-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<p>Of course, there\u2019s many ways to do this. I wouldn\u2019t necessarily recommend doing exactly what I did, for safety reasons. For example, you could ride in the front seat and when there is a turn in the road, shoot and aim backward towards the subject.<\/p>\n\n\n\n<p>The advantage of taking this position and moving with the horses is that I could create a much broader range of portraits with different backgrounds, showing the horses as they truly moved through the landscape. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"667\" src=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02465-Edit.jpg\" alt=\"\" class=\"wp-image-81365\" srcset=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02465-Edit.jpg 1000w, https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02465-Edit-300x200.jpg 300w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption>Photo by Donal Boyd.<\/figcaption><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion<\/h2>\n\n\n\n<p>No matter your approach to taking horse portraits, what\u2019s important is that you take into consideration the people who know the subject well, create a comfortable environment, and get creative with lighting to help tell a story. When you combine all of these elements \u2014 plus the right gear \u2014 you can create intimate and expressive portraits.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So, you\u2019re a horse lover? Me too! Each horse has its own special characteristics, charm, and history that makes it unique. But how do you actually capture the essence of a particular horse in a portrait? In this article, I\u2019ll go through several of my own approaches for capturing horse portraits \u2014 both for indoor [&hellip;]<\/p>\n","protected":false},"author":11111166,"featured_media":81366,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17770,17780],"tags":[18047,11570,2064,8704,276],"class_list":["post-81098","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-photography","category-photography-tips","tag-horses","tag-iceland","tag-portrait-photography-2064","tag-portraits","tag-sony-276"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How to Capture Horse Portraits - Adorama<\/title>\n<meta name=\"description\" content=\"Photographer Donal Boyd shares his tips for photographing horse portraits \u2014 using his recent photoshoot in Iceland as an example.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.adorama.com\/alc\/capture-horse-portraits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to Capture Horse Portraits - Adorama\" \/>\n<meta property=\"og:description\" content=\"Photographer Donal Boyd shares his tips for photographing horse portraits \u2014 using his recent photoshoot in Iceland as an example.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.adorama.com\/alc\/capture-horse-portraits\/\" \/>\n<meta property=\"og:site_name\" content=\"Adorama\" \/>\n<meta property=\"article:publisher\" content=\"http:\/\/www.facebook.com\/adorama\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-10T16:55:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-03-10T19:40:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.adorama.com\/alc\/wp-content\/uploads\/2022\/03\/DSC02176-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"676\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Gabby Robles\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@adorama\" \/>\n<meta name=\"twitter:site\" content=\"@adorama\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gabby Robles\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"15 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/capture-horse-portraits\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/capture-horse-portraits\\\/\"},\"author\":{\"name\":\"Gabby Robles\",\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/#\\\/schema\\\/person\\\/0a677a3790e13c95724f16fc7cae3f0f\"},\"headline\":\"How to Capture Horse Portraits\",\"datePublished\":\"2022-03-10T16:55:29+00:00\",\"dateModified\":\"2022-03-10T19:40:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/capture-horse-portraits\\\/\"},\"wordCount\":2354,\"publisher\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/capture-horse-portraits\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/wp-content\\\/uploads\\\/2022\\\/03\\\/DSC02176-1.jpg\",\"keywords\":[\"horses\",\"iceland\",\"portrait photography\",\"portraits\",\"Sony\"],\"articleSection\":[\"Photography\",\"Photography Tips\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/capture-horse-portraits\\\/\",\"url\":\"https:\\\/\\\/www.adorama.com\\\/alc\\\/capture-horse-portraits\\\/\",\"name\":\"How to Capture Horse Portraits - 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