{"id":8642,"date":"2016-01-20T11:06:03","date_gmt":"2016-01-20T11:06:03","guid":{"rendered":"http:\/\/dev.wordpress\/?p=8642"},"modified":"2016-06-08T10:34:28","modified_gmt":"2016-06-08T14:34:28","slug":"the-revenant-the-making-of-a-bear-attack","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/the-revenant-the-making-of-a-bear-attack\/","title":{"rendered":"The Revenant: The Making of a Bear Attack"},"content":{"rendered":"

\"\"<\/p>\n

A lot of attention has been focused on the Leonard DiCaprio starring, Alejandro G. Inarritu directed \u201cThe Revenant.\u201d Adorama even recently posted an \u201c8 Most Shocking Facts\u201d<\/a>on the film. Already critically acclaimed and boasting twelve Academy Award nominations, including one for the Best Picture category, \u201cThe Revenant\u201d is as much of a technical achievement as it is a visually stunning movie. Not least of all does it feature a fair share of jaw dropping moments, the most notorious of which involves the main protagonist\u2019s fight with a bear.<\/p>\n

Production challenges, including extreme climate conditions and budget overruns notwithstanding, Inarritu was steadfast in his determination to make the audience feel the desperate POV of DiCaprio\u2019s Hugh Glass. Glass was a real life trapper and explorer who did, in fact, get attacked by a bear and trekked for many miles without food and shelter while seeking retribution for his abandonment at the hands of an expedition team. The story is the stuff of myth, so it is no surprise that it has been adapted into not one but two movies and a novel written by Michael Punke.<\/p>\n

But what about that bear? If you\u2019ve seen the movie, Glass finds himself set upon by a ferocious mammal defending her cubs. And the entire sequence (like most scenes in the movie) is done in one take. So it begs the question as to how did they achieve that effect? It might be the most nerve-rattling moment in \u201cThe Revenant.\u201d While the filmmakers were initially coy as to how this came about, it turns out that Inarritu did a lot of research; he was mostly interested in just what motivates such an attack. He read books, consulted with bear experts, even sat down with \u201cGrizzly Man\u201d director Werner Herzog, thus helping to shape the way Inarritu approached the scene.<\/p>\n

(\u201cGrizzly Man\u201d is a 2005 documentary focusing on the tragic death of Timothy Treadwell and his girlfriend Amie Huguenard. Treadwell was an eccentric \u201cbear enthusiast\u201d who spent five years camping in Katmai National Park. The film is notorious for featuring video footage shot by Treadwell including a recording of the fatal attack. Herzog opts to not have this appear in the film, however. Instead, we observe his horrified expression as he listens to it on camera.)<\/p>\n

Cinematographer Emanuel Lubezki devised his own way for prepping this scene. In an interview published by Variety<\/a>, Lubezki states, \u201cObviously there is no book or instruction manual to tell you how to do a bear attack. Most of the animal attacks that you\u2019ve seen in other movies have multiple cuts and that\u2019s because they are using puppets or pieces of an animal or stuff like that and they feel very stylized.\u201d So Lubezki went to the internet, particularly YouTube, and watched a viral video of a man falling into a zoo pit. \u201cYou could feel the randomness of life and the randomness of this attack,\u201d Says Lubezki. \u201cAnd obviously if you\u2019re not a bear expert, it\u2019s very hard to understand the behavior of the bear. It\u2019s definitely hard to predict, which makes it even more terrifying, and the tempo of the attack is very strange. It feels random.\u201d<\/p>\n

Not that the shoot itself was random. A lot of pre-planning and rehearsal went into the making of this scene. Not to mention the time and patience involved in finding the right location to allow the one-take effect to flow easily.<\/p>\n

Jack Fisk, set designer for \u201cThe Revenant,\u201d said that the bear itself was fully computer generated because modern day counterparts are \u201call so fat. The trained bears in captivity that you see on TV shows, they don\u2019t look like a wild grizzly bear from the 1800s.\u201d According to Business Insider<\/a>, DiCaprio trained with the stunt department for months until they were ready to shoot in British Columbia. Fisk then dressed the set with rubber trees so DiCaprio wouldn\u2019t get harmed when he was smashed into them. Cables were attached to the actor as the stunt team swung him around. Although they adhered to the necessary safety precautions, shooting this scene was not without its own risks. Lubezki confirms, \u201cIt\u2019s absolutely incredible what Leo goes through to make this shot. We could not do many takes. I think it was probably two takes because you cannot put Leo through that. It\u2019s just like putting somebody in a washing machine at full speed or something like that.\u201d<\/p>\n

\"\"<\/p>\n

ILM was hired to render the complex bear animation. VFX supervisor Richard McBride met with Scott McMillion, author of \u201cMark of the Grizzly,\u201d to learn about all of the potential behaviors and scenarios that could happen in a setting similar to that featured in \u201cThe Revenant.\u201d In an article on Indiewire<\/a>, McBride mentions how they hired a stunt man to act as the grizzly, to have him pull and tug at DiCaprio while \u201ckeeping him at a distance where there would be a little less paint work in getting him in and out of the scene and having our bear on top of him.\u201d This visual reference helped the animators at ILM to achieve a realistic but not too digital looking creation. The attention to detail was considerable. Not only did it have to move like a real bear, it had to look like a real bear. So a lot of consideration went into how wet it should appear, whether it would react to random, natural elements like flashes of light, even the accuracy of the color of blood in a wound.<\/p>\n

Ultimately, the bear attack scene in \u201cThe Revenant\u201d was a collaborative effort between the director, the D.P., the lead actor, the set designer, the stunt team and the visual effects experts at ILM. It\u2019s amazing that with all these chefs working in the kitchen, the sequence wound up being as effective as it is. So much so that it undoubtedly aided in earning \u201cThe Revenant\u201d its Oscar nominations.<\/p>\n

Here is a behind the scenes featurette on the makeup design in “The Revenant.”<\/p>\n","protected":false},"excerpt":{"rendered":"

Best Picture Oscar nominee “The Revenant” may have the most realistic bear attack sequence caught on film. Here’s how they did it.<\/p>\n","protected":false},"author":178,"featured_media":18517,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[17773,4,17770,3,5],"tags":[],"class_list":["post-8642","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-camera-reviews-photography","category-photo","category-photography","category-trending","category-video"],"acf":[],"yoast_head":"\nThe Revenant: The Making of a Bear Attack | Expert photography blogs, tip, techniques, camera reviews - Adorama Learning Center<\/title>\n<meta name=\"description\" content=\"Best Picture Oscar nominee "The Revenant" may have the most realistic bear attack sequence caught on film. 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