{"id":97386,"date":"2023-09-29T10:00:00","date_gmt":"2023-09-29T14:00:00","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=97386"},"modified":"2023-09-20T15:15:07","modified_gmt":"2023-09-20T19:15:07","slug":"streaming-episodic-series","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/streaming-episodic-series\/","title":{"rendered":"How to Produce a Streaming Episodic Series, with Indie Filmmaker Angeline Walsh"},"content":{"rendered":"\n

When fictional medical student James Rigby knocks on the door of peculiar town coroner Oliver Cross, he has no idea of the mystery, adventure, and hilarity in store. The same could be said for the writer and director of this streaming series, The Coroner\u2019s Assistant<\/a>.<\/p>\n\n\n\n

Angeline Walsh<\/a>, an indie filmmaker, writer, and director from Cleveland, Ohio, penned this Victorian London narrative straight out of her film studies program. She had no idea just where it could lead\u2014or that the show would end up nominated for two The Hollywood Critics Association\u2019s 2023 TV awards, right alongside household names like \u201cThe Bear\u201d and \u201cOnly Murders in the Building.\u201d It\u2019s the only indie series to be nominated this year.<\/p>\n\n\n\n

\"\"
Headshot of Angeline Walsh<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

\u201cWhen I saw my name in the Best Writing in a Streaming Comedy Series \u2014 next to all these writers I know and respect \u2014 it was so humbling,\u201d she said. <\/p>\n\n\n\n

It was also proof that she was on the right track. Entertainment, as we know it, is changing rapidly\u2014something the Hollywood writer\u2019s strike makes clear. Walsh predicts the future of film will include a lot more independents, like her.<\/p>\n\n\n\n

\u201cTraditional TV as we know it is dead,\u201d she said. \u201cThat\u2019s something a lot of people have known for a while. Cable primetime TV is not really a thing anymore, and that\u2019s hard for people who\u2019ve worked in the industry for a long time to accept. The good thing is, it evolves into something else, into something different. We have more options.\u201d<\/p>\n\n\n\n

Walsh introduced “The Coroner\u2019s Assistant,” a four-part streaming series, via YouTube<\/a> in 2023. The project took half a decade of work with a full set and female-led Ohio-based team. This includes Costume Designer Aimee Morgan (who\u2019s also up for The Hollywood Critics Association\u2019s 2023 TV awards for Best Period Costumes) to Director of Photography Dagna Griffin and Executive Producer Giorgiana Lascu.<\/p>\n\n\n\n

I sat down with Walsh to learn how she got started as an indie filmmaker<\/a>, how she took her series from idea to completion, and what she learned about directing\u2014and the industry\u2014along the way.<\/p>\n\n\n\n

\n

I was always writing stories. I would write little plays and force my brother and cousins to perform.<\/p>\n<\/blockquote>\n\n\n\n

From Actor to Director<\/strong><\/h2>\n\n\n\n

Growing up, Walsh always felt called to the world of filmmaking\u2014first as a writer, then as an actor. <\/p>\n\n\n\n

\u201cI was always writing stories,\u201d she said. \u201cI would write little plays and force my brother and cousins to perform.\u201d<\/p>\n\n\n\n

Eventually, she decided acting was her best bet. She snagged the female lead for her grade school\u2019s play. Then, she had a eureka moment. \u201cAfter the auditions were over, my teachers were like, \u2018all right, now we get to choose the director,\u2019\u201d she recalls. \u201cThe director is the person who puts all the creative things together and sees the big picture\u2014I didn\u2019t know that was a thing. I got so jealous.\u201d<\/p>\n\n\n\n

From that point on, she dreamed of a life spent writing and directing. Her time studying film via at Cuyahoga Community College in Ohio only solidified this, as did the early years working on her first films, like A Murder Party<\/a>, which was the impetus to “The Coroner\u2019s Assistant.” She wrote the former when she was 17 years old and began working on “The Coroner\u2019s Assistant” in her early 20s.<\/p>\n\n\n

\n
\"\"
Walsh on set. Photo by Katerina Zizis.<\/figcaption><\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

Writing “The Coroner\u2019s Assistant”<\/strong><\/h2>\n\n\n\n

The idea for “The Coroner\u2019s Assistant” came from a character in “A Murder Party.” <\/p>\n\n\n\n

\u201cOne of the leads in the movie was a character that didn\u2019t have a name in the script. He was just the coroner\u2019s assistant,\u201d she said. He was played by Cedric Gegel, an actor from Columbus, Ohio. <\/p>\n\n\n\n

\u201cI really liked that character, and I wanted to do more with him, so I was thinking, \u2018What if I made a backstory about the character?\u2019\u201d she said. <\/p>\n\n\n\n

Like many writers, her path from concept to script wasn\u2019t straightforward. \u201cThe way I write is very chaotic,\u201d she said. \u201cI don\u2019t outline. I just start writing. For this, I started writing the very first scene in episode one and realized: this is not a short film. All these scenarios were coming to me and I knew it needed to be episodic.\u201d<\/p>\n\n\n\n

The idea spiraled. Walsh ended up hiring a crew\u2014paid for both through crowdfunding and her own coffee shop job\u2014and spent over five years fitting all the pieces together. Much of that was location scouting and back-end preparation. They began filming in April 2018 and finished in early 2023. <\/p>\n\n\n\n

\u201cIt took a long time, but that\u2019s what happens when you\u2019re on a shoestring budget,\u201d she said.<\/p>\n\n\n\n

Opting for the Episodic Format<\/strong><\/h2>\n\n\n\n

In Walsh\u2019s mind, “The Coroner\u2019s Assistant” was always episodic in nature. She stuck to her guns when anyone told her differently. <\/p>\n\n\n\n

\u201cWe had a distributor who was interested in working with us but said, \u2018There isn’t enough episodes for us to pitch it to a streaming service as a series, but you could just mash it all together and we could pitch it as a movie,\u2019\u201d Walsh explained. \u201cTo me, that just didn’t feel right.\u201d<\/p>\n\n\n\n

Instead, she followed her vision with the four-part episodic. \u201cWe made it unconventionally and didn\u2019t follow all the [air quote] rules,\u201d she said. Instead, she and the crew decided to stream it on YouTube. <\/p>\n\n\n\n

For her team, YouTube made sense, especially because there are limited options for scripted series distribution. YouTube is public, it\u2019s free, and anyone can access it. <\/p>\n\n\n\n

\u201cTo me, that was the best way to stick it to “the man.” I\u2019m not going to change my work just to fit some outdated model that\u2019s crumbling,” Walsh said.<\/p>\n\n\n\n

\n

\u201cIf my work is going to influence people\u2019s lives or bring them joy, that\u2019s what matters.\u201d<\/p>\n<\/blockquote>\n\n\n\n

A Bright Indie-Film Future?<\/strong><\/h2>\n\n\n\n

Much of the entertainment industry is in flux. Although, Walsh explained that, in her opinion, it\u2019s a good time to be an indie filmmaker. <\/p>\n\n\n\n

\u201cMore and more, indie film is becoming ironically mainstream. Its reclaiming film as a highly collaborative process where everyone on set has a role that\u2019s important,\u201d she said. \u201cIn early film, when people were making movies, it was all experimental. It was all independent. There were no set rules\u2014 pretty much everyone was a director.\u201d<\/p>\n\n\n\n

That\u2019s how she likes her set to flow, too. <\/p>\n\n\n\n

\u201cOne of the things that makes someone a good director is being able to delegate properly. You should know your limits and recognize the strengths of people around you\u2014and trust them,\u201d she said. \u201cFor example, my cinematographer knows what she\u2019s doing. When she films something in a way we haven\u2019t discussed, I trust her. And when I look at the image later, I know she\u2019s right.\u201d<\/p>\n\n\n\n

\"\"
Walsh on set. Photo by Giorgiana Lascu.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n\n\n\n

To Walsh, it\u2019s about being a leader but also letting the creative process happen. She\u2019s finding success by tuning into her intuition and close community, and avoiding the inevitable naysayers. <\/p>\n\n\n\n

\u201cI\u2019m going to find people who respect me and my work and want to help me make things. I\u2019m not going to worry about spending years trying to change my work to suit the opinions of someone who only cares about my work if it\u2019s going to make them money,\u201d she said. \u201cIf my work is going to influence people\u2019s lives or bring them joy, that\u2019s what matters.\u201d<\/p>\n\n\n\n

Blazing her own trail has helped her realize she doesn\u2019t have to endure the obstacles associated with moving to Hollywood. <\/p>\n\n\n\n

\u201cTo me, as a writer, I don\u2019t feel the need to relocate to make my career work. I can write from anywhere, especially with online streaming, the Internet, TikTok, and YouTube,\u201d Walsh said.<\/p>\n\n\n\n

From Indie Filmmaker to Industry-Wide Recognition<\/strong><\/h2>\n\n\n\n

While following your intuition\u2014and shirking mainstream expectations\u2014can be daunting, Walsh\u2019s story proves that it can, and does, work. She applied for The Hollywood Critics Association\u2019s TV Awards on a whim and had zero expectation she\u2019d ever hear back. The response was exactly the kind of pat on the back she needed. <\/p>\n\n\n\n

\u201cI was so grateful that the Hollywood Critics Association saw me as someone who\u2019s worthy of being listed,\u201d she said. \u201cThis is the difference that can make or break someone\u2019s career. All you need is one person to recognize your talent or your work.\u201d<\/p>\n\n\n\n

And, the lesson in all of this: go after the big project, the lofty award, or the dream film festival<\/a>. <\/p>\n\n\n\n

\u201cThis nomination blew my mind because someone actually cared enough to say, \u2018I\u2019m going to give this person a chance,\u2019\u201d Walsh said. \u201cThat means the world to me.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

When fictional medical student James Rigby knocks on the door of peculiar town coroner Oliver Cross, he has no idea of the mystery, adventure, and hilarity in store. The same could be said for the writer and director of this streaming series, The Coroner\u2019s Assistant. Angeline Walsh, an indie filmmaker, writer, and director from Cleveland, Ohio, […]<\/p>\n","protected":false},"author":11111166,"featured_media":97405,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,17823],"tags":[13374,11094,18326,12847],"class_list":["post-97386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-video","category-videography","tag-film-festivals","tag-filmmaking","tag-indie-filmmaking","tag-youtube"],"acf":[],"yoast_head":"\nHow to Produce a Streaming Episodic Series, with Indie Filmmaker Angeline Walsh<\/title>\n<meta name=\"description\" content=\"Angeline Walsh, an indie filmmaker from Cleveland, Ohio, penned this episodic streaming series right from her film studies program.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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