{"id":97900,"date":"2023-10-13T10:00:00","date_gmt":"2023-10-13T14:00:00","guid":{"rendered":"https:\/\/www.adorama.com\/alc\/?p=97900"},"modified":"2025-03-20T12:03:51","modified_gmt":"2025-03-20T16:03:51","slug":"whats-in-my-bag-through-the-lens-sal-dalia","status":"publish","type":"post","link":"https:\/\/www.adorama.com\/alc\/whats-in-my-bag-through-the-lens-sal-dalia\/","title":{"rendered":"What\u2019s in My Bag: Behind the Scenes with TTL Producer Sal D\u2019Alia"},"content":{"rendered":"\n

For producer Sal D\u2019Alia, a piece of camera equipment needs to meet a range of requirements to make it into his gear bag. At a minimum, an item must be capable of producing high-quality video and audio. But it must also be durable and adaptable, given that much of D\u2019Alia\u2019s work has taken him across continents. <\/p>\n\n\n\n

One such project is Adorama\u2019s web docu-series \u201cThrough the Lens\u201d (TTL), which D\u2019Alia ideated and produced. TTL looks at the evolving aesthetic of photography as seen through this generation\u2019s creator class. In each episode, D\u2019Alia delves deep into the lives, craft, and unique styles of talented artists who are shaping the future of visual storytelling. Now, coming into its 8th<\/sup> season, TLL has spotlighted artists from countries including Nigeria, Italy, Japan, Cuba and many more. <\/p>\n\n\n\n

D\u2019Alia shared with 42West the gear that he used to produce the most recent season of TTL: \u201cThrough the Lens: Into the Future.\u201d Read below to learn why he chose each piece of gear:  <\/p>\n\n\n\n

Sony Alpha a7S III Mirrorless Digital Camera Body<\/a><\/strong><\/h3>\n\n\n\n
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\u201cThe a7S III works impressively well in low-light capabilities. It has a large full-frame sensor and advanced noise reduction, allowing you to capture high-quality footage in challenging lighting conditions. Oftentimes, I\u2019m filming in unfamiliar locations and I don\u2019t always have control over the light quality, so this is essential. <\/p>\n\n\n\n

The camera can record 4K video at up to 120fps, giving tremendous flexibility in capturing cinematic footage. Plus, the support of 10-bit 4:2:2 color depth provides color accuracy: given that we are often showcasing artist\u2019s work, accurate color depiction is non-negotiable.\u201d<\/p>\n\n\n\n

Sony Distagon T* FE 35mm f\/1.4 ZA Lens for Sony E<\/a><\/strong><\/h3>\n\n\n\n
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\u201cWhen paired with the Sony a7S III, this lens offers excellent low-light performance thanks to the f\/1.4 aperture. It\u2019s also helpful in capturing a shallow depth of field when I want to focus on a subject during an interview.\u201d<\/p>\n\n\n\n

Leica 50mm f\/1.4 Summilux-M ASPH Lens<\/a><\/strong><\/h3>\n\n\n\n
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\u201cFor a different perspective and effect, I carry the Leica 50mm f\/1.4 Summilux-M ASPH Lens. The 50mm focal length offers a narrower field of view, ideal for focusing on specific subjects or capturing finer details within the frame, providing a human-eye-like perspective\u2014a signature look for his docu-series. This lens is probably my all-time favorite, exceptional quality in a tiny and lightweight body\u201d<\/p>\n\n\n\n

Tiffen 67mm Variable Neutral Density (ND) Filter<\/a><\/strong><\/h3>\n\n\n\n
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\u201cWhen working with unpredictable lighting conditions, it\u2019s always helpful to have an ND filter on hand. This one by Tiffen allows me to maintain proper exposure and preferred depth of field. It also helped reduce glare, reflections, and overexposure caused by reflective surfaces and objects.\u201d<\/p>\n\n\n\n

DJI Mic 2-Person Compact Digital Wireless Microphone System<\/a><\/strong><\/h3>\n\n\n\n
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\u201cI always opt for a wireless microphone option because it offers the freedom to move around and capture audio from various angles and distances. This was incredibly valuable when making this docu-series as my subjects were, at times, speaking far from the camera. It\u2019s 15 hours of battery life also helped during long shooting days.\u201d<\/p>\n\n\n\n

Peak Design 5-Section Aluminum Travel Tripod<\/a><\/strong><\/h3>\n\n\n\n
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\u201cI chose this tripod because its travel-friendly and highly portable. It’s lightweight and compact when folded, making it easy to transport to various shooting locations, which is essential for documentary work. It also has a fast and easy deployment, which is valuable when you need to capture a quick shot.\u201d<\/p>\n\n\n\n

Nomatic Peter McKinnon 35L Camera Backpack<\/a><\/strong><\/h3>\n\n\n\n
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\u201cIt\u2019s important to me to have a backpack built with videographers in mind. With a 35-liter capacity, this backpack offers plenty of space for your camera gear as well as camera accessories. It also has a convenient side access panel for quick access to my gear and it\u2019s built to last against any weather.\u201d<\/p>\n\n\n\n

Watch TLL Today!<\/strong><\/h2>\n\n\n\n

As a founding member of the Sony Alpha Collective, D\u2019Alia brought along some of the best in Sony\u2019s innovative technology \u2014 along with helpful accessories \u2014 to formulate what you see on screen. <\/p>\n\n\n\n

You can watch the first episode of \u201cThrough the Lens: Into the Future\u201d below and at the AdoramaTV YouTube channel<\/a>. New episodes premiere every other Friday. <\/strong><\/p>\n\n\n

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Through The Lens | S08E1 - GMUNK<\/div><\/div>
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