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Review Summary
2011-09-26T21:00:00
To update my comments on the silicone band issue above: I purposefully dismantled the shock mount to get experience reassembling it. And my experience is that this is a project. If the thing comes apart in the field, you'll be keeping people waiting around a while. If you lose one of the bands, the mic becomes useless.
TOM Q.
2011-09-19T21:00:00
For my Panasonic TM700, started out trying Azden, which is well-made but dated, offering 2 audio improvement adjustments: on & off. Went to Rode VidMic, which has secure shock isolation and decent sound but really meant for static tripod mounting. Too large & wobbly for hand-held cam. Now am trying Vid Mic Pro. It's light and proportionate with the camcorder. Produces decent sound quality, but wonder about the 'tough ABS plastic'. Australian-made, Rode's shock suspension systems also seem the audio equivalent of Mad Max. 4 rubber bands of 2 different sizes wind complexly around the body & shoe mount, and you really need the instructions to get them reattached. When one band comes loose, they all do. We'll see....
TQ
The Rode VideoMic Pro raises the bar set by the original Rode VideoMic, by combining broadcast quality audio with an ultra compact and lightweight ergonomic design.
Incorporating new features specific to high end video, the VMP also evolves many of the features that have made the VideoMic so successful. Noise transference has been significantly reduced using both a revised, more elegant shock mounting system and a lightweight premium cable.