Lomography FishEye Point-n-Shoot 35mm (Black) Camera Kit with Lomo Ringflash

Lomo FishEye Point-n-Shoot 35mm Camera
The fisheye view is the way that lomographers live and see life. Imagine everything above, below, and around you streaming through your eyes and compacting into a nice and compact little ball. Think about your best friend's nose being vacuum-sucked into your lens, all the while their eyes and forehead are s-t-r-e-t-c-h-e-d back. Visualize yourself bowled over by the devastating colors that only fine glass can deliver. The world's first honest-to-God Fisheye camera is here and waiting to swim into your life. Open your heart, stretch out your hands, and grease up your fins.

Lomo Ringflash
Features: Incredible Portrait Lighting:
The Ringflash encircles your camera lens, tossing out a beautifully even light. When you direct it at a friendly human subject, you'll get a glowing and slightly surreal lighting cast, twinkling round "catchlights" in their eyes caused by a reflection of the ring itself, and tracing with a really unique shadow effects (especially when their back it to a wall.

Color Flashing:
Several solid plastic color rings are included with your Ringflash allowing you to unique the awesome "wondertwin" powers of colorsplashing and the Ringflash's perfectly even light. You can also shoot multi-color flash bursts byplacing the included color gel filters over each individual flash element. They slide right in, and are held in place by small slits etched into the plastic.

Compatibility with your Favorite Lomographic Cameras:
Ringflash is pretty much the most gregarious photo accessory ever invented. Which is to say, it's wonderfully compatible with a whole range of our cameras. It includes five custom plastic adapters each of which perfectly anchors your camera to the Fisheye, Fisheye 2, Lomo LC-A, Lomo LC-A+, and Holga (Color Flash or with Hotshoe), Diana.

Off the Hook Firing:
A little cord that attaches your Ringflash to its hotshoe adapter is nothing less than pure, uncut flashing freedom for your compositions. Rather than attaching the flash to the front of your lens, try holding your camera in one hand and your flash in the other. Flash your subject from alternate angles like around the side, over the top, under the mouth, from the left or right, and so on.