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Autumn Leaves: 5 Photography Tips

Autumn Leaves: 5 Photography Tips

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Capture the mood and the color of Fall foliage

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Are you a leaf peeper? Turn your passion into photographic unreality by following these five basic, practical autumn leaf photography tips.


Fall is a great time of year for photographers as autumn leaves turn from summer green into a palatte of warm colors. Here are 5 tips—timeless advice—prepared exclusively for Adorama by veteran professional photographer Allen Rokach, to help you capture the beauty of fall foliage.

 

1. Capture the mood with diffused light

autumn leaves photography tips


In the early morning mist, I could capture the muted tones of the yellow foliage by metering the leaves and shooting with my Hasselblad H1 camera and Hasselblad 150mm f/4 Sonnar T lens (available at Adorama's Hasselblad store) at the metered reading. But I wanted to enhance the color further by massing the group of trees. To do this, I used a moderate telephoto lens, focused on the closest tree and shot at f/11 for extra sharpness.

 

2. Go with backlight for radiant leaves

 

autumn leaves photography tips


It's almost a cliché to use backlight coming through leaves to make them more radiant. But you don’t need bright sun to get the backlight effect. This image of an allee of birch trees at the Stan Hewett Garden in Akron, Ohio was taken on a bright overcast day.

To enhance the sense of light coming through the leaves, I angled my I angled my Hasselblad medium-format film camera slightly upward, and using my 50mm Hasselblad lens from
Adorama's Hasselblad store filled the frame with foliage to obscure the pale sky. Then I metered the leaves and overexposed 3/4-stop to brighten them.

 

 

autumn leaves photography tips

3. Come in on a detail for color

Even a small patch of rich color can save an otherwise dull fall image.


> In this shot, a clump of ferns along the Maine coast was all I had to go with.

To make the image work, I used a Nikon 24mm f/2.8D wide angle lens from the Adorama Nikon store on my Nikon F5 SLR camera (I used film, but you can use the same lens on any full-frame DSLR, or a 16mm lens on a APS DSLR) so I could set the ferns against the distant curve of coastline and still get close enough to make the ferns my focal point and keep them sharp. Slight underexposure from a meter reading on the ferns helped to saturate the color.

 

 

 

 

 

 

 

 

4. Use a Polarizing filter to remove glare from leaves

 

autumn leaves photography tips



On bright sunny days, a polarizing filter is invaluable for removing glare and deepening the blue of the sky. That’s why I turned to my polarizer for this image, taken with a Hasselblad H1 and 80mm lens outside Baltimore, Maryland. Most trees in area were either bare or their leaves had turned an unattractive brown. When I saw this sugar maple, I knew I had hit paydirt.

My polarizing filter turned the cloudless late morning sky a brilliant blue. By cutting the glare off the ground and leaves, it also turned the sugar maple a fiery orange. With my polarizer in place over my Hasselblad H1's Hasselblad 80mm f/2.8 lens, I took general meter reading and shot at that reading.

 

5. Saturate fall colors

 

autumn leaves photography tips



For most fall foliage photography, the name of the game is color saturation. That’s easier said than done on bright overcast days that can make colors appear washed out. To get this shot of a grist mill in West Virginia, I had to use every trick in the book to get the strong colors I wanted in the foliage.

First, using my tripod-mounted Nikon DSLR and Nikon 105mm f/2.8 ED-IF AF-S VR Micro Nikkor lens, available at the Adorama Nikon store, I underexposed by 1/2 to 3/4 stop from a meter reading on the mill. Then I composed the shot tightly to eliminate what would have been an unattractive pale sky. I also composed the shot so the warm foliage colors contrasted nicely against the mill and cataract. Finally, I polarized to eliminate glare from the rocks and leaves. Since I was shooting at f/22 to maximize sharpness, the polarizer also allowed me to use a slow 1/2 second shutter speed to blur the flowing water.

 

Shop at Adorama

 

To view more of Allen Rokach's work, visit AllenRokach.com. Check Workshops@Adorama for opportunities to learn in person with Allen at Adorama's New York City headquarters

 

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Reader Rating and Comments

16 readers rated this article. Average rating: 4.5 stars
 
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0 of 0 people found this comment helpful
 
Thanks for some great tips

I always learn something here on the Adorama site.

by in Richmond, VA on

0 of 0 people found this comment helpful
 
ISO?

Third leg of the triangle - the ISO/ASA. I am assuming that you are shooting manual mode.

by in Granite Bay CA on

3 of 3 people found this comment helpful
 
Don't forget the close-up!

Great tips. Many thanks. Here's my 5. Good for video and stills. 1. Compose a shot that includes several leaves in a cluster. I get good results by finding trees that bear leaves with multiple colours. Shoot between f2 and f4 on a full frame and let the background go really soft. 2. The background is important. I try and combine a well composed "cluster" of leaves and a uniform out-of-focus background - either a deep blue sky or black from an underexposed forest floor or better still, a sea of colour from neighbouring trees. 3. Shadows cast onto the front of leaves from neighbouring leaves when shot backlit show wonderful detail. 4. Shoot leaves that hang from branches over water. The reflection of the sun onto the leaves are stunning. 5. Frame leaves of one colour through a window of leaves of another colour. Please excuse my spelling. I'm English. https://vimeo.com/19719861

by in Germany on

0 of 0 people found this comment helpful
 
Great Timing

Tomorrow I am heading up the Blue Ridge Parkway for the Fall colors and these tip will come in very handy. Thanks

by in Knoxville Tn on

0 of 0 people found this comment helpful
 
West Virginia Grist Mill

jroe6.....that shot is from Babcock State Park in West Virginia. GREAT place for photography! check out www.adamtarsiaimages.com in the "samples" gallery for my HDR rendition

by in Drexel Hill on

1 of 1 people found this comment helpful
 
Excellent "pearls"

Just what I needed as I head for the Poconos. All the tips are usable with both digital and film. Adorama gets the justified credit for presenting this - not necessary to mention the store so many times in the text.

by in Bala Cynwyd, PA on

1 of 1 people found this comment helpful
 
Good job Allen

It never hurts to be reminded of the basics befor you start to shoot. I often write these things down so I don't forget anything in the heat of shooting

by in York, Pa on

9 of 11 people found this comment helpful
 
On 5. Saturate fall colors..

.. I thoroughly understand your settings to achieve the results you got on the photo .. however, may I disagree about your choice of "f/22 to maximize sharpness" comment. F/22 certainly MAXIMIZES 'depth of field', however old school photography states that the lens' maximum SHARPNESS is normally 2 to 3 F/Stops from wide open, which would put most lenses at 4-5.6 to f8, and certainly NOT f22 which causes lens abberations. IMHO

by in Holland, PA on

1 of 2 people found this comment helpful
 
Special Tips (Film Name, Type, etc.?'s)

Super tips for anyone to see and read, however I am left wondering what film name brand, type and ISO, etc? Superb Photos!

by in Illinois on

0 of 0 people found this comment helpful
 
VERY HELPFUL

I can't wait to try some of those tips!!! His pictures were Wonderful. I can't afford that expensive Hoffa lens. Can you recommend a cheaper lens that will do the trick.

by in NY on

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