Get the best value shopping our selection of used gear.
We Pay top dollar for your used photo & video equipment.
6 comments Add comment Read comments Rate this article
Behind The Scenes
By Mark Wallace
May 13, 2010
In this Behind The Scenes video Mark explains why adding a blue gel to a tungsten light warms it up instead of cooling it off. Mark gives a very brief explanation of warm and cool colors.
Color theory, which is demonstrated in this video, can be hard to get, and sometimes you've gotta go old-school to fully explain it. That why Mark Wallace pulls out a marker and a white board in this video.And now, on with the show!
Featured products:
Learn more at the Adorama Learning Center:
Browse products:
$379.00
$19.95
Article
Search for related articles by topic:
Mark Wallace is the host of AdoramaTV videos
Was this article helpful?
Rate this article
Post a comment
SHARE THIS ARTICLE
Reader Rating and Comments
For Steve in Austin, the reason you make your flash green is to match the fluorescent lighting. Then you can cancel out the greenish cast in your camera by adjusting its white balance. If you left your flash alone, it would be too bluish and you'd have two colors lighting your scene. Then your camera couldn't correct for both, and you'd be left with a mess.
by Mike in Boston on June 2, 2010
When using a flash or fill light, This is one of the hardest topic to explain to people, because they don't notice the difference between foreground and background color temperature. They figure it's the camera's fault.
by DeZ5 in Ozone Park, NY on May 23, 2010
Thanks for this followup video but I am confused about balancing fluorescent lighting. I think I read that to balance its' green cast you use a green gel on the flash. Why green when the color cast of fluorescent light is green?
by Steve in Austin, Tx. on May 19, 2010
I agree with Mike of Boston, "keep "warm" and "cool" colors solely for the artistic sense of the word". The color of light is strictly an artistic or psychological term. Light has NO temperature. The 'temperature' referred to is the temperature of the blackbody emitting the light. If I may quote from Wikipedia (http://en.wikipedia.org/wiki/Color_temperature): "Higher color temperatures (5,000 K or more) are called cool colors (blueish white); lower color temperatures (2,700–3,000 K) are called warm colors (yellowish white through red)."
by Paul in Cleveland on May 19, 2010
Mark in his video is trying to use the same terminology for two different concepts regarding color temperature. One concept is more about the psychological "feel" of the color of light. The other is about the scientific concept of the physical temperature and corresponding color of light. Mike in Boston is right. Use different terminology for the two concepts - it's less confusing.
by Paul in Duncan, SC on May 18, 2010
Wouldn't it be less confusing to keep "warm" and "cool" colors solely for the artistic sense of the word? Then warm would always mean more reddish, and cool would always mean more bluish. When referring to color temperature in Kelvin, I always hear people refer to that as "raising" or "lowering" the color temperature, not "warming" or "cooling" the color temperature. Thus 3200K would be a "warm" light, but a "low" color temperature (in K). 6800K would be a "cool" light, and a "high" color temperature. Trying to mix the scientific usage of the word "warm" to refer to a higher number of degrees K is just confusing, and this is the first I've heard of anyone trying to do it. I'd recommend just avoiding the confusing by using different terminology.
by Mike in Boston on May 18, 2010
Get exclusive access to expert tips, special offers and coupons.