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Review Summary
2025-06-25T09:33:23
Camera without strap camera without original charger
Vilmar C.
2024-12-24T04:10:38
This is a vast improvement over my OMD E M1 mark 3. The specialized focusing for birds,animals, and people really does work. Focusing is swift and accurate. The new menu for selecting modes and procedures is very intuitive. I highly recommend this camera.
JAMES R.
2024-09-17T08:12:02
This is the second OM-1 I have ordered here. I order my OM lenses here also. The product, and Adorama obviously met my expectations and more.
ELLEN J.
2024-07-30T10:40:17
Moving from Nikon to Olympus and decided to go with their best camera. So far, it has been great with lots of on-line help and videos to get me started. And wow, it is no light but yet powerful. The subject ID focus works great. I need to decide on a better lens as I got an used 75-300 but want to get a zoom lens. I also have need to learn the other special features of this camera and I expect I will be even more impressed. It will take me a while to get use to the camera as years of having Nikons, my fingers still go where the Nikon buttons would be.
JOHN B.
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Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II)
Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II)
17.4mm x 13mm (Micro Four Thirds)
Micro Four Thirds Mount
4/3 Stacked BSI Live MOS Sensor
Number of effective pixels: Approx. 20.4 million pixels
Total number of pixels: Approx. 22.9 million pixels
4:3
Supersonic Wave Filter (image sensor dust reduction system)
DCF2.0, Exif2.31
JPEG, RAW(12-bit lossless compression), JPEG+RAW
RAW: 5184 x 3888
JPEG: 5184 x 3888 - 1024 x 768
Standard, Auto Switch, Dual Independent, Dual Same
Yes
Built-in 5-axis sensor-shift image stabilization
S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF
Compensation steps (Body only): 8.5
Focal length: 40mm (35mm equivalent: 80mm)
Compensation steps (Sync IS): 8.0
Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High
Yes
11 settings: 10 programmable settings (10 lenses)
Eye-level OLED electronic viewfinder, approx. 5.76M dots
Approx. 100% / Approx. 1.48x[1] - 1.65x[2] (-1m-1, 50mm lens, Infinity)
Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 - +2m-1
Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid
2-axis (horizontal/vertical) level gauge
3 styles
Adaptive brightness technology (EVF Auto Luminance) / +/-7 level manual brightness control / +/-7 level manual color temperature control both GM and BA
Standard/S-OVF
EP-18 (bundled)
3.0" vari-angle monitor (electrostatic capacitance touch panel), Approx.1.62M dots (3:2),
Shutter release, Touch AF (AF area selection, AF area size adjustment), Subject selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Super Control Panel, Wi-Fi connection, Movie controls, Menu control
Swivel type
+/-7 levels / GM +/-7 levels, BA +/-7 levels
High-speed imager AF
Lowest luminance (-5.5 EV) / Highest luminance (19 EV)
Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable)
Single AF (S-AF), Single AF (S-AF+MF), Continuous AF (C-AF), Continuous AF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF (S-AF+MF)
5 steps
Yes
Yes
Yes
3x, 5x, 7x, 10x, 14x
Human, Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats
Yes
Yes
Yes
Yes
Yes
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering, Spot metering with highlight/shadow control
Lowest luminance (-2 EV) / Highest luminance (20 EV)
LOW (approx.80) - 102400
LOW (approx.80, approx.100), 200 - 102400
+/-5 EV (adjustable by 1/3, 1/2 or 1 EV steps)
Yes
Yes
1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite
1/320 - 60 sec
1/32000 - 60 sec
Video recording 1/30 - 1/500.0
Still 1/50.0 - 1/6944
Sequential shooting: Approx. 10 fps with selectable 1-10 fps
Anti-shock sequential shooting: Approx. 10 fps with selectable 1-10 fps
Silent sequential shooting: Approx. 20 fps with selectable 5, 10, 15, 20 fps with blackout
Silent sequential shooting SH1: Approx. 120 fps with selectable 60, 100, 120 fps without blackout
Silent sequential shootingSH2: Approx. 50 fps with selectable 12.5, 16.7, 25, 50, fps without blackout
Pro Capture: Approx. 20 fps with selectable 5, 10, 15, 20 fps
Pro Capture SH1: Approx. 120 fps with selectable 60, 100, 120 fps
Pro Capture SH2: Approx. 50 fps with selectable 12.5, 16.7, 25, 50 fps
M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO
M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II
M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO
M.ZUIKO DIGITAL ED 150-400mm F4.5 TC 1.25x IS PRO
M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO
Sequential shooting 10 fps [RAW]: Until card is full
Sequential shooting 10 fps [JPEG LF]: Until card is full
Silent sequential shooting 20 fps [RAW]: Approx. 405
Silent sequential shooting 20 fps [JPEG LF]: Approx. 993
Silent sequential shooting SH1 120 fps [RAW]: Approx. 213
Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 219
Silent sequential shooting SH2 50 fps [RAW]: Approx. 256
Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 309
TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL)
Fill-in, Flash Off, Slow sync., Manual (1/1 (FULL) - 1/64)
Yes
1st curtain, 2nd curtain selectable
1/250 sec.
+/-3 EV (1/3, 1/2, 1 EV steps selectable)
FL-LM3, FL-900R, STF-8, FL-700WR
FL-900R, FL-700WR (Triggered and controlled by flash) Compatible external flash
FL-LM3, FL-900R, STF-8, FL-700WR
Yes
TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL
4 channels
3 groups (External flash 2 groups + commander flash)
Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting)
+/-7 steps along A-B / G-M axis
sRGB, Adobe RGB
i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters
4 types (Auto, Normal, High Key, Low Key)
Yes
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film
3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable)
3 frames (0.3/0.7/1.0EV steps selectable)
3 frames (A-B/G-M axis)
3 frames (0.3/0.7/1.0EV steps selectable)
i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable
3 to 999 frames (step 1 to 10 selectable)
Yes
M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO
M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO
M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO
M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II
M.ZUIKO DIGITAL ED 12-45mm F4 PRO
M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO
M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO
M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO
M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS
M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO
M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO
M.ZUIKO DIGITAL ED 30mm F3.5 Macro
M.ZUIKO DIGITAL ED 60mm F2.8 Macro
M.ZUIKO DIGITAL ED 90mm F3.5 Macro IS PRO
M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO
M.ZUIKO DIGITAL 1.4x Teleconverter MC-14
M.ZUIKO DIGITAL 2x Teleconverter MC-20
HDR1, HDR2 (painting-like)
3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps)
Yes
3 Styles
Yes
Yes
3 styles (Soft / Medium / Hard)
Yes
JPEG (80M) 10368 x 7776
JPEG (50M) 8160 x 6120
JPEG (25M) 5760 x 4320
RAW 10368 x 7776
JPEG (50M) 8160 x 6120
JPEG (25M) 5760 x 4320
RAW 8160 x 6120
Yes
Yes
Yes
2 Frames / auto gain adjustment, exposure on recorded picture (RAW)
4:3(Default), 3:2, 16:9, 1:1, 3:4
2x
2-axis (horizontal / vertical)
MOV(MPEG-4AVC/H.264):
4096 x 2160 (C4K): 30p, 25p, 24p / LongGOP (Approx. 102Mbps)
60p, 50p / LongGOP (Approx. 202Mbps)
3840 x 2160 (4K): 30p, 25p, 24p / LongGOP (Approx. 102Mbps)
60p, 50p / LongGOP (Approx. 202Mbps)
1920 x 1080 (FHD): 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps)
60p, 50p / LongGOP (Approx. 52Mbps)
MOV (HEVC/H.265):
4096 x 2160 (C4K): 30p, 25p, 24p / LongGOP (Approx. 77Mbps)
60p, 50p / LongGOP (Approx. 152Mbps)
3840 x 2160 (4K): 30p, 25p, 24p / LongGOP (Approx. 77Mbps)
60p, 50p / LongGOP (Approx. 152Mbps)
1920 x 1080 (FHD): 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps)
60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps)
Yes
Yes
Approx. 1.4x
3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps
1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps
1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps
Yes
240,200,120,100fps (1920 x1080 / MPEG-4 AVC/H.264)
200,120,100fps (1920 x 1080 / HEVC/H.265)
M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF
Yes
4 colors
Yes
Yes
Rec run / free run, drop frame / non-drop frame
Monitor mode / Record mode / RAW mode
Flat, OM-Log400, HLG
Yes
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz)
Stereo linear PCM/24-bit, Sampling frequency 96kHz
Built-in stereo microphone / built-in mono speaker
Wind noise reduction, recording volume, microphone volume limiter
Yes
Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1
Yes
Connect using a QR code
Connect using Bluetooth (View, Transfer only)
USB connection
Wi-Fi connection (2.4GHz/5GHz)
UVC(USB Video Class) / UAC(USB Audio Class)
Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x - 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto)
Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF
Trimming (beginning / end) / In-movie image extraction (4K only)
RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording
RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT).
Yes
Print reservation (DPOF)
18 languages selectable:
- English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai
IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.)
14 Degree F (-10 Degree C)
USB Type-C (USB 3.0 SuperSpeed)
Dia. 2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used)
Micro HDMI (type D)
Hot shoe, sync terminal
Built-in (IEEE 802.11a/b/g/n/ac)
Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy)
Dia. 3.5 stereo mini jack (plug-in power on/off)
Dia. 3.5 stereo mini jack
BLX-1 Li-ion battery
Remaining power (10 steps, %, or by-minute display), Shot count, Degradation
A USB PD bus power can be used
Built-in battery can be charged with USB
1/3/5 min., Off
Standard mode: approx. 500 shots / Quick sleep mode: approx. 1010 shots
Under standard JEITA testing: approx. 90 minutes
When zoom and other operational functions are not used: approx. 150 minutes
14 - 104 Degree F (-10 - +40 Degree C) (when in operation), -4 - 140 Degree F (-20 - +60 Degree C) (when stored)
30 - 90% (when in operation), 10 - 90% (when stored)
Required, included
Lithium ion
Non-universal
1
Approx. 5.3 x 3.6 x 2.8" (134.8 x 91.6 x 72.7mm)
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 2.2 oz (599g)
Body only: 18 oz (511g)
Best OMs body
By JAMES R.
This is a vast improvement over my OMD E M1 mark 3. The specialized focusing for birds,animals, and people really does work. Focusing is swift and accurate. The new menu for selecting modes and procedures is very intuitive. I highly recommend this camera.
Adorama and OM-1 Are Exceptional
By ELLEN J.
This is the second OM-1 I have ordered here. I order my OM lenses here also. The product, and Adorama obviously met my expectations and more.
The OM-1 Mark II is a statement of blazing fast speeds, unparalleled computational capabilities and tactile usability with refinements throughout the camera. What the OM-1 Mark II presents is a true wonder of outdoor photography equipment that will perform wherever you go.
The OM-1 Mark II picks up where the original OM-1 left off. The new camera boast with double buffer size and remarkable high speed sequential shooting — up to 50fps with continuous autofocus — coupled with improved autofocus accuracy and reliability.
With our Pro Capture Mode when you press the shutter button down halfway, it begins buffering a running series of photos at 120fps. When you see the moment you want, fully press the shutter and the camera saves that moment plus the buffered shots. Never miss a shot again because of a slow reaction.
With increased memory in the camera, we’ve more than doubled the buffer size, jumping from 92 (OM-1) to an impressive 213 photos at 120 fps in RAW format.
Now, in addition to the existing 25-120fps, we've added 12.5 fps and 16 fps for better shooting experience for static subjects.
A major focus of the OM-1 Mark II is its capability in computational photography. With the introduction of LiveGND - an in-camera graduated neutral density filter - you’re to leave your costly and clumsy external filters behind and trust the camera. Additionally, we’ve significantly enhanced the LiveND and High Res Shot features.
Get long exposure shots in bright daylight with the in-camera LiveND feature. The OM-1 Mark II takes LiveND one EV stop further, up to ND128, providing even greater flexibility in challenging conditions.
The OM-1 Mark II’s Live Composite mode takes a series of continuous photos with the same exposure time, and then combines them into a single shot — making star trail photography and light paining easy without the fear of over exposure.
Focus Stacking gives your images a whole new dimension by extending the depth of field from foreground to background. This is achieved by taking up to 15 individual photos at varying focus distances and then stitching them together into a single rendered composite image.
Not only is the OM-1 Mark II built compact enough to go with you anywhere. It also introduces industry-leading features to let you leave needless things behind.
With a record 8.5 EV stops in camera stabilisation, you can ditch the tripod with confidence and travel lighter.
Compared to the rivals, we are lighter in system weight. With the OM-1 Mark II, you fit a complete set of camera gear in a standard Carry-On bag.
The OM-1 Mark II functions power efficiently. Coupled with our high-capacity BLX-1 Lithium-Ion rechargeable batteries, you can shoot for hours: up to 500 photos with a single charge.
We don’t cut corners with the great outdoors. With IP53 certified weather-sealing, the OM-1 Mark II is built to excel through snow dust and rain. The tactile hand-feel of the body is also improved with the introduction of new rubbery dials for better grip and feel.
We built the OM-1 Mark II to withstand the cold with a build to thrive even when temperatures drop to -10°C.
The OM-1 Mark II features a sensor filter to ward off dust and dirt with 30.000 vibrations per second each time you power on the camera.