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Review Summary
Interchangeable lens digital camera
E-mount
35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
RAW, JPEG, HEIF (4:2:0 / 4:2:2), RAW & JPEG, RAW & HEIF
Yes
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
XAVC HS: MPEG-H HEVC/H.265, XAVC S: MPEG-4 AVC/H.264
LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit)
59.94p (150 Mbps / 75 Mbps / 45 Mbps), 23.98p (100 Mbps / 50 Mbps / 30 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps)
59.94p (200 Mbps / 100 Mbps), 23.98p (100 Mbps / 50 Mbps), 50p (200 Mbps / 100 Mbps)
59.94p (150 Mbps), 29.97p (100 Mbps / 60 Mbps), 23.98p (100 Mbps / 60 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps)
59.94p (200 Mbps), 29.97p (140 Mbps), 23.98p (100 Mbps), 50p (200 Mbps), 25p (140 Mbps)
119.88p (100 Mbps / 60 Mbps), 59.94p (50 Mbps / 25 Mbps), 29.97p (50 Mbps / 16 Mbps), 23.98p (50 Mbps), 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps)
59.94p (50 Mbps), 29.97p (50 Mbps), 23.98p (50 Mbps), 50p (50 Mbps), 25p (50 Mbps)
59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps)
59.94p (600 Mbps), 29.97p (300 Mbps), 23.98p (240 Mbps), 50p (500 Mbps), 25p (250 Mbps), 24.00p (240 Mbps)
59.94p (222 Mbps), 29.97p (111 Mbps), 23.98p (89 Mbps), 50p (185 Mbps), 25p (93 Mbps)
Yes
Yes
Yes (HDMI)
Yes
SLOT1: Multi slot for SD (UHS-I/II compliant) memory card / CFexpress 2 Type A card, SLOT2: SD (UHS-I/II compliant) memory card
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Still images: Max. 759 points (phase-detection AF), Movies: Max. 627 points (phase-detection AF)
EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point, Focus Map (Movie), AF Assist (Movie)
Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
Auto, Human, Animal, Bird, Insect, Car, Train, Airplane
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
1200-zone evaluative metering
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable)
Yes
Still images: ISO 100 - 51200 (expandable to ISO 50 - 204800), AUTO (ISO 100 - 12800, selectable lower limit and upper limit) Movies: ISO 100 - 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 - 12800, selectable lower limit and upper limit)
-4.0-+3.0 m-1
1.3 cm (0.5 type) electronic viewfinder (Quad-VGA OLED)
Approx. 0.70x (with 50 mm lens at infinity, -1 m-1)
Approx. 33 mm from the eyepiece lens, 27 mm from the eyepiece frame at -1 m-1 (CIPA standard)
3 686 400 dots
STD 60fps / HI 120fps
Yes
Opening Angle: Approx. 176 Degree , Rotation Angle: Approx. 270 Degree
7.5 cm (3.0-type) type TFT
1 036 800 dots
Approx. 2x
Approx. 1.5x (4K), Approx. 2x (HD)
Mechanical shutter / Electronic shutter
Still images (Mechanical shutter): 1/4000 to 30 s, Bulb, Still images (Electronic shutter): 1/8000 to 30 s, Movies: 1/8000 to 1 s
1/160 s (35mm full frame), 1/200 s (APS-C)
Yes
MJPEG, YUV420
3840 x 2160 (14.99p / 29.97p), 1920 x 1080 (29.97p / 59.94p), 1280 x 720 (29.97p), 3840 x 2160 (12.5p / 25p), 1920 x 1080 (25p / 50p), 1280 x 720 (25p)
LPCM 2ch (16bit 48 kHz)
3840 x 2160 (29.97p / 59.94p), 3840 x 2160 (25p / 50p), 2560 x 1440 (29.97p / 59.94p), 2560 x 1440 (25p / 50p), 1920 x 1080 (29.97p / 59.94p), 1920 x 1080 (25p / 50p), 1280 x 720 (29.97p / 59.94p), 1280 x 720 (25p / 50p)
MPEG-4 AVC/H.264, MPEG-H HEVC/H.265
AAC-LC 2ch (16bit 48 kHz)
RTMP, RTMPS, SRT
Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Still images: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
Still images: Approx. 3.8 W (with FE 28-70mm F3.5-5.6 OSS lens attached) Movies: Approx. 6.3 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
32 - 104 Degree F (0 - 40 Degree C)
-4 to 131 Degree F (-20 to 55 Degree C)
Image sensor-shift mechanism with 5-axis compensation (compensation depends on lens specifications)
Center 5.0 stops and Periphery 5.0 stops (based on CIPA2024 standard. Pitch/yaw/roll shake only. With FE 50 mm F1.2 GM lens mounted. Long exposure NR off.)
Still images: On / Off, Movie: Dynamic active / Active / Standard / Off
Built-in, stereo
Built-in, monaural
Still images: Approx. 33.0 megapixels max.
Movies: Approx. 27.6 megapixels max.
Approx. 34.1 megapixels
15+ stops (S-Log3)
35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Yes
2500 K - 9900 K
Yes
HDMI connector (Type-A), 4096 x 2160 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p) / 3840 x 2160 (59.94p / 50p / 29.97p / 25p / 23.98p) / 1920 x 1080 (59.94p / 50p / 23.98p) / 1920 x 1080 (59.94i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit
Yes (with Digital Audio Interface)
Mass-storage / MTP
Yes
Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4 GHz band/5 GHz band))
Yes (Bluetooth Standard Ver. 5.0 (2.4 GHz band))
Yes (3.5 mm Stereo minijack)
Yes (3.5 mm Stereo minijack)
Yes (Bluetooth remote control)
Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
Send to smartphone, Remote control via smartphone, Remote Shooting
Yes (3-pin (female) x2)
Enlarged Image, Protect, Rating, Shot Mark (Movie), Divider Frame, Crop, Photo Capture
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
Yes (Available with USB Type-C terminal. USB Power Delivery compatible)
One rechargeable battery pack NP-FZ100
Yes
Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)
Screen Reader, Focus Magnifier, Focus Map (Movie), Peaking Display, Subject Recognition in AF, Touch Focus, Touch Tracking, Touch Shutter Touch AE, Vari-angle LCD screen, Custom function, Enlarge Screen
JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPEG: over 1000 frames RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPEG: over 1000 frames, RAW (Lossless Compressed): over 1000 frames, RAW (Lossless Compressed) & JPEG: over 1000 frames
Hi+: 10 fps (max.)
Required, included
Lithium ion
Non-universal
1
Approx. 5.1 x 3.06 x 4.08" (129.7 x 77.8 x 103.7mm)
Approx. 5.1 x 3.06 x 3.34" (129.7 x 77.8 x 85mm) (from grip to monitor)
Approx. 1 lbs 5 oz (594g)
Approx. 1 lbs 8 oz (679g) (With battery and memory card)
Approx. 24 oz (683g) (battery pack, SD card, Eyepiece cup)
027242932234
This camera is eligible for Sony Special Financing
Click here for details:
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R® CMOS sensor supported by our BIONZ XR™ image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP*1 resolution, giving ambitious cinematic visionaries all the tools they need.
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects*14. A detection frame indicates the recognized subject*15 and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30
The FX2’s full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log3*2, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. That all adds up to maximum editing efficiency when shooting with multiple cameras.
For creative flexibility, there are three modes available for Log recording — Flexible ISO, Cine EI, and Cine EI Quick — with Cine EI widely used in professional filmmaking for footage shot with post-production*3*4 in mind. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post-production to achieve your desired cinematic look.
Combining advanced video functions from our Cinema Line with enhanced options for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.
The FX2’s Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.
Active Mode boosts stabilization while walking and shooting. Or, for shooting at an even faster pace, there’s Dynamic active Mode that utilizes electronic stabilization for an even greater effect (up to 30%*20), making it possible to shoot stable footage even when running. Corresponding stabilization metadata is embedded in the footage for efficient post-production.
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to capture stills while recording or playing video that has a previously imported user LUT.
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.*24
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. This screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.
With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24-bit recording, and other settings can be easily applied.
• Full-frame exmor r™ CMOS sensor with BIONZ XR™ engine
Say hello to 33 megapixels of back-illuminated brilliance. Paired with the BIONZ XR™ engine and AI processing, your visuals will glow with dynamic range and detail.
• Dual base ISO (800/4000) and 15+ stops of dynamic range
FX2's dual base ISO keeps your footage crispy in the shadows and silky in the sun. And with over 15 stops of dynamic range, your highlights and shadows get along famously.
• Cine eI, cine eI quick, and flexible ISO log modes
Like having three cameras in one. Choose your Log recording style based on your creative mood or lighting conditions. These modes are tailor-made for post-production magic, with S-Log3 and S-Gamut3.Cine color gamuts in tow.
• Import and apply tup to 16 LUTs
Bring your own cinematic seasoning to your footage — up to 16 LUTs imported directly via SD card or Sony’s Creator's Cloud. Apply them live or in playback for sweet, sweet previews of your vision.
• Movie and still mode in one click!
Switch between movie and still mode, and keep your settings for each. With 33MP stills and up to 10 fps bursts, your BTS shots, posters, or thumbnails are always covered.
• AI-powered autofocus
The FX2’s AI-driven Real-time Recognition AF tracks and predicts motion with shocking accuracy. And that pose estimation tech? 30% better eye recognition than its older siblings, the FX3 and FX30.
• Compact and easy to handle
At just 1.5 lbs, the FX2 is built for handheld and gimbal freedom. Accessory mounting points are built right in — because true freedom shouldn’t need scaffolding.
• Uninterrupted 4K recording with active cooling
Shoot up to 4K 60p without the dreaded overheat icon thanks to a smart internal fan and heat management design. Choose Auto, Minimum, or “Off While Recording” modes depending on what you need.
• Dynamic active stabilization
Your footage will always stay smooth thanks to Dynamic Active Mode and embedded stabilization metadata. Combine that with the Breathing Compensation function for silky focus transitions.
• BIG6 interface for instant control
Straight from Sony’s VENICE playbook, the FX2’s BIG6 interface puts FPS, ISO, Shutter, Aperture/ND, Look, and White Balance front and center.
• Anamorphic de-squeeze display
The FX2’s got 1.3x and 2.0x desqueeze settings for anamorphic lenses — plus external display options through Sony’s Monitor & Control app. Perfect for the cinematic eccentric.
• High-quality slow motion
Capture emotion in slo-mo glory: up to 2.5x at 4K or 5x in Full HD. Perfect for b-roll and cinematic shots!
• 4K streaming via LAN or USB
Stream in glorious 4K 59.94p via LAN or USB while recording internally. Perfect for high-end live broadcasts, virtual events, or remote directing.
• Dual card slots and CFexpress type A
Two SD card slots, one also supporting CFexpress Type A for that clean 16-bit RAW output. Record video and stills separately or switch cards automatically.
• An eye for sustainability
From non-plastic packaging to accessibility features like screen reading and menu magnifiers, the FX2 is built not just for creators — but for a better, more inclusive planet.
A new versatile tool for cinematic expression
As a gateway into a professional filmmaking career, the FX2 is a full-frame camera in the Cinema Line that inherits the visual philosophy of Sony's top-level VENICE series. Adopting the compact design, user interface, expandability, and reliability synonymous with Sony Cinema Line, it's ideal for solo shooting, and introduces enhanced still image functions designed to support filmmaking.
Professional cinematic look
For that professional cinematic look
The FX2 is the newest Cinema Line camera, designed to support professional filmmaking. By combining the high image quality of a full-frame sensor with cinematic and expressive tools modelled on Sony's flagship VENICE 2 cinema camera, you have all the tools you need to bring your creative visions to life.
Cinematic expression with a full-frame sensor
The full-frame FX2 delivers stunning cinematic imagery, blending high resolution with beautiful bokeh. Equipped with a back-illuminated Exmor R CMOS sensor supported by our BIONZ XR image processing engine and advanced AI processing unit, the camera offers high sensitivity, wide latitude, and 33 MP resolution, giving ambitious cinematic visionaries everything they need.
Outstanding image quality for maximum editing flexibility
The FX2's full-frame sensor produces footage with smooth, natural gradations thanks to 15+ stops of latitude when recording with S-Log, ensuring even high-contrast scenes are captured in full detail. Base ISO for S-Log3 capture can be set to 800 or 4000, and the camera supports S-Gamut3/S-Gamut3.Cine color gamuts for broad compatibility. It all adds up to make editing more efficient when shooting with multiple cameras.
Log recording modes for production flexibility
For creative flexibility, there are three modes available for Log recording - Flexible ISO, Cine EI, and Cine EI Quick - with Cine EI widely used in professional filmmaking on footage that requires more intensive work in post-production. Based on the shooting environment, choose a base ISO of either 800 or 4000 to maintain maximum latitude throughout the shoot, allowing specific tonal ranges to be enhanced in post production to achieve your desired cinematic look.
Multiple recording formats for versatile shooting and editing
7K oversampling is used with full pixel readout and no pixel binning when shooting full-frame 4K (QFHD 3840 x 2160), and 4K 60p (59.94p) recording is available in Super 35mm mode. With 10-bit depth, 4:2:2 color sampling, an efficient MPEG-H HEVC/H.265 codec, and Intra recording including DCI-4K (4096 x 2160), outstanding quality is assured.
Import up to 16 user LUTs
With the FX2, LUTs can be imported and applied to the LCD monitor and the electronic viewfinder while shooting or playing back movies. Up to 16 user LUT files can be imported from memory cards or Sony's Creators' Cloud and selected as needed. The LUT used for recording can then be embedded in the video metadata for post-production.
Create moods right in the camera
Picture Profile presets make it easy to adjust color and gradation to create a variety of moods in camera. These include the invaluable S-Cinetone, which produces beautiful skin tones. Imported user LUTs can be registered as PPLUT 1 to 4 and applied during recording, and an expanded range of 12 Creative Look profiles, including FL2 and FL3, offers a comprehensive selection of visual moods for many recording needs.
Desqueeze display for anamorphic lenses
Anamorphic lenses are a popular choice for creating a distinctly cinematic look. The FX2 is equipped with a desqueeze display mode that allows monitoring in the standard CinemaScope aspect ratio of 2.93:1 while shooting with anamorphic lenses. It offers 1.3x and 2.0x desqueeze settings, and Sony's Monitor & Control app provides even more detailed settings for monitoring on a tablet or other external display devices.
Frame rate freedom
An FPS menu inherits features from Cinema Line higher-end models, including a [Variable] setting that allows intuitive frame-rate control: up to 2.5x slow motion at 4K resolution, or up to 5x slow motion when recording in Full HD at up to 120 fps.
An extensive range of expressive E-mount lenses
Sony offers a range of more than 70 high-performance E-mount lenses, including ultra-wide angles, super telephoto zooms, exquisite primes and powered zooms. Combine with Sony original microphones for outstanding sound quality and choose from a variety of other accessories to bring your creative vision to life.
Solo shooting freedom
Designed for solo shooting
Combining video features from current Cinema Line cameras with enhanced functions for stills that support filmmaking, the FX2 is designed to handle solo shooting in a wide range of circumstances, giving you maximum flexibility.
Compact and lightweight with built-in accessory mount points
With the same compact flat-top design as the Cinema Line FX3 and FX30, the FX2 is ideal for handheld shooting as well as gimbal and drone mounting. The magnesium alloy exterior has 1/4-20 (UNC) screw holes in three locations for mounting accessories, and two additional screw holes are located on the bottom panel for secure tripod mounting.
AI-based Real-time Recognition AF
Equipped with a powerful AI processing unit, the FX2 is capable of Real-time Recognition AF for humans, animals, birds, vehicles and even insects. A detection frame indicates the recognized subject and tracking can be initiated simply by touching the subject on the monitor screen. Advanced human pose estimation technology accurately recognizes subject movement, and human eye recognition has been improved by about 30% compared to the FX3/FX30.
Fine-tuned focus control
AF Assist allows seamless switching to manual focus for smooth focus transitions, while a range of 7 autofocus transition speed settings and 5 sensitivity settings offer detailed control. Focus Map makes it easier to visualize depth of field by overlaying focus info on the live view display, and the Breathing Compensation function can significantly enhance image stability.
Automatic framing using advanced AI
The FX2's Auto Framing feature automatically crops and tracks a subject to keep them in a prominent position when the camera is mounted on a tripod, producing footage that looks like it was shot by an experienced operator. The Framing Stabilizer function automatically keeps the subject in the same position within the frame, which can be useful, for example, when the camera operator is moving alongside the subject.
Stabilization for dynamic handheld shooting
Active Mode boosts stabilization while walking and shooting. For even faster paced shooting, there's Dynamic active Mode, which utilizes electronic stabilization for as much as 30% greater effect, making it possible to shoot stable footage even when running around. Corresponding stabilization metadata is embedded in the footage for efficient post production.
Stills at the flip of a switch
A single switch selects MOVIE or STILL mode and instantly recalls all the corresponding settings. In addition to providing 33 MP resolution and continuous bursts at up to 10 fps, the camera is equipped with a [Creating still images from Shot Marks] function that allows you to snap stills while recording or playing video that has a previously imported user LUT.
Visual consistency across stills and videos
The Log mode is also available for stills, making it possible to shoot JPEG and HEIF still images with the S-Log3 gamma curve used during a video shoot, so the same workflow can be easily applied during post production. Transform your stills in editing applications such as Blackmagic DaVinci Resolve, ready for a variety of uses while maintaining the same look.
Operability for filmmaking
Operability for professional filmmaking
The FX2 is designed for maximum operability during professional use, supporting a smooth workflow throughout production.
Tiltable high-definition electronic viewfinder
Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x (50mm lens, infinity focus, -1m-1 diopter), and the angle of view and eyepoint are optimized for video recording. The viewfinder itself can be rotated from 0 Degree to +90 Degree for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.
Frequently used parameters all in one place
The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance. The BIG6 (Home) screen contributes to smooth, intuitive operation, and provides quick access to Variable/Fixed parameters.
Effective heat management
Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilization unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.
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