Name: Rollei Retro 80S Black and White Negative Film (35mm Roll Film, 36 Exposures)
Brand: Rollei
SKU: RL810812
Price: 8.99 USD
Availability: BackOrder
Rating: 3.8 (4 reviews)

Rollei Retro 80S Black and White Negative Film (35mm Roll Film, 36 Exposures)

Rollei Retro 80S

Rollei

Although this item is temporarily on Backorder, you can order it now and it will ship as soon as it arrives. Your card will only be charged once item is shipped.

Temporarily On Backorder

Although this item is temporarily on Backorder, you can order it now and it will ship as soon as it arrives. Your card will only be charged once item is shipped. Estimated to Ship: 09/2025.

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Photography

Film & Darkroom Equipment

Film

Black & White Film

Rollei Black & White Film

Rollei Retro 80S 

Rollei Retro 80S: Fine-grain, 35mm black & white film. Wide latitude, excellent tonality & archival quality. Order now for stunning results!

How does the Rollei Retro 80S Black and White Negative Film stand out in the world of photography  This exceptional panchromatic black and white film, a derivative of the renowned AGFA Aviphot Pan80, offers a unique blend of quality and versatility. Its emulsion is meticulously coated onto a transparent synthetic polyester base measuring 100 micrometers, ensuring long-term dimensional stability and durability. Whether you're capturing stunning landscapes, intimate portraits, or detailed product shots, the Rollei Retro 80S is your ideal companion. With a nominal sensitivity of ISO 80, this 35mm roll film delivers superior image quality that meets the demands of both amateur and professional photographers. One of the standout features of this film is its expanded spectral sensitivity that extends into the near-infrared spectrum. This unique characteristic not only enhances the depth and detail in your images but also subtly softens skin blemishes in portrait photography. Experience the timeless charm of black and white photography with the Rollei Retro 80S Negative Film, designed for 36 exposures. This 35mm roll film is a testament to the enduring allure of monochrome imagery, offering a retro aesthetic that transcends trends.

I've only shot one 35mm roll of this so far from the 100' bulk roll purchased.  It's a very high contrast film that, so far, in my opinion, is not well-suited to bright sunlight with heavy shadows.  The shadows lose detail very quickly.  The dynamic range of the film does not seem as wide as regular panchromatic films.  As long as you keep this in mind, you should be OK.  I have not experimented much so far with various ISOs or developing times.  I developed in HC-110 "H".  Based on the results of my first roll, I think it would be a great film in overcast conditions where there are no harsh shadows.  I also thing pre-washing is mandatory prior to developing to rinse away the backing on the film.

Interesting, different film.

I fell in love with this film after shooting a roll of 35mm. I loved the stark contrast, the high sharpness, the smooth grain, its extended red sensitivity that makes it a good film for infrared and portraiture, and the reasonable price. I was chuffed with the results so naturally I had to shoot it in 120, of course. So you can imagine my disappointment when I pulled out the film from the tank to hang up to dry and noticed visible spots all over the negatives that I could see with my naked eye (cropped picture attached). At first I thought it was a case of the film not reacting well with my developer (Legacy Pro LMAX, a Kodak T-Max clone) but then remembered this was the same developer that I developed the 35mm roll with that had no problems at all so it couldn't be that. The roll was well within expiry so that's ruled out too. After some online research it seems this spotting or "mottling" is a pretty common problem with Rollei films in 120 size and no one really knows for sure what causes it. But 35mm film seems to be completely unaffected by this anomaly so my best guess is it's some weird reaction to the 120 backing paper? Anyway, further reading about this issue implies that the manufacturer (Agfa) clearly has no intention on resolving the issue since posts about this problem go back years, which is perhaps more frustrating than the spotted negs themselves. At least if they acknowledged it and were making attempts to resolve it, I'd have hope that I would one day be able to shoot this in 120 but they clearly don't care. It's a real shame too because it's a great film otherwise. But it looks like I will be only shooting this film exclusively in 35mm for the foreseeable future.

Great film for 35mm only. 120 is flawed. Spots!

Film is nice,

I e shit low it’s film before and was really happy with the outcome. It’s been awhile, but the Rollei 80 film was no exception.

Rollei Retro 80S Black and White Negative Film (35mm Roll Film, 36 Exposures)

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