Name: Used Nikon 24mm f/1.4G AF-S ED Lens V
Brand: Nikon
SKU: US1938145
Price: 525.00 USD
Availability: InStock
Rating: 4.5 (56 reviews)

Nikon 24mm F/1.4

Nikon 24mm f/1.4G AF-S ED Lens

Nikon

Nikon 24mm f/1.4G ED AF-S NIKKOR Lens

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Nikon SLR Lenses

Nikon 24mm F/1.4 

Top Rated Gear: Used Nikon 24mm f/1.4G AF-S ED Lens V MFR: 2184.

Discover the exceptional performance and versatility of the Nikon 24mm f/1.4G ED AF-S NIKKOR Lens, a perfect blend of wide-angle perspective and swift design. This lens is an essential tool for photographers seeking to capture stunning landscapes, intricate nature scenes, and vibrant city streets. Designed with precision for Nikon's FX-format F-mount cameras, this lens delivers unparalleled clarity and detail. For photographers using DX models, the lens provides an equivalent focal length of 36mm, offering a broader scope for your creative vision. The standout f/1.4 maximum aperture excels in low-light conditions and provides superior control over depth of field, adding a unique, selective focus charm to your images.At the heart of this lens, you'll find two extra-low dispersion elements paired with two aspherical elements. These components work together to reduce chromatic aberrations and ensure sharp, clear, and distortion-free images. The lens's Nano Crystal Coating further enhances image quality by reducing flare and minimizing both surface and internal reflections, resulting in images of heightened clarity across various wavelengths.The Silent Wave Motor ensures a quick, precise, and silent autofocus performance. For those who prefer manual control, the full-time manual focus override and rear focusing design enhance the speed and accuracy of your focus, while maintaining the lens's compact size.The Nikon 24mm f/1.4G ED AF-S NIKKOR Lens offers a prime wide-angle perspective, coupled with an ultra-fast f/1.4 aperture, making it ideal for challenging light conditions. The lens's ability to capture natural wide-angle views and absorb exceptional light effectively captures the nuances of every scenario.The inclusion of two Extra-low Dispersion (ED) Elements enhances image clarity by counteracting chromatic aberration and sustaining sharpness and color fidelity, even in expansive aperture settings. The result is photographs that exhibit distinct clarity and consistent color accuracy.The lens's rounded 9-blade diaphragm contributes to a refined bokeh effect, ensuring that out-of-focus components in images exhibit a subdued and authentic texture. This adds an element of depth, subtly enhancing the image's overall composition.Finally, the M/A Focus Mode Switch is engineered for photographers who prioritize swift control. This switch facilitates a smooth transition between manual and autofocus modes, providing flexibility and accuracy in varied shooting conditions. With the Nikon 24mm f/1.4G ED AF-S NIKKOR Lens, you can capture fleeting moments with precise focus, ensuring every shot is a masterpiece.

Used Nikon 24mm f/1.4G AF-S ED Lens V

The reason you get an F1.4 lens is to have F1.4....and sadly, it's a bit soft at F1.4 and F1.8 (at least mine is).  Sharpens up nicely starting around F2.

Great lens, not so great wide-open

24f1.4 nikon

This is by far the best lens I've used for wide angle pics. I am totally loving this!

Best lens ever

I was sent to the Arctic Circle to research a glacier. At the time, D4s was my camera. With this lens, I was able to take pictures in the dark, under moonlight in -60 below zero, hand held. (The D5 was not on the market). Not only could I take extraordinary pictures, I could shoot video, where my crew had to use Night Vision with light source (IR) to film us (my crew and I). In -60 below zero, you wont have time for a tripod setup. You'll freeze really fast, so with ISO 51200 my imagery in the dark is mind boggling because I use a camera and lens designed specifically for nocturnal applications. Though I exceeded the recommended operational specifications (-60 below zero), both camera ans lens operated precisely and flawlessly in Arctic Circle (North Pole) conditions.

Absolutely extraordinary in zero light

This is the lens I find I use all the time when doing street photography as it is a wider angle than my usual prime lens.   It is good for buildings and group scenes.  Sharp, clean.

Great Urban street lens

The Nikon 24mm f/1.4 wide angle lens is amazingly sharp when hand help in dark situations. Below is a photo taken at night, hand held, at a shutter speed of 1/125 of a second, an aperture of f/1.4, an ISO of 1600, Auto White Balance, and Matrix Metering.

Excellent, Bright, Wide Angle lens

I chose the 24mm f/1.4G ED as my first serious lens when I upgraded and bought a new camera even though it was the pricier of the other f/1.4s which I would eventually get. i ran into some auto-focus issues that turned out to be just me not knowing how to use my new camera which the people at the store were helpful familiarizing me with the different auto-focus settings such as A, S, and C. ever since then, i had no problems with the lens focusing. i mainly keep my camera on AF-S, but occasionally use AF-C in sports.

i now photograph with prime lenses and i have used the 24mm f/1.4G to cover occasions and sporting events. personally, my favorite subject photographing is my dog and places we go together. i love the creaminess at it's fastest setting and the sharpness in it's slowest. i enjoy the creative possibilities with this lens.

i hope you have room in your camera bag for this lens or better yet, on your camera in your hand.

captured images are so creamy

Im Unsinn this Lens for architetural and Industrial Photography. Its in use on a d800 and d600.  This Lens delivers sharpness even at wide open and a very creamy shallow depth of field for a wide angle lens

Big Price but totally worth

Love the lens. It is a perfect compliment to my D800E. I do recomment stopping it down to 2.0 for better color corner to corner (some vignetting at 1.4). Really becomes sharp from f/4.0 to f/16. This is a great landscape and interior focal length. Resolution is a good match for the D800E. I expect this to perform well with future cameras as demands on lens quality continues to be challenged.

24mm f/1.4G is worth the high price

It is fast and it has little or no distortion that shows to kinds of photographs I take. Utterly perfect for shots of Mutant Vehicles at Burning Man.  The best time is just as the sun sets, but enough to illuminate the background and show the vehicles self illumination, not much else, without the low f stop can do it.  Having such a wide aperture range allows carful control of the depth of field, critical in crowed situations to allow focus on the subject you intended.

It is well made, focus fast and gives you a very bright viewfinder in all conditions.

A great lens for sunset level lighting

Sharp lens. Ever so slightly slower to AF than some of my other lenses.

Sharp!

I used this for the 1st time last weekend to shoot a wedding, and I'm blown away by the results.  It is SHARP from edge to edge, especially when stopped down to 2.0. Fantastic low light performance, fast, quiet, and accurate auto-focus (even in low light), and beautiful, soft bokeh.  Just get used to zooming with your feet and you'll love this wide angle prime.

Simply Amazing

This lense is perfect for low light  photos

corner to corner  sharp

This is a great lens. Matched up with a D800e, it captures incredible detail and dynamic range. Combined with its fast aperture of 1.4, it is a very versatile and capable product. I was amazed at the colors captured with this combination (D800e and 24mm) while taking pictures at the National Conservatory and in the DC area around the monuments. I was able to hand hold the majority of the shots, keeping an ISO below 400 (100 for most of them) and still have shutter speeds fast enough to eliminate any blurring or loss of sharpness. When I saw the picture later on my computer, I could hardly believe the range of colors that were captured of the flowers. The fast aperture allowed me to focus on the main subject within a frame, creating a soft and very pleasant bokeh. Those shots I took using a tripod with very slow shutter speeds are sharp and have great color consistency. Despite the high price tag for this lens, I have absolutely NO regrets for buying it. It is a great product and can really show the capabilities of a D800e when matched with this camera.

Outstanding Lens

Great lo light performance

Unfortunately my current camera body (D80) doesn't really support the highest quality of this lens, I'm so amazed by this lens and the high quality of the lens, such as the motor is extremely quite and quick. I've only had this lens for a short time (sorry guys but only for a day), but the good news is that I've taken over 200 pics with it yesterday and now it's is clearly one of my most favorite lens that I have in my camera bag! All I have to say is thank you Nikon for making such a high quality product. Now I'll have to upgrade my Camera!

Completely an outstanding lens

Definitelly best lenses i have ever used in my proffesional life.

A must have lenses for pros.

I use this lens for many, many, many situations.  In my opion, you will not be disappointed.  I am not disappointed.

Great Lens

LOVED this lens, but I had to return it because it was simply too expensive for my budget.

Super sharp. Great in low light. Not quite the all purpose lens that 1.4 50mm is, but for cramped interiors and night work, it's hard to beat.

I have lots of great lenses the 70-200/VRII, 85/1.4G, 105/2.8 Macro. The 24/1.4 is the creamiest of the bunch! Of course, it's a difficult lens you need to learn how to use it well. At f/1.4 the focus is shallow but the bokeh is so creamy you want to shoot it wide open most of the time. It's not perfect for sure, focus is a little slow and the lens is heavy but it's just that good. Go get one if you can afford it!

The best lens in my kit, ever

I've been on a prime kick lately, and recently added this and the Nikon 85mm F1.4G lenses to my arsenal.  Compared to the 85mm, performance at F1.4 isn't quite as good, but it's good enough (that's the only downside of this lens from what I can tell).  The bokeh it produces for a wide angle lens is pretty amazing and stopped down a little bit, this lens is SHARP.  I barely use my Nikon F2.8 zooms anymore because the primes are much sharper/more contrasty, and easier to carry around.  Focus speed is ok and build quality seems decent, and distortion isn't too bad/easily fixable.  Haven't really had any issues at all with flaring.  If you're on the fence and have the money, get one...you won't regret it.  I would've given it 5 stars if the wide-open performance was as good as the 85mm F1.4G.

Love it

Along with a normal lens ( currently 50mm F/1.4 AF-D & AIS choices ) I live in wide angle country. I preferred a 35mm but went to a 24mm when doing an article, then some spreads in NYC. I felt freed using a 24mm in tight city streets. That was almost 30 years ago. Having been shooting various 24mms ever since. Mostly Nikkors, then some Leitz’s & Zeiss, but also on set using Canon, Pentax

And this one is good. Which is direct opposition to what I have found with most modern Nikkor lenses. They seem to be dummied down to the quality of digital sensors, compromising on saturation, depth, richness and just plain biting contrast that rocks you out of your seat. Nikon should have improved the sensors to match the glass, rather than compromised the glass to match the sensors. Alas, modern society.

This 24mm G lens also shares this characteristic, but to a surprisingly low degree. It is truly sharp, edge to edge from 2.8 down, and close wide open. I see no practical distortion, which of late has been rampant amongst modern Nikkors and my biggest customer complaint. They will no longer buy images with noticeable distortion. So on this account I would buy this lens alone.

In fact, it appears so sharp, I can see the hairs on the inner eye lids on a half length portrait shot at F /4.0, hand held under incandescent light at 1/15 of a second.on an old D90.

It’s color is also extraordinary. It is actually both it’s greatest feature and noticeable flaw. It is so pure - refined and delicate are better words. Elegant in fact. Separating different tones distinctly and continuously. On Velvia film this attribute is so awesome it will make you weep. Hypnotic.

Yea, the auto focus blows. As it does on every G lens I have used, in comparison of course to older D Nikkors. But it’s manual focusing is extraordinary. It almost ( but doesn’t and perhaps cannot ) matches a manual focus Nikkor in response, control and usability.

Now for the dark side. The strangest thing is that whilst it is so sharp it’s image for want of a better word looks papery. Almost like it was “painted on”. Again, I have noticed this in all modern Nikkors. Less so here than elsewhere, but still noticeable. And as superb as the color is, and it is superb, the shadows go that blue gray/cyan color. Seen this too on most modern Nikkors. Probably the Nano coat ( if it does anything other than help marking propaganda ). I actually don’t mind this characteristic as much as other things. But if shoot fashion or other high end stuff where people demand ( and deserve ) perfection you may have a problem.

And of course, despite it’s Nano coat rave rave reviews, whether real or planted/paid off, the lens flares more than most older Nikkors. Clearly more than any of my old Nikkor 24mms – F/2.0, F2.8 wither AF-D or AIS. Not like the new 50mm F/1.4G which is basically useless to me for a variety of it’s many serious shortcomings, including it’s tremendous propensity to flare. But still problematic. So care needs to be exerted in cross or close light.

But it’s big issues that regulate this lens to lesser use than the older AIS & AF-D 24s is it’s lack of bite and three dimensionality. It just doesn’t have that killer bite. That depth. Of color and overall weight. And that magic “glow”. The Leica Look if you will. Not that a lot of Nikkors do. But many of the older “pro” targeted lenses did. You would think modern technology could give us that. Or perhaps manufactures just don’t care? Unknown. But in comparison to my older Nikkor 24mm F/2.0 AIS the images suffers in this area. The old 24mm F/2.0 AIS image looks like you are there. It jumps. It’s so real, you think you can reach out an touch it. I think this may be a function of the G lenses lack of biting contrast. In comparison it is quite shocking. Because looking at the G lens image in isolation it is great. But not side by side. And the Nikkor 24mm F/2.0 AIS’s reputation is actually horrible, despite it’s extreme popularity ( and subsequent extreme used selling price ) in some quarters. And it is at least partially justified in some samples. It usually had very low contrast and limited sharpness. But I have 3 good ones ( out of 30 trys ). And they still are very suspect lenses. Still whilst the 24mm F/2.0 AIS relatively low in contrast, it is significantly snappier and more biting than the G lens. And the sharpness of the old lens also has a terrible rep. But I have good ones and would say that perhaps they remain sharper than the G lens. Hard to tell and the older lense just jumps and hits harder. And the G lens color - despite it's greatness does not suprass the old lens. Despite the AIS F/2.0's somewhat less ( noticably but slight # refinement in color, it the AIS is more accurate and more realistic. And the Nikkor 24mm F/2.8 AF-D or AIS is even better than the F/2.0 AIS # If you get a good one - good luck! #.

The flaws should be taken into context. As they are strictly in comparison to older “golden age of western manufacturing” products. Compared to newer Nikkors or other Japanese manufacture’s modern lenses I would say this is the best I have used. If you have owned a new 85mm F/1.4G or 35mm F/1.8 and have seen it’s image as wanting # after 3 tries each dumped mine a while back ) you will understand the problem. That is not the case here.

I would say this is the finest modern Nikkor available. A great piece of glass. Highly recommended and should be the high speed auto focus wide angle of choice in anybody;'s bag. It is in mine. I hope the 35mm G F/1.4 is as good, will get one too love the length. Good shooting.

Finest Modern Nikkor yet tried

I bought this as a demo & came in like new, also has same warranty so I felt like I got an axcellent deal. It's a prime so you will be using your feet. Since it have a a forgiving DOF most portraits come out sharp even when you forget how close you are or if you intentionally need to stay close to interact with your subject. This & 85 1.4 replaces my zooms (24-70 & 70-200) in some scenarios. Personally it's more pleasing & I'm happier using them the the heavy zooms. But I would not recommend replacing your zooms since I do see they serve another purpose, keep both if budget allows.

Excellent Prime makes no excuses

Low light is wonderful.
Edges are better than any other wide angel that I have used before

Low light wonder

Since the out-of-production on 28mm F/1.4 lens few years ago, I have been waiting for this replacement patiently for some time. It just amazingly sharp and fast. This is my baby that I will keep for myself for years to come . Thanks Nikon!!

Wow-What a lens

Outstanding

Love it ! Great crisp fast wide angle. Did not pick up my 70-24 the whole day of shooting. I have put my zooms aside and only use my 200 F2G VRII, 85 1.4 G, 50 1.4 G, and this amazing lens as my shooting lenses.

Sharp Fast Low Light

Excellent in low light. On a d700, a flash only ruins my pictures.

nikon legend

I posted a photo taken with this lens to Flickr and was accused of HDR over manipulation. It is that sharp.

It is really sharp

I have used this lens for more than two years. At 17mm, edge is soft and corner is distorted. I would recommend the 17 to 35 F2.8D or 24 mm F1.4G.

Used Nikon 24mm f/1.4G AF-S ED Lens

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