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Nikon D4S 16 Megapixel HD-SLR Camera Body, 36.0x23.9mm CMOS Sensor, 11 FPS, 51 Point AF System

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Product Highlights

  • EXPEED 4 image-processing engine
  • ISO Sensitivity Range
  • RAW SIZE S - 12-bit uncompressed
  • Spot White Balance when using Live View
Nikon D4S: Picture 1 regular $5,996.95

About Nikon D4S

This Nikon D4S Bundle comes with: Slinger Slinger Bag, SanDisk Extreme Compact Flash and a Power2000 EN-EL18 ( $189.85 Value) and Shipping is free!

Rethink the limits of speed, precision, efficiency and versatility in the field. With remarkable enhancements throughout the entire workflow, thrilling new levels of speed, performance and ISO sensitivity and the superior image quality of a Nikon flagship HD-SLR, D4S frees professionals to perform at their peak in whatever conditions their assignments demand. Capture full resolution stills at 11 fps for approx. 200 shots with full AE and AF functionality, noise-free photos and videos up to ISO 25,600 (expandable to a mind-boggling ISO 409,600 equivalent at Hi4) and 1080p Full HD videos with high-fidelity stereo audio. Transfer files 10x faster with new 1000 Base-T (Gigabit) wired LAN, and increase that speed further by shooting a smaller RAW SIZE S format. Think and shoot in ways you may not have believed possible.

The evolution of a masterpiece.

The course of modern imaging has been forged by the talent and ingenuity of working professionals, but also by the introduction of a few cameras so innovative and forward-thinking, they redefined what's possible. The Nikon D4 has been such a camera. And now D4S proves that a great thing really can get better, with remarkable enhancements throughout the entire workflow, dazzling new levels of speed, performance, ISO sensitivity and, of course, the superior image quality of a Nikon camera.

Enhancements through the entire workflow
How do you make a revolutionary camera better? Improve its speed, precision and efficiency without sacrificing the features that make it exceptional. D4S builds on the success of D4 with 30% faster image processing and substantial energy savings-capture up to 3,020* stills on a single charge-an extended standard ISO range (100-25,600) with enhanced noise reduction, and improved tonal range and smoother gradations. Shoot 11 fps for approx. 200 shots at full resolution with AE and AF functionality. For faster initial subject capture, use five AF sensors as a single focus point with the new Group Area AF setting. Transfer files 10x faster than the D4 with new 1000 Base-T (Gigabit) wired LAN, and increase that speed further by shooting a new smaller RAW SIZE S format. Perform at your peak-D4S will keep up.

Stunning views of decisive moments
Like its predecessor, the D4, the D4S delivers a level of image quality that elevates the power of any story. An improved 16.2MP FX-format CMOS image sensor is paired with Nikon's spectacular new image-processing engine, EXPEED 4, for truly phenomenal speed and performance in the field. The combination achieves outstanding ISO sensitivity, faithful, vibrant color, natural depth, subtle nuanced tones from pitch black to snow white and smoother gradations in both stills and videos. Nikon's proven 51-point AF system and 3D Color Matrix metering III with a 91,000-pixel RGB sensor provide fast, accurate autofocus and metering. Enhanced Picture Control tone curves deliver more depth and clearer color rendition in "Standard" mode. For viewfinder shooting, a new custom setting lets you toggle Face Detection on and off as the situation requires for improved exposure bias around your subjects. You can even measure White Balance against any point in the frame.

Noise-free shooting from ISO 100 to 25,600
Photographers go where their assignments take them, and this often means working in the high-contrast glare of the midday sun, the low-light at dawn or the poorly illuminated interiors of a sporting venue. Nikon flagship D-SLRs have long been recognized by professionals for their clean performance at high ISO settings, and D4S takes that performance to the next level. With a specially designed 16.2MP FX-format CMOS image sensor engineered to collect more light and render higher image quality plus the power of EXPEED 4, you can shoot sharp photos from ISO 100 all the way up to 25,600. The ISO range can be extended to a mind-boggling ISO 409,600 equivalent at Hi 4 for overcoming the most challenging lighting conditions. Enjoy great flexibility in your approach to fulfilling challenging assignments.

Following is a Comparison of the features which Nikon has upgraded in the New D4S Camera Versus the Original D4
•Image Processing Engine D4S: EXPEED 4 30% faster Increased number of shots Higher video quality at high ISO Supports 1080 60p More shots per charge
(D4 Processing Engine EXPEED 3)
• ISO Sensitivity Range: 100 to 25,600 Lo1 (ISO 50) to Hi4 (ISO 409,600)
(D4 Range is 100-12,800 ISO)
• RAW SIZE S: 12-bit uncompressed
(D4 no)
• Advanced Scene Recognition System: Group Area AF added
• Face Priority analysis for viewfinder shooting: On/Off possible with custom setting
(D4 Alway On)
• Spot White Balance when using Live View
(D4 No)
• Preset White Balance: 1-6 possible
1-3 is possible
• Group Area AF: Yes
(D4 No)
• Frame Size and Frame Rate:1920 x 1080 60/50/30/25/24p
(D4 is 1920 x 1080 30/25/24p)
• ISO Auto Control for Manual Exposure
(D4 No)
• Simultaneous recording to memory card and external recorder
(D4 No)
• Selectable audio frequency range: Yes Wide/Voice
(D4 No)
• Audio adjusted during video recording; Yes
(D4 No)
• Wired LAN: 1000 Base T Support
(D4 100 Base T Support)
• Shape of a grip and details at backside (body form and controls) have been re-designed
• continuous shooting for up to approx. 200 shots (JPEG fine L), approx. 133 shots (12-bit, lossless co mpressed RAW), approx. 176 shots (12-bit, compressed RAW), or approx. 104 shots (14-bit, compressed RAW)
(D4 continuous shooting for up to approx. 170 shots (JPEG fine L), approx. 92 shots (12-bit, lossless compressed RAW), approx. 92 shots (12- bit, compressed RAW), or approx. 76 shots (14-bit, compressed RAW)
• Change Focus point size in Live View Movie: Yes
(D4 No)
• Fine tune LCD color
(D4 No)
• Full aperture metering during Live View for stills
(D4 No)
• Live View - Image Area: Can be selected while in Live View for stills and movies
(D4 No)
• Interval timer / Time lapse movie: Increased to 9999
(D4 Up to 999 possible)
• Battery: EN-EL18A Approx. 3,020 shots
(D4 Approx. 2,600 shots)
• Time-lapse Interval Timers Exposure Smoothening: Yes
(D4 No)

Nikon D4S Features

  • EXPEED 4: 30% faster than the D4 with Higher video quality at high ISO Supports 1080 60p More shots per charge
  • ISO Sensitivity Range: 100-2560
  • RAW SIZE S - 12-bit uncompressed
  • Spot White Balance when using Live View

Nikon D4S Specifications

Image sensor
Nikon FX format
Sensor Size 36.0 mm x 23.9 mm
Total pixels
16.2 million
Dust-reduction system
Image sensor cleaning
Image Dust Off reference data (optional Capture NX 2 software required)
Effective pixels
16.2 million
Lens mount
Nikon F mount (with AF coupling and AF contacts)
Image size (pixels) 1
FX format (36x24): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S]
1.2x (30x20): 4,096 x 2,720 [L], 3,072 x 2,040 [M], 2,048 x 1,360 [S]
DX format (24x16): 3,200 x 2,128 [L], 2,400 x 1,592 (M), 1,600 x 1,064 (S)
5:4 (30x24): 4,096 x 3,280 [L], 3,072 x 2,456 [M], 2,048 x 1,640 [S]
FX-format photographs taken in movie live view (16:9): 4,928 x 2,768 [L], 3,696 x 2,072 [M], 2,464 x 1,384 [S]
Image size (pixels) 2
DX-format photographs taken in movie live view (16:9): 3,200 x 1,792 [L], 2,400 x 1,344 [M], 1,600 x 896 [S]
FX-format photographs taken in movie live view (3:2): 4,928 x 3,280 [L], 3,696 x 2,456 [M], 2,464 x 1,640 [S]
DX-format photographs taken in movie live view (3:2): 3,200 x 2,128 [L], 2,400 x 1,592 [M], 1,600 x 1,064 [S]
A DX-based format is used for photographs taken using the DX (24x16) 1.5x image area; an FX-based format is used for all other photographs
Storage File format
JPEG: JPEG-Baseline Compliant with fine (approx 1:4), Normal (approx 1:8) or Basic (approx 1:16) Compression
NEF (RAW) + JPEG: Single Photograph Recorded in both NEF (RAW) and JPEG Formats
NEF (RAW): lossless compressed 12 or 14 bit, lossless compressed, compressed or uncompressed
Picture Control System
Can be selected from Standard, Neutral, Vivid, Monochrome, Portrait, Landscape; selected Picture Control can be modified; storage for custom Picture Controls
XQD and Type I CompactFlash memory cards (UDMA compliant)
Dual card slots
Either card can be used for primary or backup storage or for separate storage of NEF (RAW) and JPEG images; pictures can be copied between cards
File system
DCF (Design Rule for Camera File System) 2.0, DPOF (Digital Print Order Format), Exif (Exchangeable Image File Format for Digital Still Cameras) 2.3, PictBridge
Eye-level pentaprism single-lens reflex viewfinder
Frame coverage
FX (36x24): Approx. 100% horizontal and 100% vertical
1.2x (30x20): Approx. 97% horizontal and 97% vertical
DX (24x16): Approx. 97% horizontal and 97% vertical
5:4 (30x24): Approx. 97% horizontal and 100% vertical
Approx. 0.7x (50 mm f/1.4 lens at infinity, -1.0 m-1)
18 mm (-1.0 m-1; from center surface of viewfinder eyepiece lens)
Diopter adjustment
-3 to +1 m-1
Focusing screen
Type B BriteView Clear Matte Mark VIII screen with AF area brackets and framing grid
Reflex mirror
Quick return
Depth-of-field preview
When Pv button is pressed, lens aperture is stopped down to value selected by user (A and M modes) or by camera (P and S modes)
Lens aperture
Instant return, electronically controlled
Compatible lenses
Compatible with AF NIKKOR lenses, including type G and D lenses (some restrictions apply to PC-NIKKOR lenses), DX lenses [using DX (24x16) image area], AI-P NIKKOR lenses and non-CPU AI lenses (exposure modes A and M only); IX-NIKKOR lenses, lenses for the F3AF and non-AI lenses cannot be used
Shutter Type
Electronically-controlled vertical-travel focal-plane shutter
1/8,000 to 30 s in steps of 1/3, 1/2 or 1 EV, bulb, X250
Flash sync speed
X=1/250 s; synchronizes with shutter at 1/250 s or slower
Release modes
S (single frame), CL (continuous low speed), CH (continuous high speed), Q (quiet shutter-release), (self-timer), MUP (mirror up)
Frame advance rate
Up to approx. 10 fps (CL) or approx. 10 to 11 fps (CH)
2 s, 5 s, 10 s, 20 s; 1 to 9 exposures at intervals of 0.5, 1, 2 or 3 s
Exposure Metering
TTL exposure metering using RGB sensor with approx. 91K (91,000) pixels
Metering method 1
Matrix: 3D color matrix metering III (type G and D lenses); color matrix metering III (other CPU lenses); color matrix metering available with non-CPU lenses if user provides lens data
Center-weighted: Weight of 75% given to 12-mm circle in center of frame; diameter of circle can be changed to 8, 15 or 20 mm, or weighting can be based on average of entire frame (non-CPU lenses use 12-mm circle or average of entire frame)
Metering method 2
Spot: Meters 4-mm circle (about 1.5% of frame) centered on selected focus point (on center focus point when non-CPU lens is used)
Range (ISO 100, f/1.4 lens, 20deg.C)
Matrix or center-weighted metering: -1 to 20 EV
Spot metering: 2 to 20 EV
Exposure meter coupling
Combined CPU and AI
Exposure modes
Programmed auto with flexible program (P); shutter-priority auto (S); aperture-priority auto (A); manual (M)
Exposure compensation
-5 to +5 EV in increments of 1/3, 1/2 or 1 EV
Exposure bracketing
2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV
Exposure lock
Luminosity locked at detected value with the center of the sub-selector
Exposure: ISO sensitivity
ISO 100 -25,600
Lo-1 (ISO 50)
Hi-4 (ISO 409,600)
Active D-Lighting
Can be selected from auto, extra high +2/+1, high, normal, low or off
ADL bracketing
2 frames using selected value for one frame or 3 to 5 frames using preset values for all frames
Nikon Advanced Multi-CAM 3500FX autofocus sensor module with TTL phase detection, fine-tuning, 51 focus points (including 15 cross-type sensors; f/8 supported by 11 sensors)
Detection range
-2 to +19 EV (ISO 100, 20deg.C/68deg.F)
Focus: Lens servo
Autofocus (AF): Single-servo autofocus (AF-S); continuous-servo autofocus (AF-C); predictive focus tracking automatically activated according to subject status
Manual focus (M): Electronic rangefinder can be used
Focus point
Can be selected from 51 or 11 focus points
Focus: AF-area modes
Single-point AF, 9-, 21- or 51-point dynamic-area AF, 3D-tracking, auto-area AF
Focus lock
Focus can be locked by pressing shutter-release button halfway (single-servo autofocus) or by pressing the center of the sub-selector
Flash control
TTL: i-TTL flash control using RGB sensor with approx. 91K (91,000) pixels is available with SB-910, SB-900, SB-800, SB-700, SB-600 or SB-400; i-TTL balanced fill-flash for digital SLR is used with matrix and center-weighted metering, standard i-TTL flash for digital SLR with spot metering
Flash modes
Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync; auto FP high-speed sync supported
Flash compensation
-3 to +1 EV in increments of 1/3, 1/2 or 1 EV
Flash bracketing
2 to 9 frames in steps of 1/3, 1/2, 2/3 or 1 EV
Flash-ready indicator
Lights when optional flash unit is fully charged; flashes after flash is fired at full output
Accessory shoe
ISO 518 hot-shoe with sync and data contacts and safety lock
Nikon Creative Lighting System (CLS)
Advanced Wireless Lighting supported with SB-910, SB-900, SB-800 or SB-700 as a master flash and SB-600 or SB-R200 as remotes, or SU-800 as commander; auto FP high-speed sync and modeling illumination supported with all CLS-compatible flash units except SB-400; Flash Color Information Communication and FV lock supported with all CLS-compatible flash units
Sync terminal
ISO 519 sync terminal with locking thread
White balance
Auto (2 types), incandescent, fluorescent (7 types), direct sunlight, flash, cloudy, shade, preset manual (up to 4 values can be stored), choose color temperature (2,500 K to 10,000 K); all with fine-tuning
White balance bracketing
2 to 9 frames in steps of 1, 2 or 3
Live View Modes
Live view photography (quiet or silent), movie live view
Live View: Lens servo
Autofocus (AF): Single-servo autofocus (AF-S); full-time servo autofocus (AF-F)
Manual focus (M)
Live View: AF-area modes
Face-priority AF, wide-area AF, normal-area AF, subject-tracking AF
Live View: Autofocus
Contrast-detect AF anywhere in frame (camera selects focus point automatically when face-priority AF or subject-tracking AF is selected)
Movie Metering
TTL exposure metering using main image sensor
Frame size (pixels) and frame rate
1,920 x 1,080; 30p (progressive), 25p, 24p
1,920 x 1,080 crop; 30p, 25p, 24p
1,280 x 720; 60p, 50p, 30p, 25p
640 x 424; 30p, 25p
Actual frame rates for 60p, 50p, 30p, 25p and 24p are 59.94, 50, 29.97, 25 and 23.976 fps respectively; all options support both high and normal image quality
Movie: File format
Video compression
H.264/MPEG-4 Advanced Video Coding
Audio recording format
Linear PCM
Audio recording device
Built-in monaural or external stereo microphone; sensitivity adjustable
Movie: ISO sensitivity
Automatically adjusted in the range ISO 200 to 12800 or ISO 200 to Hi 4
Maximum length
Approx. 29 min. 59 s (20 min. depending on frame size/rate and movie quality settings)
8-cm (3.2-in.), approx. 921k-dot (VGA) TFT LCD with 170deg.viewing angle, approx. 100% frame coverage and automatic monitor brightness control using ambient brightness sensor
Full-frame and thumbnail (4, 9, or 72 images) playback with playback zoom, movie playback, photo and/or movie slide shows, histogram display, highlights, photo information, GPS data display, auto image rotation, voice memo input and playback and IPTC information embedding and display
Hi-Speed USB
HDMI output
Type C mini-pin HDMI connector; can be used simultaneously with camera monitor
Audio input
Stereo mini-pin jack (3.5-mm diameter; plug-in power supported)
Audio output
Stereo mini-pin jack (3.5-mm diameter)
10-pin remote terminal
Can be used to connect optional remote control, GPS Unit GP-1 or GPS device compliant with NMEA0183 version 2.01 or 3.01 (requires optional GPS Adapter Cord MC-35 and cable with D-sub 9-pin connector)
RJ-45 connector
Peripheral connector
For Wireless Transmitter WT-5A/B/C/D
Supported languages
Arabic, Chinese (Simplified and Traditional), Czech, Danish, Dutch, English, Finnish, French, German, Indonesian, Italian, Japanese, Korean, Norwegian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish, Thai, Turkish, Ukrainian
One Rechargeable Li-ion Battery EN-EL18
AC adapter
AC Adapter EH-6b; requires Power Connector EP-6 (available separately)
Tripod socket
1/4 in. (ISO 1222)
Operating Temperature
0 to 40deg.C/32 to 104deg.F
Operating humidity
Less than 85% (no condensation)
Dimensions (W x H x D)
Approx. 160 x 156.5 x 90.5 mm/6.3 x 6.2 x 3.6 in.
Approx. 1,340 g/2 lb 15.3 oz with battery and XQD memory card but without body cap and accessory shoe cover; approx. 1,180 g/2 lb 9.6 oz (camera body only)
Mfr #

Nikon D4S Reviews Powered by TurnTo®

Review Snapshot®


(based on 11 reviews)

Ratings Distribution

  • 5 Stars



  • 4 Stars



  • 3 Stars



  • 2 Stars



  • 1 Stars



Most Liked Positive Review


D4s logical step up

The Nikon D4s is the way to go for any working pro. The Nikon D series starting with the D1 to todays D4s continue to provide the working pro photographer the best in state of the art digital camera equipment. It is not about the highest mp count when the print support is so far behind in resolution.

Reviewed by 11 customers


Very nice body


I decided on this camera to improve my fps over my D800 for shooting wildlife in motion. It's obviously well built, but it will take me several months to put it through all it's paces. I'm initially a little disappointed in the amount of noise I have to deal with in PP using higher ISOs.

(1 of 1 customers found this review helpful)




This replaces a D300. What a difference! The speed is incredible. I take a lot of swim pics and with this camera I am making more great shots than ever before.

(3 of 3 customers found this review helpful)


Nikon does it again!


The Nikon D4s has been labelled by numerous review sites, as the "Subtle" upgrade, for it's subtle changes. But upgrading from the D3s to the D4s, you're not acquiring these "subtle" changes. FIrst off, thank god for no more green tint on the LCD. The ISO is surprisingly atonishing at 25,600 native range. No major loss in detail whatsoever. The slight ergonomic differences/changes over the D4 are more than subtle, you can actually feel the difference the moment you hold the camera in vertical position. The added texture to the nipples/jog dials are fine, but no major difference in that of the D4. I use the camera for Fashion work and Weddings. I continually get blown away by the image quality of this camera. No, it does not make better photos for me, but it makes the job easier for me to solely focus on creating the perfect image. Nikon does a great job at maintaining their menus and button mapping on their cameras, with my eye glued to the view finder my hands can find & make adjustments to settings with ease, again, making my focus more on the image than the technicalities of the camera. I've used the camera for light movie making and found it to be very, very, good! Finally, we have a Nikon camera doing all the great things the 5DMKII/III were capable of. (except Magic Lantern, etc). I am blown away by the Auto-ISO feature in movie mode, with the smooth exposure transitioning, moving from a dark, less lit scene into a brighter, well lit scene, the camera smoothly compensates and adjusts the ISO accordingly. So well, that you don't see the adjustments affecting the footage. The only downside to this camera is the use of XQD cards. It's great that Nikon has implemented a new format into their progressive and growing line up. But why stop including the QXD card with the camera? It's not a big issue or a down right con, but, it would've made the overall package much sweeter.

(2 of 2 customers found this review helpful)


great camera


great improvement on focus, fast and accurate, shoot 11 fps on golfer hit the ball, every frame is sharp, very pleased, colors and tones are very nice on portraits, also low light performance are very good, overall this is a great camera, but very heavy with the lens on, need a monopod!


Amazing Camera


I had a D4 but sold it a bit more than a year ago and kept my D800E. When the D4s was introduced I didn't think I would get it as it didn't seem like that big a change from the D4. I had the opportunity to try a D4s out and really liked it so I bought it. Don't get me wrong, I still love my D800E but the D4s now gets equal time in different situations. The performance seems much more than the minor, in my opinion, technical spec upgrade. I do think the image quality is much better than the D4 and even though I was one of those hoping they would bump up the resolution to 24MP, the resolution is great. In short, I thought I might regret getting it but it is a wonderful machine, no buyer's remorse.

(1 of 1 customers found this review helpful)


Love it!


I intend to use this camera shooting road racing. It will probably take me a lifetime to discover all of it's capabilities. I have been playing with it a lot and I am super impressed with the photos I am getting. The only drawbacks are the price and it is heavy.

(2 of 2 customers found this review helpful)




I am in love with this camera (sorry honey)! I've only had the camera a couple of weeks but from my initial use, it is everything Nikon says it is. I photographed water birds on my pond the other night using a much higher ISO than I would ever have thought about with my D700 or D800 -- and got some great photographs! I especially love being able to shoot 11 fps. The one down side is the shutter noise.

(6 of 6 customers found this review helpful)


D4s logical step up


The Nikon D4s is the way to go for any working pro. The Nikon D series starting with the D1 to todays D4s continue to provide the working pro photographer the best in state of the art digital camera equipment. It is not about the highest mp count when the print support is so far behind in resolution.

(5 of 5 customers found this review helpful)


Amazing - so please!


The files are amazingly sharp even at hi speeds and under very low light conditions.

(4 of 4 customers found this review helpful)


Beast Mode


I feel the same as Laura. I have been using myD600 for almost a year. I like it very much, and I have n intention of getting rid of it anytime soon. But I have some trips coming up over the next 18 months that will involve shooting opportunities in weather-adverse situations. I wanted something more rugged, and man oh man, did I get up. I absolutely love this camera. Built like a light tank, but feels great in my hands. Vertical orientation very easy to use. Multi-white balance is very nice.Easy to adjust to, though I sure wish Nikon would hire a real UI team that could streamline AND homogenize its UI across at least its DSLRs. Full auto at 11fps is just outstanding for children playing and, yes, cats. I am not a pixel peeper or counter, but I wouldn't have minded a sensor upgrade that got a little closer to the D600. I would take a half star if I could for that, but not a whole one. I haven't had a true pro camera since my EOS-1 and Rollei 6003 [god the glass!] years ago.This is a 5 star camera body, and it's great to have one again.


Questions & Answers Powered by TurnTo®

Questions about this item:

Kay W  I want to shoot fast action, long distance wild horses, elk, migrating cranes but don't want to continually change lenses as they come close - in daylight and low light - what lens(es) do you recommend?
DAVID C  Nikon 200-400 mm f-4 AFS VR
STEPHANIE B  does it have a quiet mode on it for shooting in quiet spaces?
Andrew R  Unfortunately, this is a newly announced camera, full specs and review data are not available from the manufacturer at this time.
Shopper  which cf card is compatible?
DON C  A CF card has certain design characteristics, as far as dimension , shape, number of pins etc.... . The SPEED of the card and the amount of memory are the variables. Now days we even have Wi-Fi capable cards too. With this particular model, you should concentrate on the SPEED of the card. The FASTER, the better. The amount of memory on the card is nothing more than personal preference, or the need for a particular shoot. More memory would be needed when shooting in RAW, so keep that in mind as well.
See more questions and answers

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