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2 Year
$119.99
3 Year
$159.99
4 Year
$191.99
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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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Super 35mm CMOS Sensor
23.5 x 15.7mm (Diagonal 28.3mm)
26.11M
14 stops
EF Mount w/active lock (interchangeable to optional PL, LPL and M)
Built-in Stereo Microphone
30fps max @ Open Gate (6244x4168)
48fps max @ C6K (6144x3240)
60fps max @ 6K 2.4:1 (6144x2592)
48fps max @ 6K (5760x3240)
30fps max @ 5K 4:3 (5552x4164)
50fps max @ (5528x3112)
60fps max @ C5K (5120x2700)
30fps max @ 5K 6:5 (4992x4160)
60fps max @ 5K (4800x2700)
30fps max @ C4K 3:2 (4096x2732)
30fps max @ C4K Low Noise (4096x2160)
75fps max @ C4K (4096x2160)
100fps max @ C4K 2.4:1 (4096x1728)
30fps max @ (4000x4000)
30fps max @ (3840x3840)
30fps max @ 4K Low Noise (3840x2160)
75fps max @ 4K (3840X2160)
50fps max @ (3456x3456)
90fps max @ S16 16:9 (3392x1908)
120fps max @ 2.8K (2868x1512)
120fps max @ (1920x1080)
H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW
ProRes RAW (using Atomos Ninja V); BRAW (using BMD Video Assist)
10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
16-bit 48 kHz
AAC / PCM (for MOV only)
MOV / MP4
Video / Time Lapse Video / Still Image Capture
Auto, Manual (400 - 128000), Dual Native ISO: 400 / 1250
Shutter Speed: Auto, Manual (1"- 1/8000")
Shutter Angle: Auto, Manual (1 Degree - 360 Degree )
Auto, Preset, Manual (2300K - 30000K)
MF / AF / CAF
Brightness / Contrast / Saturation / Sharpness / Gamma Setting
Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
Current Time / Manual Input / External Input
CF Express Type B
exFAT
HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
3G-SDI
LTC Timecode Input via BNC
BB/Tri-Level Genlock Input via BNC
USB 3.0 Type C for camera control & data transfer only
2.5mm jack socket (Sony LANC compatible)
3.5mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
3.5mm stereo jack socket
5G, up to 802.11n, external antenna port
Serial port
Gigabit Ethernet port
DC 12-18V (2-pin LEMO socket) / PoE+ (802.3at)
DC 12V 2A (2-pin LEMO socket)
50W maximum, not inclusive of AUX power consumption
-4 Degree F to 140 Degree F (-20 Degree C to 60 Degree C)
32 Degree F to 104 Degree F (0 Degree C to 40 Degree C)
Mini V-Lock 14.8V (Battery not included)
Optional, not included
Lithium ion
Non-universal
1
Black
Aluminum Alloy
4.13 x 3.86 x 5.37" (105 x 98 x 136.5mm) (EF Mount)
Without Lens: 2.67 lbs (1.21kg) (with EF mount)
841687100245
The Evolution Continues
Super 35mm CMOS 6K 60FPS & 4K 100 FPS Max
Probably the Most Versatile Camera
You might not have seen the Z CAM E2-S6 Mark II at these venues, but you've likely watched the stunning images captured by it.
Film Sets
Top Stadiums
Wildlife Locations
Volumetric Capture
Deep Sea Operations
Concerts
World Class Athletic Competitions
Space Operations
Theme Parks
Multiple Camera Synchronization
Z CAM has been widely adopted in many multiple camera applications worldwide due to its high sync precision, open API and reliability.
Z CAM EzLink Sync
All cameras are connected to a network switch for Z CAM EzLink Sync
Once connected, one camera must be designated as the master, with the others set as slaves
Z CAM EzLink ensures precise synchronization, maintaining a tolerance of no more than 0.5ms
Z CAM PixelLink
Z CAM PixelLink Sync (Master/Slave) requires all cameras to be connected in a daisy chain using Z CAM sync cables
Cameras are interconnected using Cat 6 Ethernet cables
Ensuring perfect line sync precision
IP Streaming is the Future
E2-S6 Mark II supports a number of streaming protocols. Easily accessible through the built-in web client.
Open API & SDK
Full set open API
Facilitates easier secondary development
Compact & Robust
Compact form factor
Full metal body construction
Built in Gyroscope Sensor
Durability & Reliability
The Z CAM E2-S6 Mark II is engineered for sustained, long-term recording and streaming.
Fanless design. No active cooling
Interchangeable Mounts
Z CAM E2-S6 Mark II: EF Mount (Active Lock)
Stunning Image Quality
Go-to camera for many big film and documentary productions.
Entrusted by many well-known DOPs and Directors
Qualified as A camera
Perfect for B camera