


Review Summary
6x Dedicated Menu Buttons (STATUS, CONFIG, MEDIA, FPS, EI and WB)
4x Transport Buttons (Play, Fast Forward, Reverse Playback, Stop)
1x Media Unmount Button
1x Record Button
1x User Interface Control Knob
1x User Interface Screen, 320x240 LCD
CMOS, Electronic global shutter, 12 stops of dynamic range
4K APS-C sized, 22.5mm x 11.9mm
PL (positive lock)
Optical Low Pass Filter (OLPF) and IR Cut Filter (combined)
AJA Pak media
4x 3G-SDI Main Outputs (4x BNC connectors, 3G/1.485Gbps)
2x 3G-SDI Monitor Outputs (1x front mounted BNC connector, 1x rear mounted BNC connector, 3G/1.485Gbps)
2x HDMI Outputs (1x front mounted HDMI v1.3 Type A connector, 1x rear mounted HDMI v1.4 Type A connector)
2x Balanced Analog Audio Inputs (2x 3-pin XLR connectors with dedicated line/mic/48v selection switch per input)
1x Headphone Jack (3.5mm stereo mini TRS)
1x Reference Input (BNC connector, analog color black)
1x LTC (BNC connector, 0.5 to 4.5Vpp)
2x LANC (1x 2.5mm top connector and 1x 2.5mm side connector)
1x LAN connector (RJ45 connector, 10/100/1000)
AJA Raw via 3G-SDI up to 120 fps or Thunderbolt up to 30 fps
6.4 lbs / 2.9 kg (without top handle attached)
7.4 lbs / 3.4 kg (with top handle attached)
AC Range: 100-240 VAC 50/60Hz (AC adapter)
DC Range: 12-18Vdc, 5A maximum (4-pin XLR connector or 2-pin input connector)
Consumption: 38-42W typical, 45-47W maximum (Note: does not include power draw from 2-pin output connector)
Output: 2-pin power output connector, 10W recommended maximum
Safe Operating Temperature Range: 5C to 40C Safe Storage Temperature Range (power OFF): -20C to 60C
4K (4096x2160) progressive 23.98/24/25/29.97/30/50/59.94/60/119.88/120
Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
Apple ProRes 422 (or a lower data rate ProRes version) for 50/59.94/60 fps
SDI output support for 23.98/24/25/29.97/30 fps (SDI 1-4 YCbCr, SDI 1-4 RGB or SDI 1 Raw)
SDI output support for 50/59.94/60 fps (SDI 1-4 YCbCr or SDI 1-2 Raw)
SDI output support for 119.88/120 fps (SDI 1-4 Raw)
Ultra HD (3840x2160) progressive 23.98/24/25/29.97/30/50/59.94/60/119.88/120
Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
Apple ProRes 422 (or a lower data rate ProRes version) for 50/59.94/60 fps
SDI output support for 23.98/24/25/29.97/30 fps (SDI 1-4 YCbCr, SDI 1-4 RGB or SDI 1 Raw)
SDI output support for 50/59.94/60 fps (SDI 1-4 YCbCr or SDI 1-2 RAW)
SDI output support for 119.88/120 fps (SDI 1-4 Raw)
2K (2048x1080) progressive 23.98/24/25/29.97/30/50/59.94/60
Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
Apple ProRes 422 (all versions) for 50/59.94/60 fps
SDI output support for 23.98/24/25/29.97/30 fps (SDI 1 YCbCr, SDI 1-2 RGB, or SDI 1 RGB)
SDI output support for 50/59.94/60 fps (SDI 1-2 YCbCr or SDI 1 YCbCr)
1080 HD (1920x1080) progressive 23.98/24/25/29.97/30/50/59.94/60
Apple ProRes 4444 or Apple ProRes 422 (all versions) up to/including 30 fps
Apple ProRes 422 (all versions) for 50/59.94/60 fps
SDI output support for 23.98/24/25/29.97/30 fps (SDI 1 YCbCr, SDI 1-2 RGB, or SDI 1 RGB)
SDI output support for 50/59.94/60 fps (SDI 1-2 YCbCr or SDI 1 YCbCr)
The AJA CION 4K/UHD/2K/HD Professional Camera features an ergonomic design and is capable of shooting at 4K/UltraHD and 2K/HD resolutions. AJA pioneered lens-to-post Apple ProRes workflows with the introduction of the Ki Pro product line in 2009; CION builds on this achievement by offering in-camera recording directly to the Apple ProRes family of codecs - including 12-bit 444 - for pristine image capture. ProRes codecs are well established in many post-production environments and offer wide compatibility with editing, color correction and finishing applications. CION enables today's growing demand for high frame rate support and offers the ability to output 4K raw data at up to 120 fps via 4x 3G-SDI outputs. CION can record directly to AJA Pak SSD media at up to 60 frames per second.
CION embraces a familiar and tested camera form and ergonomic layout. It includes a built-in shoulder mount and standard connectors in logical positions. CION features a PL lens mount for compatibility with industry-standard lenses. When recording in HD or 2K, the image is oversampled from the full 4K sensor, retaining focal length as well as providing a vibrant and detailed image. A built-in filter combines an optical low pass filter (OLPF) to eliminate unwanted aliasing and moire with an infrared (IR) cut filter to produce appropriate colors. Additionally, a back focus adjustment means the sharpest image possible can be produced. Also included are several 3G-SDI and HDMI outputs, which are all simultaneously active and supply signal to a variety of 4K/Ultra HD and 2K/HD monitors. A power output connector is conveniently placed at the front of the unit to make electronic viewfinders easy to use. Professional audio inputs round out an unmatched amount of connectivity.
CION features an uncomplicated user interface that can be easily managed from the operator-side. The camera's menu parameters are also remotely configurable via a web interface and can be accessed through any web browser via a LAN connection. CION's sleek chassis is formed of magnesium, which is lightweight yet extremely strong. Integrated steel rosettes allow for mounting of industry-standard accessories such as handgrips and handle extensions directly to the camera body. The open approach to design also includes integrated cheese plates with standard tapped holes. These cheese plates are fitted to both the top and the bottom of the chassis to provide easy mounting of accessories from both AJA and third parties.