


Orders placed during Passover Holiday (Wed 4/1 after 4PM ET – Thurs 4/9) will ship Fri 4/10. View our holiday shipping schedule.
This item is no longer available.
Review Summary
2021-07-15T08:50:38
The C-100 is a great product. Even after years since it?s release, the camera still produces beautiful footage that?s workable in post. I mostly use mirrorless cameras for work but the C-100 is my go to when I want to get a little more cinematic with the look.
ADRIAN M.
2020-10-14T08:36:41
Love it..even in 2020 this camera is a beast! This is my main camera, so simple to use. Perfect for run and gun and anything else honestly.
derik h.
2020-07-20T20:00:00
I bough this in 2019 after having used one at work for 4 years. Why buy a HD camera with a mediocre codec when 4k is common these days? Simple - very reliable and great HD image quality. Built-in HD filters, good XLR audio and cooling fan is HUGE advantage over mirrorless or DSLR shooting. Excellent battery life, good layout of controls, small file sizes that still grade well even in 4.2.0 8 bit. I'll take reliability and good image quality over the latest camera all the time. This camera may be showing it's age, but still a lot to like about it.
Rossman

2020-02-10T10:52:04
12345678910
James C.
2018-07-21T20:00:00
I have been using the Canon C100 Mark II for a while (6 months) and have managed to get some great footage. However, I am disappointed with the Face Tracking not finding my Canon 35 mm (1:1,4) and 70 - 200 mm (1:2,8) lenses "not compatible". It also will not allow me to access the Slow Motion option in the menu, using these high-end lenses!
Unclerae

2018-01-31T10:07:13
If you are not ready to jump to 4k yet, the C100 Mark II is your best choice. The joy of using this camera is unmatched. A great camera for anyone transitioning from a DSLR.
Samuel D.
2017-06-28T13:47:11
Definitely recommend. Using for doc and interview work, has all the functions I need to accomplish what I want and speeds up my workflow. Shipped and arrived quick as well.
TIMOTHY Z.
2017-05-27T09:10:43
Solid. Serious upgrade from the C100 Mark II! Very pleased with this camera/lens combo.
CLAIRE W.
2017-03-04T19:00:00
Had this camera for about 2 years. I trust it and it has never let me down. Picture quality is great and low light is great too. I like the way the camera looks and all the buttons you can use insted of going into the menu to find what your looking for. Very intuitive to use. A few things I would say, is the uncompressed HDMI output OTHER THEN 60P is interlaced and that makes it hard to work with. (who uses interlaced footage this day and age?). Also this camera has auto focus and it works not as good as I thought it would. It hunts and the thing in focus is NEVER really in focus, and I have to manual do it. Defeats the purpose of AF. Using Canon EF-S 18-135mm IS STM lens.
meow1234

2016-12-13T07:26:08
you can barly seen any noise at iso 20000, its great.
Scott R.
2016-08-24T10:30:53
I started the process of finding a workhorse for my business by working with the Blackmagic 4K PC, I ultimately ended up sending it back. You NEED lights and I mean lots of light. I decided to try this off a recommendation from Film Riot, and I couldn't be happier with every aspect of this camera. It's so worth the price and the learning curve is small.
Fred B.
2016-05-19T14:31:25
Switched from Sony FS100. Love the image quality, and C-Log. Found it very easy to use in run and gun, and weddings. Last weekend shot a dance event in low light conditions, came out stunning.
SANTOSH D.
2016-03-24T20:00:00
This camera resolves 1080 beautifully, and is a very solid performer, however I wish to go straight to a feature that should be improved: The only progressive output available in 1080 via the HDMI port is 60p. When set to 29.97 or 23.98. the HDMI signal is interlaced: 59.94i - and this has reduced the usability of this excellent camera. The HDMI output is critical for professional use, because the internal recording format is highly compressed. The only other aspect of this camera that is critical and unusual is the White Balance, (WB). If you select A or B and activate the WB while pointing at a white balance card, it properly sets the correct Kelvin, but if you choose Kelvin and manually dial the temperature to that very same temperature, it isn't the same result. Meaning, I can use the WB setting in preset A to activate a white balance and everything looks perfect. Let's say that the temperature is 3400 Kelvin. I can then change the preset to Kelvin and dial the temperature to 3400 manually but the result is not the same. This issue makes it necessary to use a white card for each camera on a multi camera shoot versus being able to simply match Kelvin temperature to the same identical value.
Keystone P.

2015-12-07T19:00:00
A pleasure to operate. I love using the new viewfinder and 3.5" OLED monitor. The ergonomics are excellent; very lightweight considering how much it offers. Unusually beautiful 1080p image thanks to the in-camera 4K sampling. Great lowlight performance. The batteries last forever and the SD media is very affordable. Combines many of the best elements of a Canon DSLR and a traditional video camera. I wish there was a Canon zoom control for this type of camera/lens system, but insofar as camera limitations go, I'm willing to sacrifice that for the interchangeable lens option. Plus I hear Zacuto has a zoom control solution coming out fairly soon. All-in-all, this might be the most pleasurable professional camera I've ever owned.
Jonathan C.

2015-03-24T21:00:00
I own the C300 and the C100 Mark 1 and this new camera is my favorite. The image is spectacular, with some very nice upgrades over the early Cinema EOS cameras. Highly recommend this camera.
Brian R.
4206 x 2340 pixels; Approx. 9.86 megapixels
CMOS
Super 35; 24.6 x 13.8 mm (28.2 mm diagonal); 6.4 m cell pitch
Progressive
1
RGB Primary Color Filter (Bayer Array)
DiGic DV 4
EF-mount for compatibility with EF, EF-S and EF Cinema lens systems
Mechanical ND filter system with option of clear, 2, 4, and 6 stops)
Manual setting in 1/2-step increments, 1/3-step increments or fine Push auto iris control
Available
Manual; Push Auto Iris Control (metering system selection/AE shift possible)
Available (Standard Center Weighted, Spotlight, Backlight)
Normal Setting -6 dB to 30 dB / Fine Setting 0 dB to 24 dB in 0.5 dB increments
3200 to 80,000 in 1/3 stop increments
Available
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan Speed setting can be set in 1/2 or 1/3 stop increments
59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30;
CS: 59.94 Hz - 250.27 Hz
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8; CS: 29.97 Hz - 250.27 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
CS: 23.97 Hz - 250.27 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25;
CS: 50.00 Hz - 250.78 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12;
CS: 25.00 Hz - 250.78 Hz
59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.
Manual, One-Shot AF, Continuous AF
Available; AF is dependent on interchangeable lenses
(a) Dual Pixel CMOS AF (screen center)
(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected
One-Shot AF, Continuous AF
NTSC and PAL
MPEG-4 AVC/H.264
Available
AVCHD: 28 Mbps
MP4: 35 Mbps
Available; Provides the same DR Range as Canon Log Gamma while maintaining a standard video curve
28 Mbps - 1920 x 1080: 59.94i/50p
24 Mbps - 1920 x 1080: 59.94i/PF29.97/23.98P 50i/PF25
17 Mbps - 1920 x 1080:59.94i/PF29.97/23.98P 50i/PF25
7 Mbps - 1440 x 1080: 59.94i/PF29.97/23.98P 50i/PF25
SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported
AVCHD
MP4
FAT 32
999 (per media)
AVCHD: 28 Mbps & 24 Mbps Modes: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All Other Modes: Dolby Digital 2ch
MP4: MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
35-17 Mbps: 256 kbps
Less than 4 Mbps: 128
Monaural Microphone in Camera Body
Stereo Microphone in Handle Unit
2 - XLR inputs (Auto and Manual level settings)
3.5 mm diameter
CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel
ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
Available; -12dB, -6 dB, 0dB, +6dB or +12 dB
Available
Available; +48V
16 Settings; Volume is muted at lowest setting
Yes; 16 level settings
Available; Off, -12, -18, or -20 dB
(1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.
(2)Special Playback:
Available in MP4 Mode Only. This function achieves a fast or slow motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be selected using the camera's video quality and frame rate settings. No sound is recorded.
Relay Recording; Double-Slot Recording; Continuous Recording
Available; Images captured to SD Card; Images can be captured in Camera and Media modes.
Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr) Gain: 1x/2x
Available; 2 Modes (Spot/Normal) Gain: 1x/5x
Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode
Not Available
Not Available
Yes, 3 seconds cache (Audio and Video)
Available (Horizontal, vertical or both can be selected)
Drop Frame (DF)* or Non-Drop Frame (NDF)
*59.94(i/P>/29.97P mode in 59.94 Hz mode only
Regen, Record Run, Free Run
Available (BT.709/Wide DR)
AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B
Available, 8 total functions
Available; Total of 33 displays including audio level and remaining battery can be turned on and off
17; Can be assigned functions as desired
Available; Color bars compliant with SMPTE, ARIB
(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)
59.94 Hz Mode: 0.3 Lux
(f/1.2 lens, 24 dB, PF29.27, 1/30s)
50.00 Hz Mode: 0.25 Lux
(f/1.2 lens, 24 dB, PF25.00, 1/25s)
59.94 Hz mode: F9
[1920x1080/59.94i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]
50.00 Hz mode: F10
[1920x1080/50.00i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]
59.94 Hz Mode: 54db (Typical)
[1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
50.00 Hz Mode: 54dB (Typical)
[1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
During Normal Shooting: 300%
*With Canon Log Gamma or Wide DR Gamma: 800%
*ISO 850 or above - gain 2.5dB or above
28.2-degrees
+2.0 to -5.5
Brightness, Contrast, Color, Sharpness, and Backlight
Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body
Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Yes; through HDMI (Output Only)
Yes (Type A); Video and Audio Output
2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
3.5mm Microphone terminal on main body
Available; 3.5mm stereo mini-jack
Available, 2.5mm stereo mini jack
Battery Pack: 7.4 V
DC in: 8.4V
BP-9 Series (BP-955 Supplied)
CA-940 N (Supplied)
C100 Mark II (Body plus Thumb Rest (without eyecup):
Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)
C100 (Body plus Grip plus Eyecup):
Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)
C100 (Body plus Thumb Rest plus Handle Unit & Eyecup):
Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)
TBD
German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese
Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese and European Date formats.
World Clock support - UTC time setting: Setting range from -12:00 to +14:00
660685135697








Outstanding HD Video Camera
By Jonathan C.
A pleasure to operate. I love using the new viewfinder and 3.5" OLED monitor. The ergonomics are excellent; very lightweight considering how much it offers. Unusually beautiful 1080p image thanks to the in-camera 4K sampling. Great lowlight performance. The batteries last forever and the SD media is very affordable. Combines many of the best elements of a Canon DSLR and a traditional video camera. I wish there was a Canon zoom control for this type of camera/lens system, but insofar as camer...
View full Review
Everything you want and more
By Fred B.
I started the process of finding a workhorse for my business by working with the Blackmagic 4K PC, I ultimately ended up sending it back. You NEED lights and I mean lots of light. I decided to try this off a recommendation from Film Riot, and I couldn't be happier with every aspect of this camera. It's so worth the price and the learning curve is small.
Canon EOS C100 Mark II Digital Video Camera
Canon is pleased to introduce the Canon EOS C100 Mark II Digital Video Camera, the latest non Cinema EOS line edition to the Canon Cinema EOS line of professional Super 35mm 8.3 megapixel CMOS cameras and the second generation version of the popular Canon EOS C100 Digital Video Camera.
Optimized for one-person operation, the EOS C100 Mark II camera has a mobile core design enabling users to choose their preferred style of shooting. The existing design has been enhanced to include a large size detachable eyecup for the camera's large 68 degree tilting 0.45inch 1.23 megapixel color EVF (electronic viewfinder). Clearly marked red trigger buttons on the camera body, top handle, grip, and a built-in mono microphone on the camera body - for times when the top handle is not attached - can be used to capture basic sound for audio notation or as an aid to audio syncing during post.
Atomos Ninja 2 Video Recorder
The Atomos Ninja 2 Video Recorder is an HDMI recorder and 800 x 480 resolution monitor that records up to 1080/30p/60i resolution directly from your camera's sensor to an HDD or SSD in Apple's ProRes or Avid's DNxHD edit-ready codecs. Color precision records at 10-bit, even from an 8-bit sensor and color sampling at 4:2:2. Recording an 8-bit signal in 10-bit won't increase the quality of the signal but will let you work with the signal in post-production as if it's 10-bit, meaning you can add effects and not see jagged lines and other artifacts. Being able to record direct from the sensor lets you bypass your camera's compression and instead have the first compression be in an edit-ready codec. Generally, the less compressions, the less image degradation.
The operating system is AtomOS 3.0, featuring sophisticated focus and exposure tools and SmartLog, which lets you log in and out points on your footage and tag clips with keywords such as "good shot" and "bad shot".