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Review Summary
2021-03-19T08:46:07
Perfect solution for my Tamron 15-30
LAWRENCE T.
2021-01-29T08:18:26
Very happy with my S5 System. Well designed and built. Costs a bit more but so worth it.
Robert W.
2021-01-10T07:32:24
good product, as advertised
PANCHANON C.
2020-09-14T10:46:59
Really quite simple to install and work. The spinning circular polarizer apparatus makes it easy to adjust your polarizer without removing any filters. This thing is pretty massive though and clunky to carry around and shift on and off during hikes and such, but there's really no getting around that for any ultra wide filter system.
TREVOR P.
2020-08-19T11:46:39
Attaches securely, no light leak that I can appreciate. Well made and solid. Spendy.
HAMISH R.
2020-01-16T17:36:31
Works well with my Nikon 14-24mm lens for less than a comparable Lee system.
ROBERT K.
2018-05-11T14:07:43
As a landscape/seascape photographer, I use filters nearly every time I shoot. When I bought my Sony 12-24mm lens, the first accessory that I looked for was a filter system. After doing some research on various manufacturers that offer filter systems for this lens, I decided to buy the NiSi offering. When I received the unit, the first thing that I noticed was how well it was machined and how solid it felt. Putting it on the lens was very easy and it slide right on and locked securely. As an extra bonus, it comes with a nice padded pouch. I also bought several of the NiSI graduated and solid neutral density filters. In field tests, the filters did not disappoint…completely color neutral. They are also made of optical glass and are easy to install in the filter holder. I couldn't be more satisfied with this system and filters. A sold 5 star rating and highly recommended!
Larry M.
2018-05-03T09:17:22
Great finish. love the optical and metallic components. love that you can install it while lens is mounted on camera. polarizer is high quality.it is quite bulky though and price is high. at 14mm you do see some dark corners but can easily fixed in post
Jaskanwar B.
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Sony 12-24mm Lens
150mm Square Filters
Aluminum
Anti-Reflective
2mm (0.08")
4897045109685
A must have accessory for the Sony 12-24mm lens!
By Larry M.
As a landscape/seascape photographer, I use filters nearly every time I shoot. When I bought my Sony 12-24mm lens, the first accessory that I looked for was a filter system. After doing some research on various manufacturers that offer filter systems for this lens, I decided to buy the NiSi offering. When I received the unit, the first thing that I noticed was how well it was machined and how solid it felt. Putting it on the lens was very easy and it slide right on and locked securely. As a...
View full Review
Works well as advertised
By TREVOR P.
Really quite simple to install and work. The spinning circular polarizer apparatus makes it easy to adjust your polarizer without removing any filters. This thing is pretty massive though and clunky to carry around and shift on and off during hikes and such, but there's really no getting around that for any ultra wide filter system.
NiSi 150mm filter holders are made from aviation-grade aluminum with single element processed by CNC machine with Matte black frosted finish on the surface. The screw accessory are all made of copper and with black nickel plating. It's durable and will reduce the influence of stray light on the imaging. The NiSi 150mm Filter Holder for Sony 12-24mm is specially designed to be used with the Sony FE 12-24mm F/4G lens but may also work with other wide angle lenses.
Square and rectangular filter systems solve problems that round, screw-on filters often cannot resolve. To begin with, one square or rectangular filter can be used with many different size lenses. As long as you have the appropriate size adapter rings, in most cases, one filter will serve the purpose.
Another benefit is if you are shooting a landscape where the horizon line is off-center and you want to balance the light intensity in both parts of the scene, i.e. bright sky, shaded foreground. Rectangular filters allow the transition to be blended into the scene, often imperceptibly. This is because they can be shifted up and down in the filter holder to fit the scene as desired. Some graduated rectangular filters are available with soft or hard transitions from dark to clear. The soft edge is recommended for wide-angle lenses and the hard edge is recommended for normal and longer lenses.