Allen & Heath GLD-112 Chrome Edition Compact Digital Mixing Surface, 28 Motorized Faders

SKU: AHGLD2112

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Allen & Heath GLD-112 Specifications

  • Mic/Line Inputs

    Balanced, (All XLR)
    Mic/Line Preamp: Fully recallable
    Input Sensitivity: -60 to +15 dBu
    Analog Gain: +5 to +60 dB, 1 dB steps
    Pad: -20 dB
    Maximum Input Level: +32 dBu
    Input Impedance: >4 kOhms (pad out), >10 kOhms (pad in)

  • Mic/Line Channel Noise

    20 Hz - 20 kHz, Direct Out at unbalanced out
    Mic EIN: -127 dB with 150 ohm source
    Unity Gain (Pad In): -90 dBu
    Low Gain (5 dB, Pad Out): -93 dBu
    Mid Gain (30 dB, Pad Out): -89 dBu

  • Mic/Line Channel THD+N

    20 Hz - 20 kHz, Direct Out at unbalanced out,
    Unity Gain (Pad In): 0.005% -86 dBu at 1 kHz, 0 dBu output
    Low Gain (5 dB, Pad Out): 0.003% -89 dBu at 1 kHz, 0 dBu output
    Mid Gain (30 dB, Pad Out): 0.004% -88 dBu at 1 kHz, 0 dBu output

  • RCA

    RCA Line Inputs: Unbalanced
    Input Sensitivity: -24 to +24 dBu, nominal 0 dBu
    Trim: +/-24 dB, recallable
    Maximum Input Level: +18 dBu
    Input Impedance: >10 kOhms
    RCA Channel Noise: -92 dBu 20 Hz - 20 kHz
    RCA Channel THD+N: 0.0035% -90 dBu at 1 kHz, 0 dBu output

  • Audio Out (XLR)

    XLR Outputs: Balanced, Relay protected
    Output Impedance: <75 ohms
    Nominal Output: +4 dBu = 0 dB meter reading
    Maximum Output Level: +22 dBu
    Residual Output Noise: -91 dBu (muted, 20 Hz - 20 kHz)

  • Audio Outputs (RCA)

    RCA Line Outputs: Balanced, Relay protected
    Output Impedance: <75 ohms
    Nominal Output: 0 dBu = 0 dB meter reading
    Maximum Output Level: +18 dBu
    Residual Output Noise: -94 dBu (muted, 20 Hz - 20 kHz)

  • Digital Outputs

    48 kHz sampling rate
    SPDIF: RCA, 600 mV, coax terminated input 75 ohms
    AES3 2 Ch XLR Output: XLR, 2.5 Vpp balanced terminated 110 ohms

  • Measurement Conditions

    Measured balanced XLR in to XLR out, 20 Hz - 20 kHz, minimum gain, pad out

  • Dynamic Range

    112 dB

  • Signal to Noise Ratio

    -90 dB

  • Frequency Response

    0 / -0.25 dB at 20 Hz, 0/-0.5 dB at 20 kHz

  • THD+N

    System Peak Level THD+N: 0.0055% -68 dBu at +17 dBu output, 1 kHz
    System Line level THD+ N: 0.0022%, -84 dBu at +9 dBu output, 1 kHz

  • Headroom

    +18 dB

  • Operating Level

    0 dBu, internal

  • DBFS Alignment

    +18 dBu = 0 dBFS (+22 dBu at XLR output)

  • Metering

    Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu at XLR out)
    Meter Peak indication: -3 dBFS (+19 dBu at XLR out)
    Meter Type: Fast (peak) response

  • Sampling Rate

    48 kHz +/-100 PPM

  • ADC

    24-bit Delta-Sigma

  • DAC

    24-bit Delta-Sigma

  • Latency

    1.49 ms (local XLR in to XLR out)
    0.68 ms (local XLR in to digital out)

  • USB

    USB Playback: 2 channel, WAV, FLAC 44.1 / 48 kHz
    USB Record: 2 channel, 48 kHz / 16-bit - WAV

  • I/O Port

    64 channel bi-directional

  • I/O Card

    A&H ACE, MADI, Dante, ES, Waves, MMO (optional)

  • Operating Temperature

    32 to 95 deg. F (0 to 35 deg. C)

  • Mains Power

    100 - 240 VAC, 50 / 60 Hz, 110 W max

  • Channels

    48 Processing Channels: Mono = 1-44, Stereo = 45/46, 47/48

  • External Input

    Assignable source

  • Trim

    +/-24 dB digital trim

  • Polarity

    Normal/Reverse

  • Insert

    Assign to any sockets, In/Out, +4 dBu/-10 dBV level

  • Delay

    Up to 85 ms, Bypass switch
    Input global setting - ms, feet, meters, samples

  • Graphic EQ

    Type: Constant 1/3 octave, 28 bands 31 Hz - 16 kHz
    Gain: +/-12 dB
    GEQ Fader Flip Mode: 2 overlapping frequency banks on strip faders, SEL key resets frequency band to 0 dB, RTA following PAFL is displayed on strip meters

  • Parametric Equalizer

    Type: 4-band fully parametric, +/-15 dB
    Frequency Range: Global setting for Inputs = 20 Hz - 20 kHz or 'Analog'
    Analog Ranges: 20 - 200 Hz, 35 Hz - 1 kHz, 500 Hz - 15 kHz, 2 - 20 kHz
    Band 1: Selectable LF Shelving, Bell, Hi-Pass
    Band 2: Bell
    Band 3: Bell
    Band 4: Selectable HF Shelving, Bell, Lo-Pass
    Bell Width: Non-constant Q, variable, 1.5 to 1/9th octave
    Shelving Type: Classic Baxandall
    Hi-Pass, Lo-Pass Filter: 12 dB/octave

  • Compressor

    Sidechain: Sel f key, In/Out, Sel 'listen'
    Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz - 5 kHz
    Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz - 20 kHz
    Threshold: -46 to 18 dBu
    Ratio: 1:1 to infinity
    Attack: 300 us - 300 ms
    Release: 100 ms - 2 s
    Knee: Soft/Hard
    Manual Types: Peak Manual, RMS Manual
    Auto Types: VocalAuto, OptoAuto, PunchBag

  • Talkback

    Assignable source,
    Mode: Latched/Momentary, PAFL Dim option
    High Pass Filter: 12 dB/octave, 20 Hz - 2 kHz
    Routing: To Groups, Aux, Main, Matrix
    Level Trim: +/-24 dB

  • Signal Generator

    Sine, White Noise, Pink Noise, Bandpass Noise,
    Sine, Bandpass sweep 20 Hz - 20 kHz
    Controls Level, Mute
    Routing To Groups, Aux, Main, Matrix

  • RTA

    31-bands 1/3 octave 20 Hz - 20 kHz
    Source: Follows selected PAFL source
    Peak Band Indication: Option to display dominant frequency

  • Touchscreen

    8.4" TFT, 800 x 600 resolution

  • Faders

    100 mm motorized
    Fader Strips: 3 Banks (12,8,8), 4 Layers = 112x strips
    Strip Display: LCD per strip, assignable backlight colors

  • Softkeys

    14 assignable

  • MIDI

    MIDI In and Out

  • Network

    TCP/IP Ethernet

  • Internal Processing

    Internal FX: 8x RackFX engine
    Types: Reverbs, Delays, Modulators, Sub-harmonics, Pitch Shift, Rotary Speaker, De-Esser
    Mode: Send>Return, Inserted, Daisy Chain FX
    FX 'Short' Return Channels
    8 Stereo Dedicated Returns: Adds to inputs for up to 56 sources to the mix
    Controls: Fader, Pan, Mute, Routing to Grp, Aux, FX, Main
    FX Return PEQ: Same as Input Channel PEQ

  • High Pass Filter

    12 dB/octave 20 Hz - 2 kHz

  • Gate

    Sidechain: Self key, In/Out, Sel 'listen'
    Sidechain Lo-Cut Filter: 12 dB/octave, Freq 20 Hz - 5 kHz
    Sidechain Hi-Cut Filter: 12 dB/octave, Freq 120 Hz - 20 kHz
    Threshold: -72 to +12 dBu
    Depth: 0 to 60 dB
    Attack: 50 us to 300 ms
    Hold: 10 ms to 5 s
    Release: 10 ms to 1 s

  • Channel Direct Out

    Individual trim (per channel), Options: Source, follow Fader, follow Mute (global for all)

  • Dimensions

    39.3 x 22.7 x 6.2" (99.82 x 57.66 x 15.75cm)

  • Weight

    46.3 lbs (21.00kg)

  • UPC Code

    6938122241862

About Allen & Heath GLD-112

GLD-112 is a larger version of the popular GLD-80 mixer, with an extra bank of 8 control strips, increasing the channel count to 28 fader strips in 4 layers. GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. Plug n' play I/O expanders make it easy to build systems with up to 48 mic inputs, supported by a full suite of apps, software and personal monitoring solutions.

GLD-112 provides 48 input processing channels, 8 stereo FX returns fed by our acclaimed FX emulations, 30 configurable buses, 20 mix processing channels and DSP power to provide full processing without compromise. Now in a new GLD Chrome Edition, with sleek new styling, Automatic Mic Mixing, new embedded plugin FX and new compressor models on all channels.
GLD-112 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customizable drag 'n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 28 fader strips in 4 layers, each with motorized fader, a channel LCD display which can be named and color-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer's local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs and digital outputs in SPDIF and AES3 formats.

GLD-112 connects to a range of plug 'n play I/O racks to build systems with up to 48 microphone inputs. A primary AR2412 or AB168 dSNAKE device, a secondary (daisy-chained) AB168 or AR84 and a further AR84 expander rack can all be connected over 120m CAT5 runs using A&H's dSNAKE protocol. dSNAKE provides control to the remote preamp and automatic firmware updates to the AudioRacks. All dSNAKE ports are also compatible with the ME Personal Mixing System. GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath's ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits and connection to A&H iLive systems, which can easily be configured using GLD's extensive soft-patching.

The GLD Remote app provides wireless control for GLD-112, giving the engineer the freedom to walk the room or stage and control the sound right where it is needed. GLD-112 and GLD Remote can work together to provide simultaneous control of independent functions, for example one engineer using the console to mix FoH sound and another using the iPad to mix monitors on stage. GLD is fully compatible with the ME Personal Mixing System.

GLD offers 6 compressor models, all freely available on all input and mix channels. The models capture the audio nuances and non-linear ballastics of industry classics, ranging from slow-opto release, RMS detection, fierce Punchbag, through to super-fast peak compression/limiting. All models also encompass additional essential features, parallel path mode for convenient wet/dry compression balancing, comprehensive sidechain filter and gain reduction histogram.

GLD's new advanced automatic mic mixer (AMM) features make it perfect for mixing conferences, panel talks and TV shows. The AMM can be configured to work across 44 microphone sources, allowing the user to select which inputs should be auto-mixed without the usual restrictions of a 16 channel insert based system. The AMM can be set to work in two modes - 'D-Classic' dynamic gain sharing for a simple quick set-up and 'Number of Open Microphones' (NOM) logic gate technology for a more flexible and sophisticated auto mix.

GLD offers 8 stereo RackExtra FX engines with the additional buses and channels to handle them all without compromise, including 8 dedicated short returns with 4-band PEQ. Each FX engine has access to a Library containing no less than 19 different units and hundreds of editable factory presets. The full spectrum of FX units is included, such as reverbs, phasers, pitch shifters, sub harmonic synthesizers, transient processors and rotary speaker emulators. All units have been recreated with familiar knob layouts and back panels for patching as send/returns or as channel inserts. Whether it's for taming vocals and instruments, polishing mixes or being creative, a full menu of dynamic tools is also on offer, including de-essers, Multiband Compressors and Dynamic EQ.

Allen & Heath GLD-112 Features

  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 48 mics
  • Easy to use, quick to access, analogue style interface
  • DSNAKE Cat5 digital snake-up to 120m cable length
  • 8.4 inch color touchscreen for graphical view and setup
  • 28 faders, 4 layers, 112 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated 'short' returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • Deep processing embedded plugins including GEQ and compressor models
  • Automatic Mic Mixer with up to 44 microphone sources
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • USB stereo recording and playback
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • Compatible with ME Personal Mixing System
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colors
  • Engineer's mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Scene Filters, crossfades and automated recalls
  • Get started quickly with Template Shows
  • Password protectable user profiles

What's in the box:

  • Allen & Heath GLD-112 Chrome Edition Compact Digital Mixing Surface
  • Power Cord
  • Allen & Heath 1 Year Limited Warranty