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2 Year
$179.99
3 Year
$249.99
5 Year
$489.99
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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
Browse our FAQ
Mono Channel Microphone Input (XLR): +6 to -63 dBu for Nominal (+17 dBu Maximum)
Mono Channel Line Input (TRS Jack Socket): +10 to -26 dBu (+30 dBu Maximum)
Insert point (TRS Jack socket): 0dBu nominal +21dBu maximum
Stereo Input (TRS Jack and RCA Sockets): 0 dBu Nominal (Control = Off to +10 dBu)
Telco Channel Input (XLR): +10 to -26 dBu (+30 dBu Maximum)
External monitor inputs (RCA phono sockets): 0dBu Nominal
PGM L & R outputs (XLR): +4dBu nominal +25dBu maximum
PGM Mono output (RCA phono): 0dBu nominal +21dBu maximum
PGM L & R inserts (TRS jack sockets): -2dBu nominal +21dBu maximum
Aux output (Jack socket): 0dBu nominal +21dBu maximum
Mix B outputs (RCA phono sockets): 0dBu nominal +21dBu maximum
Audition outputs (RCA phono sockets): 0dBu nominal +21dBu maximum
Telco output (XLR): 0dBu nominal +21dBu maximum
CRM Speaker outputs (RCA phono sockets): 0dBu nominal +21dBu maximum
Mic in to PGM L/R Out, 0dB gain, 1kHz, +10dBu out: <0.01%
Mic in to PGM Out, 30dB gain, 1kHz, +10dBu out: <0.01%
Line in to PGM L/R out 0dB gain, 1kHz, 0dBu out: <0.01%
Stereo in to PGM out 0dB gain, 1kHz, +10dBu out: <0.01%
USB Audio In/Out: USB 1.1 compliant 16-bit
Sample Rate: 32, 44.1, or 48kHz
Mic Pre EIN at maximum gain 150R input Z 22 to 22 kHz: -124dBu
PGM out, PGM fader at nominal 22 to 22 kHz: -100dBu
Audition out, Mix B out = 0, 22-22kHz: < -100dBu
Aux out, Mono out = 0, 22-22kHz: < -85dBu
Analog Headroom from Nominal Outputs: 21dB
Analog Headroom from Nominal Mix Point: 24dB
USB in & out Headroom from nominal: 14dB
Mono fader attenuation (dB relative to +10 dBu) 1 kHz/10 kHz: -95/-95
Mono ON switch attenuation (dB relative to +10dBu) 1kHz/10kHz: -95/-95
TELCO fader attenuation (dB relative to +10 dBu) 1 kHz/10 kHz: -95/-95
TELCO ON switch attenuation (dB relative to +10 dBu) 1 kHz/10 kHz: -95/-95
Stereo fader attenuation (dB relative to +10 dBu) 1 kHz/10 kHz: -95/-90
Stereo ON switch attenuation (dB relative to +10 dBu) 1 kHz/10 kHz: -95/-95
PGM fader attenuation (dB relative to +10dBu) 1 kHz/10 kHz: -100/-95
TELCO clean-feed isolation from I/P (dB relative to +10 dBu) 1 kHz/10 kHz: -55/-40
Stereo separation, L in to PGM R out. dB relative to 1 kHz/10 kHz: -70/-50
Mic in PGM L/R Out, 30 dB gain: 0.5/-1 dB 10 Hz to 30 kHz
Line in to PGM L/R out 0 dB gain: 0.5/-1 dB 10 Hz to 30 kHz
Stereo in to PGM L/R out: 0.5/-1 dB 10 Hz to 30 kHz
Unpacked: 16.53lbs / 7.5kg
Packed: 25.35lbs / 11.5kg
6938122239111
Become the master of your audio production with the Allen & Heath B2-14 14 Channel Compact Broadcast Mixer, a professional-grade tool that brings exceptional quality and versatility to your studio. Designed to meet the rigorous demands of live events, broadcast, and recording studios, this durable and compact mixer is packed with specialized features that set it apart in its class.
The B2-14 mixer boasts dual Telco inputs, offering seamless telephone communication integration for broadcasts that require caller interaction. With mic channel ON switch sensing and stereo channel start/cue outputs, you gain precise control over playback devices, ensuring smooth transitions and professional-sounding mixes.
Experience the flexibility of mixing up to seven stereo sources with the dual stereo channels, and utilize the dedicated Audition bus for pre-air auditioning or off-air recording. The enhanced microphone preamps and stereo channel gain range provide pristine audio quality, making every broadcast sound its best.
The B2-14 is a highly flexible solution, featuring no less than 27 logic I/O for comprehensive remote control and 15 configuration switches to tailor the mixer to your specific needs. Whether you're operating solo or with a separate studio and engineer, this mixer adapts to your workflow. Create separate monitor mixes for the operator and guests, and utilize the Talk feature for off-air communication with telephone callers.
The Duopre preamps in the B2-14 use a two-stage design, offering a vast 69dB gain range and superior control over signal levels. With no need for a pad switch, line level signals are directly plugged into the second stage of the pre-amp via the line input jack socket, resulting in lower noise and clearer sound.
Equipped with a full duplex USB soundcard, the B2-14 provides extensive routing options for both recording and broadcast applications. The two Telco channels come with selectable clean-feed outputs, variable high pass and low pass filters, and a TALK button, ensuring your telephone callers are heard with clarity and precision.
In summary, the Allen & Heath B2-14 14 Channel Compact Broadcast Mixer is the ultimate choice for broadcasters seeking a high-quality, versatile, and professional mixing solution. With its robust feature set and flexible configuration, it stands as a superior option for those looking to elevate their audio production to the next level.