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Review Summary
2022-05-04T04:07:06
Just like my Ultra Pluses except better ! 12G single wire ! YES !
DANIEL K.
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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Single Channel Mode:
4K: 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
4K: 4096 x 2160PsF 23.98, 24, 25, 29.97
UltraHD: 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
UltraHD: 3840 x 2160PsF 23.98, 24, 25, 29.97
2K: 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
HD: 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
HD: 1080i 25, 29.97, 30
Single Channel Mode:
HD: 1080PsF 23.98, 24, 25, 29.97
HD: 720p 50, 59.94, 60
Multi-Channel Mode:
HD: 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
HD: 1080i 25, 29.97, 30
HD: 1080PsF 23.98, 24, 25, 29.97
HD: 720p 50, 59.94, 60
Single Channel Mode:
Apple ProRes 4444 XQ, up to 2K/60 fps
Apple ProRes 4444, up to 30 fps
Apple ProRes 422 (HQ)
Apple ProRes 422
Apple ProRes 422 (LT)
Apple ProRes 422 (Proxy)
Avid DNxHD HQX (220x)
Avid DNxHD SQ (145)
Avid DNxHD LB (36)
Avid DNxHR HQX up to 4K/30 fps
Avid DNxHR SQ up to 4K/30 fps
Avid DNxHR LB up to 4K/30 fps
Multi-Channel Mode:
Apple ProRes 4444, up to 30 fps
Apple ProRes 422 (HQ)
Apple ProRes 422
Apple ProRes 422 (LT)
Apple ProRes 422 (Proxy)
Apple ProRes .MOV
AVID DNX .MXF or .MOV
2x slots, AJA SSD media Pak 2000, Pak 1000, Pak 512, Pak 256
HFS+, exFAT
1x 12G-SDI, SMPTE-292/372/424/2081/2082
3x 3G-SDI, SMPTE-292/372/424
1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)
3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)
4K/UltraHD 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Dual Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Single Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
1x 12G-SDI, SMPTE-292/372/424/2081/2082
3x 3G-SDI, SMPTE-292/372/424
1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)
3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)
4K/UltraHD 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Dual Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Single Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
HDMI v2.0
4:4:4 RGB 8/10/12-bit (deep color)
4:2:2 YCbCr 8/10/12-bit
4:2:0 YCbCr 8-bit
1x 12G-SDI, SMPTE-292/372/424/2081/2082
3x 3G-SDI, SMPTE-292/372/424
1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)
3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)
4K/UltraHD 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Dual Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Single Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
1x 12G-SDI, SMPTE-292/372/424/2081/2082
3x 3G-SDI, SMPTE-292/372/424
1x Fiber or HD-BNC 12G-SDI, SMPTE-297 (optional SFP modules)
3x Fiber or HD-BNC, 3G-SDI, SMPTE-297 (optional SFP modules)
4K/UltraHD 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Dual Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
Single Link 4:2:2 10bit & 4:4:4 10/12bit (BNC or Fiber)
HDMI v2.0
4:4:4 RGB 8/10/12-bit (deep color)
4:2:2 YCbCr 8/10/12-bit
4:2:0 YCbCr 8-bit
16-channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
8-channel, AES/EBU via (1x DB-25 TASCAM pinout)
8-channel, mappable, 24-bit A/D analog audio, 48 kHz sample rate (1x DB-25 TASCAM Pinout)
+24 dBu full scale digital
+/- 0.2 dB 20 Hz to 20 kHz frequency response
16-channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
8-channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
8-channel, AES/EBU via (1x DB-25 TASCAM pinout)
Stereo unbalanced headphone jack (1x 3.5mm jack) with volume control
8-channel, 24-bit D/A analog audio, 48 kHz sample rate (1x DB-25 TASCAM pinout)
2-channel unbalanced 2x RCA connectors
Multi-channel HD Apple ProRes recording (Pak 2000, Pak 1000, Pak 512 (R1 and above), Pak 256 (R1 and above))
Single channel 4K/UltraHD/2K/HD recording
One channel of 4K/UltraHD/2K/HD at a time
SDI RP188/SMPTE 12M via SDI BNC
LTC input (1x BNC)
LTC output (1x BNC)
TC Super Out
External, 2x BNC
Looping, nonterminating
Blackburst or tri-level sync
720p 59.94
720p 50
1080i 59.94
1080i 50
1080p 23.98
1080PsF 23.98
1080p 24
1080PsF 24
1080p 25
1080PsF 25
1080p 29.97
1080PsF 29.97
(SD) Analog composite
525i 59.94
625i 50
1x LAN connector (RJ-45 connector, 10/100/1000)
Embedded web server for remote control
Configuration and Transport Control via Web Interface
Video Confidence Monitor via Web Interface
Clip upload/download via Web Interface in DATA-LAN mode
Remote control via REST
RS-422, 1x DB-9 female connector, Sony 9-pin protocol
9-pin D-connector pinout is as follows:
1: GND
2: TX-
3: RX+
4: GND
5: No Connection
6: GND
7: TX+
8: RX-
9: GND
Shell: GND
Rotary selector knob
Dedicated, backlit transport controls and menu buttons
Large 1280x720 TFT LCD display with Video Monitor and Menu/Status Overlays
CEA-708, CEA-608
Dual, redundant, 5.4A max, 35W-60W typical-65W Max
100-240 VAC 50/60 Hz (adapter)
12-18Vdc 4-pin XLR (chassis)
Safe Operating Temperature: 32 to 104 F (0 to 40 C)
Safe Storage Temperature (Power OFF): -40 to 140 F (-40 to 60 C)
Operating Relative Humidity: 10-90% noncondensing
Operating Altitude: <3,000 meters (<10,000 feet)
8.64 x 9.34 x 3.31" (219.46 x 237.24 x 84.08mm)
5.6 lbs (2.6kg)
812321032208
1/4 as many wires ! YES !
By DANIEL K.
Just like my Ultra Pluses except better ! 12G single wire ! YES !
Let the Ki Pro Ultra Multi-Channel 12G-SDI 4K/UltraHD/HD Recorder and Player revolutionize your professional video recording and playback experience. This advanced device offers up to 4-Channels of simultaneous HD recording, or a single-channel mode for 4K/UltraHD/2K/HD recording and playback. It supports Apple ProRes and Avid DNxHR codecs, ensuring high-quality video capture and seamless compatibility with most major editing systems.
The Ki Pro Ultra 12G-SDI Recorder and Player is equipped with 12G-SDI single cable technology for large rasters and HDMI 2.0 digital video connectivity with HDR support. This ensures both recording and playback are of the highest quality. Its robust audio connectivity options, both analog and digital, cater to any project's demand for efficient, powerful, and flexible workflows.
Designed for portability and rackmountability, this device is perfect for use in any environment, from live production and post-production to on-set filming. It offers a dedicated web UI for remote control, file transfers, and configuration, making it a versatile tool for any professional video production setup.
The Ki Pro Ultra 12G-SDI Recorder and Player supports multi-channel HD recording, allowing you to record 1, 2, 3, or 4-Channels of HD up to 1080p 50/60 in Apple ProRes simultaneously. This feature simplifies your multi-camera productions, saving power, space, time, and effort on set, in the studio, and when setting up OB trucks.
With full HDMI 2.0 support, this device offers deep color support up to 4:4:4 12-bit RGB, perfect for capturing rich colors from affordable HDMI cameras and beautiful playback on the latest HDMI 2.0 displays. It also supports HDR or High Dynamic Range, providing a wider and richer range of colors, brighter whites, and deeper, darker blacks than standard signals allow.
The Ki Pro Ultra 12G-SDI Recorder and Player is not just a device; it's a comprehensive solution for all your professional video recording and playback needs. With its advanced features, high-quality output, and user-friendly interface, it's the perfect fit for any professional in the film and television industry.
530-274-2048