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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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Cable: Black
25-pin male
UNC 4/40 thread
ADI-8 QS, ADI-8 DS, ADI-8 DS Mk III <> DTOX-16 I/O
M-32 Pro AD, M-32 AD, M16 AD <> DTOX-16 I
M-32 Pro DA, M-32 DA, M16 DA <> DTOX-16 O
One cable is required for 8 channels.
Length: 9.8' (3m)
Diameter: 0.55" (14mm)
4260123364656
Analog Multicore Cables
An audio multicore cable (often colloquially referred to in the US and Canada as a snake cable or just a snake) is a thick cable which contains from four to 64 individual audio cables inside a common, sturdy outer jacket. Audio multicore cables are widely used whenever multiple audio signals, for example from a number of microphones, need to be conveyed between common locations. Typical professional audio applications include audio recording, sound reinforcement, PA systems and broadcasting. The "snake" is typically used to make it easier to route many signals from the microphones or other input transducers, to the audio console or sound equipment.
Without a snake, a rock band performing onstage, for example, would have to have 20 or more individual mic cables running from the stage to the mixing console, which is typically located at the rear of a venue. It would be easy for the cables to become tangled, and it would be very hard for the audio engineers connecting the mic cables to the mixing board to determine which cable is for which mic (or other input).